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Keybot 5 Résultats  www.artesmundi.org  Page 10
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Dw i’n nodi presenoldeb Syr Nicholas Serota, Cyfarwyddwr y Tate, ‘y dyn mwya pwerus yn y byd celf’ (Independent 1/11/14). Roedd y tair sioe yn Chapter yn ymdrin â themâu chwyldro, stumio’r cyfryngau, rheoli a thlodi, tra oedden ni, y gynulleidfa, yn fodlon ein byd yn llymeitian rhyw rioja arbenigol cysurus o ddrud.
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Artes Mundi 6 for me begins at the ‘free wine, fine guests’ preview reception. I note the presence of Sir Nicholas Serota, Director of the Tate “the most powerful man in the art world” Independent 1/11/14. The three shows at Chapter covered the themes of revolution, media manipulation, control and poverty whilst we the audience, were happily quaffing reassuringly expensive artisan rioja.
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Ambell waith gwna benderfyniad ymwybodol i ddinistrio’r ffilm negyddol wreiddiol er mwyn cadarnhau natur ddi-droi’n-ôl amser a’r anallu i ail-greu ennyd neu olygfa. O ganlyniad, bydd yn aml yn gwneud delweddau sydd o ran tymer fel petaent yn ddyledus mewn rhyw ffordd i brosesau creu lluniau’r gorffennol.
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He experiments with and manipulates these processes, exploiting the alchemy inherent in chemical photography or changing the elements of timing which makes film the medium of movement. There is a sense of irony behind his work – that a Taiwanese artist should be preoccupied by such traditional methods of creating images. Living in a highly sophisticated technological world, Wu Chi-Tsung takes delight in almost accidentally finding ways to capture or re-imagine the world around him. All his works, whether presented as still or moving images, use time as an integral part of their make-up, not simply through the convention of a shutter opening and closing but through the subversion of time in how the images were made.