kooi – Übersetzung – Keybot-Wörterbuch

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Keybot      295 Ergebnisse   99 Domänen   Seite 6
  4 Hits www.urantia.org  
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Toen het eenmaal was ontstaan, kreeg dit idee van de vrouwelijke kuisheid zo’n sterke greep op de volken, dat het gebruikelijk werd de meisjes letterlijk in een kooi op te sluiten, om hen in feite jarenlang gevangen te houden om hun maagdelijkheid te waarborgen.
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82:5.4 (918.4) Superior groups, when isolated, always reverted to consanguineous mating. The Nodites for over one hundred and fifty thousand years were one of the great in-marriage groups. The later-day in-marriage mores were tremendously influenced by the traditions of the violet race, in which, at first, matings were, perforce, between brother and sister. And brother and sister marriages were common in early Egypt, Syria, Mesopotamia, and throughout the lands once occupied by the Andites. The Egyptians long practiced brother and sister marriages in an effort to keep the royal blood pure, a custom which persisted even longer in Persia. Among the Mesopotamians, before the days of Abraham, cousin marriages were obligatory; cousins had prior marriage rights to cousins. Abraham himself married his half sister, but such unions were not allowed under the later mores of the Jews.
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82:4.4 (917.7) La jalousie sexuelle moderne n’est pas innée ; elle est un produit des mœurs évoluantes. L’homme primitif n’était pas jaloux de sa femme ; il défendait simplement sa propriété. La femme était tenue à des obligations sexuelles plus strictes que le mari, pour la raison que son infidélité conjugale impliquait une descendance et un héritage. Très tôt, dans la marche de la civilisation, l’enfant illégitime tomba en déconsidération. Tout d’abord, seule la femme fut punie pour adultère ; plus tard, les mœurs décrétèrent aussi le châtiment de son partenaire. Pendant de longs âges, le mari offensé ou le père protecteur eurent pleinement le droit de tuer l’intrus masculin. Les peuples modernes conservent ces mœurs qui absolvent, sous une loi tacite, les crimes dits d’honneur.
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(918.4) 82:5.4 Quando i gruppi superiori erano isolati, tornavano sempre ad accoppiamenti tra consanguinei. Per più di centocinquantamila anni i Noditi furono uno dei grandi gruppi endogami. I costumi endogami successivi furono enormemente influenzati dalle tradizioni della razza viola, nella quale agli inizi gli accoppiamenti avvennero necessariamente tra fratello e sorella. Ed i matrimoni tra fratello e sorella erano inizialmente comuni in Egitto, in Siria, in Mesopotamia ed in tutti i paesi un tempo occupati dagli Anditi. Gli Egiziani praticarono a lungo il matrimonio tra fratello e sorella nello sforzo di conservare puro il sangue reale, un costume che persisté ancora più a lungo in Persia. Presso i Mesopotamici, prima dell’epoca di Abramo, i matrimoni tra cugini erano obbligatori; i cugini avevano diritti prioritari per sposarsi con i loro cugini. Abramo stesso sposò la sua sorellastra, ma tali unioni non furono permesse sotto i successivi costumi degli Ebrei.
  6 Hits www.samsonite.be  
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Lonely Planet - Susan Kooi
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Get Your Shit Together
  2 Hits www.belgianrail.be  
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Gratis voor kleine huisdieren in een mand of kooi
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This mini-fare is tailor-made for our furry friends.
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Dans certains cas, vos animaux voyagent gratuitement et sans titre de transport.
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Bei diesem verlockenden Angebot für unsere tierischen Freunde kommen alle mit.
  6 Hits cevug.ugr.es  
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Lonely Planet - Susan Kooi
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Get Your Shit Together
  www.kmska.be  
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Verder zijn er her en der interessante details te zien. Op de bankleuning zijn gekleurde prenten vastgeprikt. Achteraan hangt een kooi met een ekster. Daaronder kijkt een hond verlangend naar een man die pap eet.
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A couple of burghers, accompanied by a maid, are visiting a farm. The atmosphere in the room is pleasantly busy. In the right foreground, a child is begging for alms from the wealthy guests, who offer their host a loaf of sugar bread. Near the fireplace, a woman is tending to a newborn child. A dog has climbed into its cradle. A third child, seated on a chair, is drinking from a jar. At the centre of the room, a large cauldron is heated on the fire. Other interesting details around the room include the coloured prints that have been attached to the armrest of the bench, the caged magpie in the background, and the dog begging beside a man who is eating porridge. In the centre background, two figures are churning milk. Looking at the picture, one can almost hear the sounds of the various activities going on in the farm. The painting is a copy by Jan Brueghel I of an original by his father Pieter Bruegel. The same composition was, for that matter, also copied by Jan’s brother, Pieter Brueghel II. Clearly Pieter Bruegel was a great source of inspiration to Jan, but this did not prevent him from developing an own style and becoming quite renowned in his own right.
  www.brakkegrond.nl  
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Marloes Coenen (1981) is een Nederlandse MMA-vechter, mixed martial arts, beter bekend als kooivechten of free-fighten. De sport combineert onder andere kickboksen, judo, karate, thaiboksen en worstelen.
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American director Jennifer Lyon Bell (1969) is the founder of Blue Artichoke Films. Lyon Bell studied psychology at Harvard and subsequently acquired a master in film studies from the University of Amsterdam. Her great passion is comprehending all facets of sexuality. She started Blue Artichoke Films because she didn’t see her personal interpretation of sexuality in existing erotic and pornographic cinema. With a small group of film lovers, Lyon Bell makes unusual, artistic erotic movies she would like to watch. The films portray sexuality realistically as well as all the emotions it entails. Lyon Bell won the 2014 prize for best film at the Feminist Porn Awards in Toronto for her fourth film Silver Shoe, “an arthouse film with a story, emotions, real people, and explicit sex”.
  2 Hits www.boijmans.nl  
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De kunstenaars die hun werk beschikbaar stellen zijn: Daan Botlek, Karin van Dam, Rudy d'Arnaud Gerkens, Ada Dispa, Suzan Drummen, Lizan Freijsen, Maartje Folkeringa, Helen Frik, Hans Hovy, Evelyne Janssen, Ad de Jong, Paul Klemann, Kinke Kooi, Olaf Mooij, Paul Nassenstein, Serge Onnen, Johan van Oord, Bertjan Pot, Mike Redman, Paul de Reus, Lies Ros, Johanna Schweizer, Tanja Smeets, Rik Smits, Anne-Marie van Sprang en Andre van de Wijdeven.
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No less than 26 artists have been selected by the director of Museum Boijmans Van Beuningen. They have been asked to produce a limited edition of a work of art especially for this sales exhibition. The artists who will be making their work available are: Daan Botlek, Karin van Dam, Rudy d'Arnaud Gerkens, Ada Dispa, Suzan Drummen, Lizan Freijsen, Maartje Folkeringa, Helen Frik, Hans Hovy, Evelyne Janssen, Ad de Jong, Paul Klemann, Kinke Kooi, Olaf Mooij, Paul Nassenstein, Serge Onnen, Johan van Oord, Bertjan Pot, Mike Redman, Paul de Reus, Lies Ros, Johanna Schweizer, Tanja Smeets, Rik Smits, Anne-Marie van Sprang and Andre van de Wijdeven.
  4 Hits www.pep-muenchen.de  
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Wie is deze "Man van wanhoop" die in een ijzeren kooi gevangen zit? Het is de man of vrouw van God die probeert door te gaan met het doen van de wil van God, maar die toch vasthoudt aan één of andere geheime rotte plek in het hart.
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Kuka on tämä rautahäkkiin lukittu epätoivon mies? Se on sellainen Jumalan mies tai nainen, joka yrittää jatkaa Jumalan tahdon tekemistä samalla, kun pitää yllä sydämessään jotain salaista turmelusta. Rautahäkki on sellaisten Jumalan palvelijoiden sisäisen paatumuksen kirous, jotka ovat vaientaneet sen pienen, hiljaisen äänen, ja jotka nyt jatkavat eteen päin avionrikkojina ja tekopyhinä ilman häpeän tunnetta. He eivät enää tiedä, kuinka hävetään. Rautahäkki symboloi tilaa, jossa tunteet ovat lakanneet pyhän Jumalan tuomiota kaikille niille, jotka ovat antautuneet lihansa himoille.
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Cine este acest om al disperarii inchis în cusca de fier? Este barbatul sau femeia lui Dumnezeu care încearca sa continue sa faca voia lui Dumnezeu în timp ce mentine în inima un fel de coruptie secreta. Cusca de fier este un blestem al împietririi omului dinlauntru peste slujitorii lui Dumnezeu care au înabusit vocea suava a constiintei si care acum merg sa lucreze în starea de ipocriti si curvari - fara cea mai mica rusine. Nici nu mai stiu cum sa se înroseasca. Cusca de fier simbolizeaza conditia de a "trece peste simturi" - o judecata a unui Dumnezeu sfânt împotriva tuturor celor ce s-au dedat poftelor firii si carnii lor.
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