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Il pluripremiato maestro italiano Riccardo Frizza è una presenza galvanica sul podio, le cui esecuzioni sono tanto suggestive quanto esaltanti. Tra i suoi sostenitori Alberto Zedda, Bruno Cagli, e Gian Carlo Menotti, Riccardo Frizza è un esponente di spicco del bel canto, e vanta collaborazioni con il gotha dei cantanti lirici dei teatri piu’ prestigiosi, dal Teatro alla Scala di Milano al Metropolitan Opera di New York; nelle sale da concerti ricopre podi di levatura mondiale con ensemble quali il Gewandhaus di Lipsia, Roma dell'Orchestra dell'Accademia Nazionale di Santa Cecilia, Roma, dell’ Orchestra Filarmonica di Londra e della Tokyo Symphony, mentre la sua ampia discografia include l’edizione Decca di Una Furtiva Lagrima, vincitore del 2004 Cannes Classical Award.
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Award-winning Italian maestro Riccardo Frizza is a galvanic presence on the podium, inspiring performances as exhilarating as they are expressive. Championed by Alberto Zedda, Bruno Cagli, and Gian Carlo Menotti, he is a leading exponent of bel canto repertoire, collaborating with a who’s who of today’s most iconic singers at opera houses from Milan’s Teatro alla Scala to the Metropolitan Opera in New York. In the concert hall, he graces the podiums of such world-class ensembles as the Leipzig Gewandhaus, Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia, London’s Philharmonia Orchestra, and the Tokyo Symphony, while his extensive discography includes Decca’s Una furtiva lagrima, winner of the 2004 Cannes Classical Award. Frizza maintains a strong international presence in 2015-16. To launch the new season, he leads back-to-back productions of La traviata and Tosca at Italy’s Teatro la Fenice. After premiering Stéphane Braunschweig’s new staging of Bellini’s Norma at the Theatre des Champs-Elysées in Paris, he concludes the season at the Gran Teatre del Liceu, conducting Elina Garanca and Patrizia Ciofi in the Vincent Boussard/Christian Lacroix production of I Capuleti e i Montecchi that he debuted and recorded at San Francisco Opera. These engagements follow a festival-opening run in Nabucco at Italy’s Arena di Verona, bookended by two new Spanish productions of Otello at Ópera de Bilbao and the Festival de Peralada respectively. Riccardo Frizza made his Met debut conducting Rigoletto in 1999, and since then, he has conducted multiple operas including Norma, Tosca, Il Trovatore, La Bohème and Rossini's Armida. This season, he will conduct Donizetti's Maria Stuarda (January 29 - February 20).
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