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  www.bibalex.com  
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The damping structure of vibratory modes is another important property of the vibrating structures feature, alongside with the structure frequency considered in the above studies. Generally speaking, modal properties of a linear vibrating structure can be defined and be observed from their "modal analysis" relating the frenquency, the amplitude (in specific excitation and hearing conditions) and the signal dampling of each mode. From a matrix mathematical transformation, it gives of the whole general linear masses-interactions a representation in the shape of an independant range of second range linear oscillators, quantify by their frequency and their own damping ratio, or, to put it another way, their own physical parameters of elasticity and viscosity (K and Z in GENESIS). GENESIS has a specific feature (very often used in practice), enabling on the one hand to make the modal analysis of any GENESIS network on the condition it shall be exclusively linear, on the other hand to "tune" a network by imposing one (and only one) value in the analysis tab, whether it is constant frenquency or damping ratio stiffness or viscosity. Yet, two particular damping situations are revealed: one where damping coefficient are homogeneous (all identicals) within the model in its topological description, and another one where they are homogeneous in the modal description. This situation shows a certain interest since the first may be read as corresponding to a viscosity within the vibrating structure, the second as a central viscosity in which the vibrating structure is in. Perceptives correlations of these two situations are relatively coherent with this metaphor. Olivier Tache takled this issue through Audrey Pellissier's engineering final year training, in 2012. It enables producing methods in GENESIS using PNSL2 script language, controlling precisely such features and particularly to forecast, to some extent, an independant timber control, in its causal reference, and the persistence and resonance of a vibrating structure.
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Une autre propriété importante des structures vibrantes est, à côté de la structure fréquentielle en cause dans les études ci-dessus, la structure des amortissements des différents modes vibratoires. D'une manière générale, les propriétés modales d'une structure vibrante linéaire peuvent se définir et s'observer à partir de leur "analyse modale" traduisant la fréquence, l'amplitude (pour des conditions d'excitation et d'écoute définies) et le temps d'amortissement de chaque mode. Celle-ci, à partir d'une transformation mathématique matricielle donne de tout réseau masses-interations linéaire général une représentation sous la forme d'un ensemble d'oscillateurs linéaires du second ordre indépendants, quantifiés par leur fréquence et leur temps d'amortissement propres, ou, selon une expression différente, leurs paramètres physiques propres d'élasticité et de viscosité (K et Z en GENESIS). GENESIS propose une fonctionnalité spécifique (très utilisée dans la pratique), qui permet d'une part d'effectuer l'analyse modale de n'importe quel réseau - de GENESIS à condition qu'il soit exclusivement linéaire, d'autre part "d'accorder" un réseau en imposant une (et une seule) valeur dans le tableau d'analyse, qu'il s'agisse des constantes de raideur, de viscosité, de la fréquence ou du temps d'amortissement. Or deux situations particulières d'amortissement apparaissent : celle où les coefficients d'amortissement sont homogènes (tous identiques) au sein du modèle dans sa description topologique et celle où ils sont homogènes dans la description modale. Cette situation présente un intérêt particulier par le fait que la première peut s'interpréter comme correspondant à une viscosité interne à la structure vibrante, la seconde comme une viscosité du milieu dans lequel est plongée la structure vibrante. Les corrélats perceptifs de ces deux situations sont relativement cohérents avec cette métaphore. Cette question a été abordée par Olivier Tache, à travers le stage de fin d'études d'ingénieur de Audrey Pellissier, en 2012. Ceci a permis de créer des méthodes, au sein de GENESIS à l'aide de Scripts en langage PNSL2, permettant le contrôle fin de ces caractéristiques et en particulier d'envisager, dans une certaine mesure, un contrôle indépendant du timbre, dans sa référence causale, et de la persistance de la résonnance d'une structure vibrante.
  www.afmuseet.no  
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Alex Abella, Paul Thomas Anderson, Kenneth Anger, Reyner Banham, Paul Beatty, Francesca Lia Block, T. C. Boyle, Vincent Bugliosi, Charles Bukowski, Octavia Butler, Amina Cain, Wanda Coleman, Michael Connelly, Bernard Cooper, Dennis Cooper, Mark Z. Danielewski, Trinie Dalton, Mike Davis, Joan Didion, Dominick Dunne, Bret Easton Ellis, James Ellroy, Steve Erickson, John Fante, Janet Fitch, Angela Flournoy, James Frey, Romain Gary, Ryan Gattis, Kenneth Goldsmith, Joseph Hansen, Paul Haggis, John Haskell, Todd Haynes, David Hockney, Christopher Isherwood, Aris Janigian, Norman M. Klein, Chris Kraus, Rachel Kushner, Cameron Lange, Annette Leddy, Joe Linton, David Lynch, Esther McCoy, Terrence Malick, Joseph Mattson, Joyce Maynard, Jan Morris, Walter Mosley, Maggie Nelson, Victoria Patterson, Vanessa Place, Eric Puchner, Thomas Pynchon, John Rechy, Nina Revoyr, David Richards, Mary Rinebold Copeland, Jean Rolin, Martha Ronk, James Sallis, Christina Schwarz, Carolyn See, Lisa See, Mona Simpson, Jane Smiley, Jack Smith, Gary Snyder, Matthew Specktor, John Steppling, Matthew Stokoe, Donna Tartt, Karen Tei Yamashita, David Thomson, Rupert Thomson, Héctor Tobar, Bruce Wagner, Joseph Wambaugh, John Waters, Benjamin Weissman, Lawrence Weschler, Christa Wolf and Rudy Wurlitzer.
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Alex Abella, Paul Thomas Anderson, Kenneth Anger, Reyner Banham, Paul Beatty, Francesca Lia Block, T. C. Boyle, Vincent Bugliosi, Charles Bukowski, Octavia Butler, Amina Cain, Wanda Coleman, Michael Connelly, Bernard Cooper, Dennis Cooper, Mark Z. Danielewski, Trinie Dalton, Mike Davis, Joan Didion, Dominick Dunne, Bret Easton Ellis, James Ellroy, Steve Erickson, John Fante, Janet Fitch, Angela Flournoy, James Frey, Romain Gary, Ryan Gattis, Kenneth Goldsmith, Joseph Hansen, Paul Haggis, John Haskell, Todd Haynes, David Hockney, Christopher Isherwood, Aris Janigian, Norman M. Klein, Chris Kraus, Rachel Kushner, Cameron Lange, Annette Leddy, Joe Linton, David Lynch, Esther McCoy, Terrence Malick, Joseph Mattson, Joyce Maynard, Jan Morris, Walter Mosley, Maggie Nelson, Victoria Patterson, Vanessa Place, Eric Puchner, Thomas Pynchon, John Rechy, Nina Revoyr, David Richards, Mary Rinebold Copeland, Jean Rolin, Martha Ronk, James Sallis, Christina Schwarz, Carolyn See, Lisa See, Mona Simpson, Jane Smiley, Jack Smith, Gary Snyder, Matthew Specktor, John Steppling, Matthew Stokoe, Donna Tartt, Karen Tei Yamashita, David Thomson, Rupert Thomson, Héctor Tobar, Bruce Wagner, Joseph Wambaugh, John Waters, Benjamin Weissman, Lawrence Weschler, Christa Wolf og Rudy Wurlitzer.
  2 Hits www.nserc-crsng.gc.ca  
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... $69,000.00. Bronsard, Lia L Department Mathematics and Statistics, RGPIN, Analysis
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... En outre, comme un plus grand nombre de candidats ont accepté leur bourse l’an dernier,
  www.fb6.rwth-aachen.de  
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16/07/2013 Joint Analysis Seminar Prof. Lia Bronsard (McMaster University): Vortices for a 2 component Ginzburg Landau system
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16.07.2013 Joint Analysis Seminar Prof. Lia Bronsard (McMaster University): Vortices for a 2 component Ginzburg Landau system
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Lia Codrington - March 15, 2013
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Lia Codrington - 15 mars 2013
  www.maschinenbau.rwth-aachen.de  
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16/07/2013 Joint Analysis Seminar Prof. Lia Bronsard (McMaster University): Vortices for a 2 component Ginzburg Landau system
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15.10.2013 Mathematisches Kolloquium Prof. Dr. Ruedi Seiler (TU Berlin): E-Learning in der universitären Mathematik, Erfahrungen und Perspektiven
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Bosnian Serb wartime general Ratko Mladic launched a tirade at the judge after he was ejected from his Hague trial for calling a witness who survived the Srebrenica massacres a lia... Read more
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Za ubistva više od 2.500 muškaraca i dječaka s područja Srebrenice počinjena u julu 1995. godine, osuđeno je sedam pripadnika Zvorničke brigade Vojske Republike Srpske (VRS), na uk... Detaljno
  www.youthconnect.ca  
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By Mariko Tamaki and Jillian Tamaki is very high up on the list. As is pretty much anything by Francesca Lia Block or Cecil Castellucci. Marjane Satrapi's
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de Mariko Tamaki et Jillian Tamaki serait parmi les premiers sur la liste, avec tous les livres de Lia Block et de Cecil Castellucci d'ailleurs.
  news.ontario.ca  
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Minister talks safety on the job with Storybook Gardens staff members Daneta Knezic and Lia Karidas.
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Le ministre discute de sécurité au travail avec des membres du personnel de Storybook Gardens, Daneta Knezic et Lia Karidas.
  youthconnect.ca  
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By Mariko Tamaki and Jillian Tamaki is very high up on the list. As is pretty much anything by Francesca Lia Block or Cecil Castellucci. Marjane Satrapi's
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de Mariko Tamaki et Jillian Tamaki serait parmi les premiers sur la liste, avec tous les livres de Lia Block et de Cecil Castellucci d'ailleurs.
  www.drsickesz.nl  
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, LIA, Grenoble, 2007
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Management of Change and Conflict
  2 Hits www.mrlens.ch  
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Jimmy Choo LIA/S
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Prix spécial
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As expected, the members of the Bundestag and Landtag par­lia­men­tary groups were very interested in the topic of reducing pol­lu­tants in ship exhaust gases.
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Comme prévu, le thème de la réduction des polluants dans les gaz d'échappement des navires a été d'un grand intérêt pour les mem­bres des groupes parlementaires Bundestag et Landtag.
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Lia Kekelishvili, one of the founder of agricultural cooperative
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Лия Кекелишвили - одна из основательниц сельскохозяйственного кооператива
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Bătălia cărţilor
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Истории успехов
  tiseagles.com  
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“Ability to excite and elegance of yesteryear. So three Italian brands gave a shock to the world of interiors.     (*) Where to say something new, you look (even) back.” traslation from the original words by Lia Ferrari
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“Capacità di emozionare ed eleganza d’antan. Così tre firme italiane hanno dato una scossa al mondo degli interni.  (*) Dove per dire qualcosa di nuovo si guarda (anche) indietro.” articolo di Lia Ferrari
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I fought my way through the crowds of visitors and looked left and right, whilste mythe worst fears plagued me. Suddenly, I saw her. In the charge of helpers. Lia grinned at me and held up her identity card. I was so relieved. Now I always give her this identity card when the two of us are in large crowds.
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Ich kämpfte mich durch die Besuchermassen und schaute links und rechts, während mich die schlimmsten Befürchtungen quälten. Plötzlich sah ich sie, betreut von Helfern. Lia grinste mich an und hielt ihren Ausweis hoch. Mir fiel ein Stein vom Herzen. Diesen Ausweis gebe ich ihr jetzt immer mit, wenn wir uns zu zweit in grossen Menschenmengen bewegen. Zur Sicherheit.
  5 Hits hc-sc.gc.ca  
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If the colonies are well isolated on the selective agars: Pick a minimum of 5-10 typical colonies from each selective plate to purity plates (as specified in the original method). Concurrently pick the same colony to tubes and/or plates containing agars or biochemical agents (for example: motility, TSI, LIA, urea, and citrate slants).
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Si les colonies sont bien isolées sur les géloses sélectives: Transférer un minimum de 5 à 10 colonies typiques à partir de chacune des géloses sélectives sur les géloses de purification (tel que spécifié dans la méthode originale). Simultanément, transférer la même colonie dans des tubes ou des plaques contenant des géloses ou agents biochimiques (par exemple: mobilité, TSI, LIA, urée et citrate en pentes).
  80 Hits media.ge  
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Three lawyers Eka Beselia, Lia Mukhashavria and Lali Aptsiauri defend the interests of the journalists. According to Lali Aptsiauri, they are lodging the complaint a year later as they have been waiting for the Prosecutor’s Office to launch the investigation itself.
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По утверждению Гиорги Мамацашвили и Беки Сивсивадзе, 26 мая прошлого года спецназовцы нанесли им физические оскорбления. «Мы заявляем солидарность с другими пострадавшими во время акции журналистами и требуем объективного расследования происходивших в ту ночь событий», - заявил Гиорги Мамацашвили.
  5 Hits www.hc-sc.gc.ca  
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If the colonies are well isolated on the selective agars: Pick a minimum of 5-10 typical colonies from each selective plate to purity plates (as specified in the original method). Concurrently pick the same colony to tubes and/or plates containing agars or biochemical agents (for example: motility, TSI, LIA, urea, and citrate slants).
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Si les colonies sont bien isolées sur les géloses sélectives: Transférer un minimum de 5 à 10 colonies typiques à partir de chacune des géloses sélectives sur les géloses de purification (tel que spécifié dans la méthode originale). Simultanément, transférer la même colonie dans des tubes ou des plaques contenant des géloses ou agents biochimiques (par exemple: mobilité, TSI, LIA, urée et citrate en pentes).
  www.environmentandsociety.org  
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Swedish for immigrants-illustrations/collage, Sanoma Book Publisher, 2016Annie BobergSwedish for immigrants-illustrations/collage, Sanoma Book Publisher, 2016Illustration/collage/ swedish for immigrants/People in different situations Lia at the Pharmacy
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Språkvägen för Sfi A/Sanoma förlag 2016Annie BobergSpråkvägen för Sfi A/Sanoma förlag 2016Illustration/collage av människor i olika situatione/Svenska fö invandrare Lia på apoteket.
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(2) The State shall be under patrimonial lia­bility as provided by the law for any prejudice caused by way of errors committed in criminal lawsuits by the investigation bodies and courts of law.
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(2) Государство согласно закону несет материальную ответственность за ущерб, причиненный ошибками, допущенными в уголовных процессах следственными органами и судами.
  8 Hits parl.gc.ca  
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So we believe this is a win-win situation for the LIA, for the Inuit people of Labrador, for the province of Newfoundland and Labrador, and for the country of Canada.
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Nous pensons par conséquent que c'est une situation avantageuse sur toute la ligne pour la LIA, pour les Inuit du Labrador, pour la province de Terre-Neuve et Labrador et pour le pays.
  farmaenergy.com  
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, LIA, Grenoble, 2007
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Management of Change and Conflict
  5 Hits jobs.posthotel.at  
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As part of this dialogue and collaboration initiative, aimed at further increasing the accessibility of its documents published both externally on the website and internally on the company Intranet, a partnership was launched with Fondazione LIA (Libri Italiani Accessibili - Accessible Italian Books), which has been collaborating with the Italian Publishers’ Association and Unione Italiana Ciechi e Ipovedenti (the Italian Union of the Blind and Visually-Impaired) for several years.
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Nell’ambito di questo momento di scambio e collaborazione, con l’obiettivo di ampliare sempre più l’accessibilità dei propri documenti pubblicati sia all’esterno sul sito Internet, sia all’interno sulla Intranet aziendale, è stata attivata una collaborazione con Fondazione LIA (Libri Italiani Accessibili) che opera da anni con l’Associazione Italiana Editori e con l’Unione Italiana Ciechi e ipovedenti. I primi documenti resi disponibili nel formato certificato LIA sono stati i principali documenti di responsabilità sociale: Codice Etico e Rapporto di Sostenibilità. La collaborazione sta proseguendo per trasformare attraverso interventi anche formativi l’orientamento all’accessibilità in un elemento distintivo della cultura d’impresa del Gruppo. Accessibilità e inclusione sono la cifra distintiva anche delle Gallerie d’Italia che già offre visite per non vedenti e non udenti e che presentano caratteristiche complessive per l’accesso che hanno contribuito al suo riconoscimento, a partire da quest’anno come Museo Nazionale.
  suretedeletat.belgium.be  
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In 1992 he founded an improvisatory sound/text/music ensembleУDUCTФ (jointly with D. Grosse, Ed & Lia Pas, R. Sydiaha, W. Tucker), being a member of which since1991 he has conducted monthly concerts and performances; the group performed at the Prairie Variations (BBS-TV, 1994 and SCN, 1994), Saskatchewan Jazz Festival (Saskatoon, 1995 и 1996), Saskatoon Symphony New Music Festival (Saskatoon, 1999), etc.
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Стивен Росс Смит (1945, Торонто, Канада) – поэт, беллетрист, перформер, издатель. Автор ряда книг поэзии и прозы, в том числе: Ritual Murders (Turnstone Press, 1983), blind zone (Aya Press, 1985), Sleepwalkers (Underwhich Ed., 1987), Transient Light (The Mercury Press, 1990), Reading My Father’s Book (Wolsak & Wynn Publishers, 1995), Lures (The Mereury Press, 1997) и др. С 1975 года С.Р. Смит входил в состав группы саунд-перформ-поэзии “Owen Sound” (1975-85, совм. с М. Дином, Р. Трула, Д. Пинэйлом), одного из ключевых коллективов, во многом способствовавшего формированию канадской саунд-поэтической сцены. Совместно с “Owen Sound” осуществил большое количество выступлений и перформансов, в том числе в: A Space Gallery ( Торонто, 1977), Stedelijk Museum (Амстердам, 1977), Toronto Free Theatre (Торонто, 1978), Art Gallery of Ontario (Торонто, 1978), St. Lawrence Centre (Торонто, 1978) и т.д. Один из основателей издательства “Underwich Editions”, систематически уделяющего внимание вопросам экспериментальной литературы и поэзии. Редактор и соредактор ряда изданий антологического характера, в т.ч. Canadian Sound Poetry (Vancouver: Capilano Review, #31, 1984), Read the Way He Writes: A Festschrift for bpNichol (Toronto: Open Letter, Sixth Series, #’5-6, 1986), Ballet of the Speech Organs: Bob Cobbing on Bob Cobbing (Saskatoon: Underwhich Ed., 1998). В 1992 году организовал ансамбль звуко-тексто-музыкальной импровизации “DUCT” (совм. с Д. Гросс, Э. & Л. Пасс, Р. Сидая, В. Такером) , в составе которого с 1991 года дает ежемесячные концерты и выступления, в том числе группа выступала на Prairie Variations (BBS-TV, 1994 и SCN, 1994), Saskatchewan Jazz Festival (Сэскатун,1995 и 1996), Saskatoon Symphony New Music Festival (Сэскатун, 1999) и т.д. Среди альбомов “DUCT” последних лет: Duct Tape (Saskatchewan: Underwhich Audiographies, 1993), galvanized (Saskatchewan: Underwhich Audiographies, 1999). Опубликовал большое количество саунд-произведений, в т.ч. Various Throats Vol. 1 (совм. с Б. Коббинг, К. Масгроув, Toronto: Underwhich Ed., 1982), Moving Human Coils (Toronto: Underwhich Ed., 1984), Scarborough Bluffs (совм. с Scarborough Sound Symphony, Toronto: Underwhich Ed., 1985), Sleepwalkers (с Р. Трула, Toronto: Underwhich Ed., 1987), а также в антологии Carnivocal: A Celebration of Sound Poetry (Alberta: Red Deer Press, 1999) и т.д. Провел ряд персональных выставок экспериментальной и конкретной поэзии в различных городах Канады и за рубежом. Проект последних лет св
  7 Hits www.marpolsrl.com  
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by Lia Karipi
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Rappeling
  www.tsiolkovsky.org  
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Frenkel Lia (1893-19..)
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Îles Pepys, lieu imaginaire
  28 Hits wind.k.u-tokyo.ac.jp  
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Module Series - LIA-MV(D)-200
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Modul-Serie LIA-MV(D)-200
  2 Hits www.3isp-jv.com  
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Chair Lia
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Silla Lia
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Cadira Lia
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