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Show textShow cached sourceOpen source URL	(surež. Davor Međurečan, 2006),
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Show textShow cached sourceOpen source URL	Od mlađe generacije hrvatskih animatora predstavljeni su: Žene na brodu Vjekoslava Živkovića, Silencijum Marka Meštrovića i Davora Međurečana, Plac Ane Hušman, Vlak Gorana Stojnića, Alea iacta est Dine Krpana, Unplugged Stjepana Mihaljevića, Fantastična odiseja doktora Zodiaka Matije Pisačića, Transoptic Branka Farca te Ona koja mjeri Veljka Popovića.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	'The Young Croatian Generation' was presented with the following works: Women on Bord by Vjekoslav Zivkovic , Silencium by Marko Mestrovic and Davor Medjurecan, The Market by Ana Husman, The Train by Goran Stojnic, Alea iacta est by Dino Krpan, Unplugged by Stjepan Mihaljevic, Doctor Zodiac's fantastic odyssey by Matija Pisacic, Transoptic by Branko Farac and She who Measures by Veljko Popovic.

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Zečevi Bez Mozga žive u Zecozemskoj, savršenom svijetu uređenom prema najuspješnijim primjerima ratnih zona, geta i slamova. Jarko su ružičasti, u glavi umjesto mozga imaju rupu, a sretni su bez obzira na to što im se događa.

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Brainless Rabbits live in Rabbitland, a perfect world ordered according to the most successful examples of war zones, ghettos and slums. They are intensively pink, have holes in their heads instead of brains, and they are happy regardless of what happens to them. They are the highest stage the evolution has ever reached. Their everyday life is completely fulfilled. The Rabbits spend days voting on free and democratic elections, which take place in Rabbitland once a day, because Rabbitland is an ordered democracy. Nevertheless, it gets disclosed that the elections are organized by the Evil Girls, just for their fun and laughter.

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Uređivala je programe za nekoliko festivala i art kina u Zagrebu i drugim hrvatskim gradovima, a promiče i hrvatski eksperimentalni film, video i animaciju na europskim i svjetskim filmskim i medijskim zbivanjima.

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Marina Kožul works for the Croatian non-profit organization 25 FPS Association for Audio-Visual Research in Zagreb, whose activities include media education and publishing, and whose main project is 25 FPS Festival, international film festival dedicated to experimental, innovative and artists’ film and video, where she works as one of the programmers and producers. She has curated programs for several festivals, art cinemas in Zagreb and other Croatian cities, as well as promoted Croatian experimental film, video and animation at European and international film and media events. Since 2012 she has been working with the International Film Festival Rotterdam as a consultant for short films.

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Show textShow cached sourceOpen source URL	Kontejner pun eksploziva ili zapaljivih tvari, programiran da eksplodira pri dodiru ili detonacijom na tajmer ili uređaj koji se aktivira na daljinu ili blizinu. Želim doručak da mogu započeti dan.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	A container filled with explosive or incendiary material, designed to explode on impact or when detonated by a timing, proximity, or remote-control device. I want some breakfast and get on with my day.

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Zečevi Bez Mozga žive u Zecozemskoj, savršenom svijetu uređenom prema najuspješnijim primjerima ratnih zona, geta i slamova. Jarko su ružičasti, u glavi umjesto mozga imaju rupu, a sretni su bez obzira na to što im se događa.

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Brainless Rabbits live in Rabbitland, a perfect world ordered according to the most successful examples of war zones, ghettos and slums. They are intensively pink, have holes in their heads instead of brains, and they are happy regardless of what happens to them. They are the highest stage the evolution has ever reached. Their everyday life is completely fulfilled. The Rabbits spend days voting on free and democratic elections, which take place in Rabbitland once a day, because Rabbitland is an ordered democracy. Nevertheless, it gets disclosed that the elections are organized by the Evil Girls, just for their fun and laughter.

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i VJ-alata kućne izrade, austrijski animator Clemens Kogler predstavlja inovativnu low-tech metodu kombiniranja animiranih slika i zvuka. Phonovideo pruža čitav niz mogućnosti bez pomoći ikakvog računalnog ili digitalnog uređaja u audiovizualnoj izvedbi.

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The return to the beginnings of cinema and 19th century apparatus moves images in real time very easily. Combining phenakistoscope animation technique from 1832 and a homemade VJ tool, Austrian animator Clemens Kogler presents an innovative but low-tech method to mix live animated images and sound. Phonovideo offers a world of possibilities without the help of any computer or digital device in an audiovisual performance.

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Jayne Pilling prešla je u nezavisne profesionalce te se u Velikoj Britaniji i inozemstvu bavi raznim područjima, uglavnom animacijom, filmom, filmskom i medijskom umjetnošću te administracijom u umjetnosti. Uređuje filmske programe i organizira filmske simpozije u Velikoj Britaniji i inozemstvu za festivale i muzeje.

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After twelve years working as a programmer in independent cinema, and then at the British Film Institute in art-house film exhibition and distribution, and funding policy, in 1993 Jayne Pilling went freelance, working in the UK and internationally in several areas, mainly connected to animation, film, film and media arts, and arts administration. She has been curating film programmes and art symposia in UK and internationally for festivals and museums, researching, lecturing, and writing on animation, as well as publishing DVDs. In 1996 she founded British Animation Awards, serving as its director ever since. As an animation specialist, Jayne Pilling acted as a jury member and consultant at international film festivals and she teaches and lectures at universities in Europe, Asia and North America. Her books include

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bavi se eksperimentalnim i animiranim filmom, glazbenim spotovima i reklamama. Osim umjetničke prakse bavi se i poviješću filma, predaje animaciju, uređuje i organizira filmske programe. Njegovi najpoznatiji filmovi su Mozart Party ’06 (2006), Sophia's Year (1998), Zeit Raum (1998).

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Thomas Renoldner (1960, Linz, Upper Austria) got his diploma in 1994 at University of Applied Arts with Ryhthm 94. Since 1976 he has been making experimental and animated films, music videos, commercials. Besides his artist practice, he is a film historian, animation teacher, curator and organiser of film programmes. His most recent films include: Mozart Party ’06 (2006), Sophia's Year (1998), Zeit Raum (1998).

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Kristjan Holm (1976) diplomirao je 1999. unutrašnje uređenje na Estonskoj umjetničkoj akademiji. Bavio se javnim interijerima, godine 2004. sudjelovao je na Bijenalu arhitekture u Veneciji s radom Zahod trojanskog konja, proveo je razne prostorne eksperimente, ali spoznaja da je prostorija ograničena s četiri zida još uvijek ga muči.

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Kristjan Holm (1976) graduated in interior design from the Estonian Academy of Arts in 1999. He designed public interior spaces, participated in Venice Architectural Biennale as ambassador of Trojan Horse Toilet in 2004, performed different spatial experiments, but the understanding that a room is limited with four walls still troubled him. He enrolled in the MA studies at the Estonian Academy of Arts Animation Department in 2007 and made his first film Small House (2009).

  Animafest.hr  

Show textShow cached sourceOpen source URL	Davor Međurečan (1971) bavi se animacijom od 1995, a režirao je nekoliko kratkih animiranih filmova
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Davor Međurečan (1971) has been making animated films since 1995 and has directed several animated shorts

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Show textShow cached sourceOpen source URL	nagrađivani je kratki film i igra za vaš digitalni uređaj. Upoznajte osjećaje antropoidnih bića koji sežu dalje od seksualnosti i reprodukcije: ljubav.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	is an award-winning short film and game for your digital device. Explore the feelings of anthropoid creatures that go beyond sexuality and reproduction: love.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Autori | Davor Međurečan
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Authors | Davor Međurečan

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Show textShow cached sourceOpen source URL	Marko Meštrović (1972) diplomirao je slikarstvo 1997. godine na Akademiji likovnih umjetnosti u Zagrebu. Imao je više grupnih i samostalnih izložbi, a animacijom se bavi od 2000. godine. S Davorom Međurečanom surežirao je dva animirana filma,
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Marko Meštrović (1972) received a degree in painting from the Academy of Fine Arts in Zagreb in 1997. He has held numerous group and solo exhibitions, and began making animated films in 2000. He co-directed two animated films with Davor Međurečan:

  Animafest.hr  

Show textShow cached sourceOpen source URL	(surež. Davor Međurečan, 2004)
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Joost Rekveld (1970) stvara apstraktne filmove i kinetičke instalacije polazeći od ideje vizualne glazbe za oči. Za njih konstruira mehaničke optičke uređaje ili piše softver, nadahnut manje poznatim zamislima iz zapećaka tehnološke povijesti filma te konceptima iz povijesti znanosti, biologije i fizike.

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Joost Rekveld (1970) creates abstract films and kinetic installations starting from the idea of visual music for the eyes. He constructs mechanical optical machines or writes a software, inspired by lesser-known ideas from far corners of technological history of film, concepts from the history of science, and physics of biology. In the recent years, his creative interest moved to the areas of robotics and algorithmic art.

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Show textShow cached sourceOpen source URL	dokazuje da se kompjutorska animacija, koja je nekoć bila rađena na klimavom trik-uređaju, razvila u umjetnost. Složenost dizajna i pokreta, brzine i ritma, bogatstva forme i kretnje, zajedno sa stroboskopskim učinkom je uznemirujuća.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	. Due to an eye diseases from ionizing radiation, Schwartz devised new techniques for color saturation, layering, editing, texture mapping, and perceptual aspects of the eyes’ cones and brain interpretation (besides, da Vinci and della Francesca, her contemporaries at the Labs, Bela Julecz, Leon, John Krauskopf, and, outside, Edwin Land of Polaroid fame).