lci – Traduction – Dictionnaire Keybot

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Show textShow cached sourceOpen source URL	Mnozí slavní a prominentní hosté, k nimž patřili císař František Josef I. a jeho choť císařovna Alžběta, kníže Bismarck, umělci jako byli Grillparzer a Schubert nebo filozof Schopenhauer měli zásluhu na tom, že Bad Gastein získal pověst moderních lázní světového formátu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine gastein.com as primary domain	Treed in de voetsporen van de 'Säumer' (lastdierdrijvers) of probeer uw geluk eens bij het goudwassen! Stel uw eigen, spannende ontdekkingsreis in het Gasteinertal samen.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine gastein.com as primary domain	Talrige berømte gæster som kejser Franz Joseph I og hans hustru kejserinde Elisabeth, fyrst Bismarck, Grillparzer, Schubert, Schopenhauer og mange andre gav kurstedet i Gastein ry for at være et moderne og internationalt kurbad.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine gastein.com as primary domain	A völgy történelmi fejlődésébe mendemondák és történetek övezte látnivalók sokasága enged bepillantást. Ilyen például az „Entrische Kirche” barlang, amely a protestánsok titkos találkozóhelye volt üldöztetésük során, a Klammstein vár, a „Boldogasszony temploma” Bad Hofgasteinban, amely Salzburg tartomány legszebb és legnagyobb gótikus épületei közé tartozik, vagy a Szt. Miklós templom, a Gasteini-völgy legrégebbi építménye.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine gastein.com as primary domain	Лишь во времена правления габсбургского эрцгерцога Фердинанда III развитие курорта вошло в новую стадию развития, получившего значительное ускорение при императоре Франце I. Благодаря постройке дороги Тауэрнбан в начале 20 столетия, курорт, до которого раньше можно было добраться только на лошадиных повозках, стал легко доступен. Гастайн стал местом большой европейской политики, во времена Бисмарка Гастайн являлся "Курортом дипломатов"!

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Show textShow cached sourceOpen source URL	Při procházce po něm si vychutnáte pohled na skvělou architekturu města, hrdou šperkovnici gotických, středověkých a renesančních domů. Během procházky pro vás hudebníci, malíři a pouliční umělci vytvoří mimořádnou atmosféru, ve které se přiblížíte k Mostecké věži, kouzlené vstupní bráně do Starého Města.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine aiquattroangeli.com as primary domain	Charles Bridge is the symbol of Prague. Over 500 meters in length, it dates back to the XIV century and is decorated with precious Baroque statues all along the balustrades. Crossing it you get to enjoy the view of the city’s splendid architecture, flourishing Gothic, Medieval and Renaissance contours. Along its path, musicians painters and street artists create a special atmosphere whilst you draw closer to Mostecka Tower, the spectacular entrance to the Old Town.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine aiquattroangeli.com as primary domain	Ponte Carlo è il simbolo di Praga. Lungo oltre 500 metri, risale al XIV secolo e si presenta ornato da preziose statue barocche che ne delimitano le balaustre. Percorrendolo si gode della vista delle splendide architetture cittadine, un rigoglioso gioire di profili gotici, medioevali e rinascimentali. Lungo la sua camminata, musicisti, pittori e artisti di strada, creano particolari atmosfere mentre vi avvicinate alla Torre Mostecka, la spettacolare porta di accesso alla Città Vecchia.

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století byl palác jedním z center společenského života pročesky smýšlející šlechty, před rokem 1848 zde sídlil Thunův salon, kde se mj. setkávali pražští umělci se svými mecenáši a zákazníky. Interiéry byly upravovány počátkem 19.

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One of the most valuable peak Baroque palaces in the whole Prague was built for Norbert Vincenc of Kolowrat in 1721-26 by G. A. Lurago and B. Scotti based on a plan by J. B. Santini in the site of five houses. It was designed as a southern section of a Renaissance palace of the Lords of Hradec (Thunovská ulice 25/193). Thun-Hohenstein Palace along with the Morzin Palace standing opposite, is considered to be one of Santini’s masterpieces in terms of palace architecture. The façade is decorated by a majestic portal with two large heraldic eagles from the coat-of-arms of the Kolowrat family and statues of Jupiter with an eagle and Juno with a peacock, all by M. B. Braun. There are two Kolowrat coats-of-arms located below the cornice of the middle window. On the sides of the main entrance there are two smaller entry gates for pedestrians which emphasize the magnificence of the whole façade. This palace was owned by Thun-Hohenstein family from 1768. In the first half of the 19th century it became one of the centers of social life for the pro-Czech nobility, before 1848 the Thun salon was based there where Prague artists met with their patrons and customers. The interiors were adapted at the beginning of the 19th century, the central staircase based on a plan by J. Zítek with paintings by F. Ženíšek a J. Tulka is from 1870. In 1924 the palace was bought by the Italian government, in 1937 it underwent a reconstruction and now the Italian embassy is located there.

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století byl palác jedním z center společenského života pročesky smýšlející šlechty, před rokem 1848 zde sídlil Thunův salon, kde se mj. setkávali pražští umělci se svými mecenáši a zákazníky. Interiéry byly upravovány počátkem 19.

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One of the most valuable peak Baroque palaces in the whole Prague was built for Norbert Vincenc of Kolowrat in 1721-26 by G. A. Lurago and B. Scotti based on a plan by J. B. Santini in the site of five houses. It was designed as a southern section of a Renaissance palace of the Lords of Hradec (Thunovská ulice 25/193). Thun-Hohenstein Palace along with the Morzin Palace standing opposite, is considered to be one of Santini’s masterpieces in terms of palace architecture. The façade is decorated by a majestic portal with two large heraldic eagles from the coat-of-arms of the Kolowrat family and statues of Jupiter with an eagle and Juno with a peacock, all by M. B. Braun. There are two Kolowrat coats-of-arms located below the cornice of the middle window. On the sides of the main entrance there are two smaller entry gates for pedestrians which emphasize the magnificence of the whole façade. This palace was owned by Thun-Hohenstein family from 1768. In the first half of the 19th century it became one of the centers of social life for the pro-Czech nobility, before 1848 the Thun salon was based there where Prague artists met with their patrons and customers. The interiors were adapted at the beginning of the 19th century, the central staircase based on a plan by J. Zítek with paintings by F. Ženíšek a J. Tulka is from 1870. In 1924 the palace was bought by the Italian government, in 1937 it underwent a reconstruction and now the Italian embassy is located there.

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Právě to je velmi důležité ve světě, v němž se lidé těžko orientují, v němž politici používají imaginaci a fikci, zatímco umělci jsou posedlí autenticitou. Jak se k tomu postavíme? Co bychom s tím měli udělat?

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The difficulty of orienting one's self in this contemporary world makes scenography's social function very important: here politicians use imagination and fiction (and artists are obsessed with the authentic); here systems and recognitions are disrupted; nowadays often one is not allowed to wear a mask at demonstrations. The questions 'what should be done?' and 'how should one position oneself?' ring throughout PQ 2015: individual expositions explore the position of the designers in their process (like Lithuania); the place 'of the designer in national and international contexts' (Mexico); and often the place of an individual in a community in the contemporary world (like Uruguay, Australia).

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

  www.dinafem.org  

Show textShow cached sourceOpen source URL	Džihádisté ISIS na severu Sýrie a Iráku nejen děsí tamější obyvatele, ale také spalují místa, kde se pěstuje marihuana, která syrští zemědělci vytvořila proto, aby mohli přežít v této zemi zpustošené válkou.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine dinafem.org as primary domain	Siria eta Irakeko iparraldean ISIS jihadistek bertako herritarrak izutzeaz gain, gerrak suntsitutako herrialde honetan nekazariek bizirauteko landatzen dituzten marihuana laborantzak erretzen dituzte orain. Estatu Islamikoko kideen ustez kanabisa kaltegarria da eta horregatik suntsitu beharra dago. Baina landatzaileen aurkakotasuna handia da.

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listopadu 1989, ve výroční den uzavření českých vysokých škol nacisty, kterou komunistický režim tvrdě potlačil policejním zásahem na Národní třídě v Praze. Do čela následného občanského vystoupení se postavili studenti a umělci.

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The beginning of social change began with a peaceful demonstration of students on November 17, 1989, on the occasion of the closure of Czechoslovak post-secondary schools by the occupying Nazis. The communist regime's police force brutally suppressed this demonstration on Narodni Trida in Prague. Students and Artists came to the forefront of subsequent civic uprisings. The meeting of the Drama Club of November 19th gave rise to Civic Forum, which became an umbrella group for organizations and individuals who demanded fundamental changes in the Czechoslovak political system. From its inception, Václav Havel became its leading figure. The social upheaval came to a climax on December 29th, 1989, when Václav Havel, as the candidate of Civic Forum, was elected President by the Federal Assembly of Czechoslovakia. In his inaugural address, he promised to lead the nation to free elections, which he fulfilled in the summer of 1990. He was elected to the Czechoslovak Presidency a second time by the Federal Assembly on the 5th of July the same year.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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K dalším vzácným hostům z let dávno minulých patřili význační sovětští maršálové, politici, umělci a spisovatelé, později i sovětští kosmonauté, jmenovitě pak maršálové Koněv a Malinovskij, V. P. Brežněvová, Kosygin, patriarcha ruské pravoslavné církve Pimen, režisér Bondarčuk, kosmonaut Běregovoj a jiní.

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Самым известным и привлекательным отелем "Bristol Group", вне всякого сомнения, является здание бывшего oтеля "Бристоль", в настоящее время "Бристоль Палас". Этот помпезный курортный дом, одна из самых красивых карловарских доминант, был построен в конце XIX в., в 1890 г., в прекрасной и тихой части Карловых Вар, называемой Westend. Свой сегодняшний вид комплекс отелей, в районе Westend, приобрел благодаря двум известным карловарским семьям - семье врача Вилема Фасолта и семье супругов Теллеров. качестве oтелей и санаториев были постепенно выстроены в 1872-1908 гг. виллы "Бристоль" (сегодня "Бристоль Палас"), "Königswill" ("Королевская вилла"), "Teresa" ("Тереза") и "Fasolt" (сегодня "Ливия"). Вокруг всего комплекса был сделан английский парк, придающий уникальное очарование данной местности. Отель "Бристоль Палас", спроектированный венскими архитекторами Гансом Шидлом и Альфредом Бауэром, несет на себе выразительный отпечаток именно венского историзма с чертами замковой архитектуры.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Show textShow cached sourceOpen source URL	Švýcarsko je v Česku zastoupeno téměř všemi uměleckými disciplínami a zvučná jména švýcarské kultury svědčí o intenzitě vztahů.V minulých letech vystoupili v Česku mezi jinými následující švýcarští umělci:
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine eda.ch as primary domain	La Suisse est représentée en République tchèque dans presque toutes les disciplines artistiques et de grands noms de la culture suisse témoignent de l’intensité des relations entre ces deux pays.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine eda.ch as primary domain	Die Schweiz ist in Tschechien mit fast allen künstlerischen Disziplinen vertreten und grosse Namen der Schweizer Kultur zeugen von der Intensität der Beziehungen. In den letzten Jahren traten unter anderem folgende Schweizer Künstler in Tschechien auf:

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Halloweenskou večerní party jste již zažili asi všichni. Přijďte s námi prožít netradiční halloweenskou zábavu za bílého dne. Začínáme již 12:30. Vystupují umělci a divadelníci z Divadelní společnosti, Pohádkového světa, tanečníci Xoana a jejich hosté.

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Celebrate with us the christening of Raffaellito, the little skeleton. DJ Smrť (DJ LilJohn) and a dancing duo Kostry will set the ball rolling. Xoana will be dancing to the rhythm. You´ll learn how to dance Muerto Style at dance school. You can sing with talented superstar Veronika Danišová. Superb theatrical make-up will turn you into a different person. Creations by Clown Matvej are designed for all age groups as well creative workshops, a rich animation programme, competitions and many other surprises. And all of you, who take part in the christening and would like to take home a reminder to the event, will be rewarded a Halloween surprise! All of you have certainly experienced a Halloween party. Come and enjoy with us untraditional Halloween during the day. We start at 12:30 p.m. You´ll by entertained by artists and actors from Theatre Company, Fairytale World, and dancers from Xoana with their guests.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.

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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.

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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.