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  Macondo e o Império das...  

Show textShow cached sourceOpen source URL	consegue retratar com sucesso a América Latina patriarcal onde a política, a injustiça e a pobreza caminham de mãos dadas com a paródia, a critica social e uma religiosidade extrema.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	is successful in portraying a patriarchal Latin America where politics, injustice and poverty walk hand in hand with parody, social criticism and an extreme religiosity.

  Processo e Materialidade  

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Num lugar como os Emirados Árabes Unidos, onde a sexualidade é um assunto bastante privado, referências suaves ao erótico são mais úteis porque não são detectáveis, apesar de penetrarem no subconsciente.

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(1995) is made of pieces of blanket that Sharif cut, rolled and then secured by wrapping them with wire. Next he attached each small bound roll to the other, creating long plait-like pieces of material. Each instance of its exhibition is unique for he orchestrates the relationships among the components anew, juxtaposing reds, yellows, oranges, greens and whites. Sharif works alone, and when he does, he neither listens to music nor watches television. Without distraction, he engages repetitive actions while remaining fully present in the process. I asked him about repetition, which he complicated by indicating that sameness is not inherent in repetition because each moment is unique. At the same time, the boundaries that distinguish past from present from future are morphous. The thoughts that transpire in his process dissipate just as soon as they appear, and he makes no attempt to memorialize them in anyway but to continue with his repetition. The objects therefore become indecipherable records through their embodiment of those fleeting moments. As he indicates, “I am molding my thoughts.” I asked Sharif what was inside the hundreds of wrapped objects, but again, dichotomies dissolve when he describes his practice. His objects simultaneously lay bare and keep secreted all there is to know.

  Jean-Michel Basquiat: G...  

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O que me fascinou nas pinturas, desenhos, colagens, serigrafias e esculturas de Basquiat foi a sua capacidade de expressar criativamente as suas perspectivas afro-americanas e Latinas sobre a luta afro-americana por justiça na América da década de 1980, onde a arte negra era pouco reconhecida.

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What fascinated me about Basquiat’s paintings, drawings, collages, silkscreens and sculptures was his ability to express creatively his African American and Latino view on the history of the African American struggle for justice in 1980s America, where black art was under-recognised. What I found significant in Basquiat’s works was his proficiency in portraying images of African American popular musicians and athletes[v] such as Langston Hughes, Miles Davis, Hank Aaron, Henry Armstrong, Jersey Joe Walcott, Joe Louis, Sugar Ray Robinson, Cassius Clay and Jack Johnson as a way to reconstruct his own identity in a post-slave experience in America[vi].

  “Pare de Dizer às Mulhe...  

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Os retratos de rua de Tatyana lembram o trabalho de Barbara Kruger na década de 1980, onde a artista combinava imagens fotográficas e tipografia de publicidade com mensagens dirigidas ao poder patriarcal sobre as mulheres.

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Tatyana’s street portraits are reminiscent of 1980’s Barbara Kruger’s artwork, where publicity inspired typography completed photographic images and conveyed messages directed to patriarchal power over women. Tatyana’s work and statements also defy concepts that persist in society. She questions the still prevailing idea that women must be accepting, polite and candid, or they won’t be feminine. Simultaneously, she gives women tools to use, whether as a reply they can give while walking on hostile territory or by simply pointing at a poster when harassed. Statements such as “My name is not baby”, “Women are not seeking your validation” or “Stop telling women to smile” placed up on a street wall can be empowering for women and intimidating to those many men who insist on harassing women on the streets.

  Holi! O Fim do Inverno ...  

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na Índia, Nepal e Sri Lanka, onde a ocasião é motivo para uma celebração especial: dar as boas vindas à Primavera com o máximo de alegria e cor possíveis! As ruas transformam-se em campo de batalha com as pessoas jogando pós coloridos e balões de água umas às outras.

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We are at the last lunar cycle of the Winter season in the Northern Hemisphere. Phalguna in India, Nepal and Sri Lanka, where the occasion is cause for a very special celebration: welcoming Spring with as much joy and color as possible! The streets become a battlefield with people throwing colorful powders and water balloons. A messy fun rooted on Hindu stories about skin color difference and acceptance. Bonfires of old items and offerings to the Gods are also part of this huge festival, one of the many in the region.

  Estudos Matriarcais, um...  

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Não sociedades onde os homens eram dominados pelas mulheres, como muitos pensam, mas antes sociedades onde a descendência era observada via linhas matriarcais, onde as mulheres tinham um poder natural, não de dominar mas de oferecer soluções aos problemas do cotidiano e onde não existiam divisões entre a vida social, política e espiritual dos indivíduos.

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Matriarchy: a form of society which does not have patriarchal patterns and demonstrates a high degree of balance[i]. Long before patriarchal rule, there existed more equalitarian societies. Not societies where men were dominated by women, as some may think, but rather societies where descent was observed through the female lines, where women had a natural power, not of dominating but of offering solutions to everyday problems, and where there were no divisions between the social, political and spiritual lives of individuals. The understanding of this meaning is fundamental for contemporary thought aiming to deconstruct the manifested inequality of our current patriarchal system; a system that over a period of some 7000 years came to dominate the world persisting today.

  Da Cristianização do Ka...  

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Grande parte das discussões sobre o conflito de interesses entre os oficiais portugueses locais e os religiosos têm paralelos regionais por todas as regiões asiáticas, e não só, onde a presença colonial portuguesa se fez sentir.

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Much of the discussion of the conflicting interests of the local Portuguese officials and the religious has regional parallels throughout the Portuguese colonial presence in Asia and elsewhere, and so is the Jesuit handling of that historical past, with some rare exceptions that confirm the rule and like few swallows do not make a summer. Had Gaston Perera glanced through the Jesuit apologetic literature produced in India till recent times, he would not engage in beating the dead horse and would classify his Sri Lankan clerical apologists as

  Wael Shawky: O Efeito B...  

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De fato, todos os vídeos foram produzidos na Europa, complicando ainda mais a questão da autoria, pois apesar da história ser contada a partir de uma perspectiva árabe em arábico, é produzida na Europa, onde as cruzadas tiveram origem.

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, Shawky takes both Maalouf’s book as well as primary texts and uses them to similarly shape the story told in his videos. Some writers of those texts, such as Usama ibn Munqidh, even become characters in the video. Shawky is currently working on the third and final video of the series, with research taking place in Italy and production in Germany. In fact, all of the videos were produced in Europe, further complicating the question of authorship, for while the story both comes from the perspective of Arabs and is told in Arabic, it is produced in Europe, the origin of the Crusades. What emerges in this process is a shuttling back and forth of authority that breaks down the ability to pinpoint where it ultimately lies.

  O Véu Interior: a Subve...  

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, onde a noção de espaço se torna mais óbvia como lugar de exploração de identidades e como espaço que faz literalmente parte das suas experiências passadas e presentes. A artista transformou o cenário idealizado da pintura orientalista em pano de fundo para colocar as suas modelos, utilizando elementos da arquitetura islâmica na cenografia e nos trajes.

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series, in which the notion of space became more obvious, both as a place to explore identity and as a literal space that is part of her past and present experiences. She turned the orientalist ideal painting scenery, in which to place the odalisques and concubines, as a background to her female models, utilizing the elements of Islamic architecture both in the settings and the clothes. As a result, her images became more colourful, subverting more contemporary notions of Islam as a place of repressed women in dark veils.

  conTRAmare.net e Suas R...  

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Ou o Festival Hosay, um evento Indo-Islâmico que sobrevive no Caribe? Ou a literatura lusófona, onde a escrita de áreas fragmentadas do mundo, que compreendem as antigas colônias do império português, é analisada?

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Like the (in)disciplines, it is not easy to categorize academic subjects by nationalities. In the contemporary world of migrations and diasporas, topics can become transnational and categories are therefore geographically fragmented. How to categorize by region an article by Chikukuango, for example, who works with African Performance in Europe? Or the Hosay Festival, an Indian-Islamic event that survives in the Caribbean? Or Lusophone literature, where the writings of fragmented areas of the world, that encompass the former Portuguese empire, are analyzed?

  Um Teto Todo Seu: Desem...  

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O teto sobre o interrogatório não é mais um espaço de privacidade onde a criatividade feminina pode fluir. Tornou-se um lugar para ela exercer, não o poder criativo, mas o poder que lhe dão os homens hierarquicamente seus superiores.

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The interrogation room is no longer a place of privacy where female creativity can flow. It has become a place where she exerts not creative power, but the power conferred upon her by her male superiors. A power where she can become what once oppressed her, where she accepts her objectification, where she bullies while being gazed at by her bully. It is a room of her own because in it, she feels empowered. A severe alert on 21st century women’s homeland security system.

  Aniversário de um Arqui...  

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Um país pequeno de cerca de 200.000 habitantes, dono de grandes reservas de petróleo no mar, uma indústria de turismo em expansão e onde a língua oficial é o Português, falado paralelamente a diversas variantes do Português Crioulo.

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It is happy birthday to a small archipelago in the middle of the Atlantic Ocean, situated in the Gulf of Guinea, off the coast of Central Africa. São Tomé & Principe conquered its independence from Portugal forty years ago, on July 12th 1975. A small country of about 200.000 inhabitants, with large offshore reserves of oil, a rising tourism industry, where the official language is Portuguese, spoken alongside with different variants of Creole Portuguese.

  Uma Feminista Intersecc...  

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Este artigo foi publicado originalmente em Inglês por Julie Hall e publicado na revista on-line magazine The Body is Not an Apology, em 26 de Fevereiro de 2015. Foi depois traduzido para Espanhol por Demonio Blanco, e publicado em 14 de Maio no blog El Demonio Blanco de La Tetera Verde, onde a conTRAmare.net o encontrou.

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This article has been originally written in English by Julie Hall and published in the on-line magazine The Body is Not an Apology, on February 26, 2015. It was then translated to Spanish by Demonio Blanco, and published on May 14 in the blog El Demonio Blanco de La Tetera Verde, where it was spotted by conTRAmare.net. The Portuguese version uses the same images published in the Spanish translation.

  Sexo, mentiras, e um re...  

Show textShow cached sourceOpen source URL	Uma vez que muitas destas noivas vêm do sul e sudeste da Índia onde a proporção sexual é mais equitativa, as diferenças culturais entre as jovens e os homens das regiões do norte que as compram tornam mais difícil a sua adaptação.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	The trafficking of women across the country puts these women at high risk because they are isolated and therefore more vulnerable to abuse. Since many of these brides come from south and south east India where the sex ratio is a little more equitable, the cultural differences between the girls and the north Indian men who purchase them is vastly different where they find it difficult to adapt.

  Já Começaram os Tambores  

Show textShow cached sourceOpen source URL	(outra palavra que reflete a discriminação ao negro) as mulheres, com base em roupas, comportamentos e estilos de vida. Um país onde a violência contra a mulher atinge níveis superiores a países onde a percepção da discriminação contra a mulher é maior… como os países árabes.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	(another word reflecting discrimination towards black people) women for what they wear, how they behave, what lifestyle they choose. A country where violence against women is higher than in countries where the perception of discrimination against women is bigger… such as Arab countries.

  As ‘Edit-A-Thons’ Femin...  

Show textShow cached sourceOpen source URL	Com isso em mente ‘Edit-A-Thons’ Feministas da Wikipédia estão marcadas por todo o mundo este mês para diminuir uma das áreas onde a desigualdade de gênero precisa de ajuda desesperadamente: a Arte. Em 1970, a autora Linda Nochlin fez uma pergunta pertinente:
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	Having this in mind, Wikipedia’s Feminist Edit-A-Thons are scheduled around the planet this month to tackle one area where gender gap desperately needs to be tackled: Art. Back in 1970, author Linda Nochlin asked the pertinent question:

  Já Começaram os Tambores  

Show textShow cached sourceOpen source URL	(outra palavra que reflete a discriminação ao negro) as mulheres, com base em roupas, comportamentos e estilos de vida. Um país onde a violência contra a mulher atinge níveis superiores a países onde a percepção da discriminação contra a mulher é maior… como os países árabes.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	(another word reflecting discrimination towards black people) women for what they wear, how they behave, what lifestyle they choose. A country where violence against women is higher than in countries where the perception of discrimination against women is bigger… such as Arab countries.

  O Museu da Opressão à M...  

Show textShow cached sourceOpen source URL	“Precisamos de um lugar que derrube as barreiras socialmente construídas, um lugar onde a sociedade possa conhecer a história de metade da sua população, observar que durante séculos homens e mulheres não gozaram dos mesmos direitos e como isso criou um viés que ainda hoje prejudica a total igualdade.”
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	“We need a place that tears down the socially created barriers, a place where society can look at the history of half its population, witness that for centuries women and men have not shared the same rights and how this has created a bias that still undermines total equality today.” And that place is the Oppression of Women Museum.

  INDIGNADA: A Arte Femin...  

Show textShow cached sourceOpen source URL	A seleção de retratos é baseada em casais onde tanto o homem quanto a mulher eram artistas, mas onde a fala e percepção de genialidade do primeiro, ultrapassou a da segunda, contribuindo para a obliteração dessas mulheres pela história da arte.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	The selection of portraits is based on couples where both man and woman were artists, but the former’s fame and perceived genius, supressed the latter’s, therefore contributing to the obliteration of these women in art history.

  Um Festival de ‘Street ...  

Show textShow cached sourceOpen source URL	[Descrição da imagem: Fotografia tirada do topo de um prédio mostrando os edifícios cinza degradados do lado oposto de uma rua, da qual apenas se vê uma fração na parte inferior central da imagem. Em primeiro plano, num edifício mais perto de onde a fotografia foi tirada, um mural colorido principalmente em tons de laranja e vermelho dá vida à cena.]
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	[Image description: Photograph taken on top of a building, showing the grey and decayed buildings on the opposite side of a street, of which we only see a tiny bit in the lower center of the image. In the foreground, on a closer building to where the photographer stands, a colorful mural painted mostly in red and orange hues brings life to the overall scene.]

  Festival de Oshtoora  

Show textShow cached sourceOpen source URL	Durante este final de semana, o Festival de Oshtoora tem lugar na magnifico cenário de Ras Sidr no Sul de Sinai, Egito. Um evento de três dias que abra a Primavera num acampamento construído para a ocasião, um “encontro de músicos, artistas, viajantes” num “espaço onde a música e as artes visuais se encontram.”[i]
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	During this weekend, the Oshtoora’s Festival takes place in the magnificent scenery of Ras Sidr in South Sinai, Egypt. A three day, spring opening event in a camp village built for the occasion, a “gathering of musicians, artists, wanderers” in “a space where music and visual arts come together”[i].

  Wael Shawky: O Efeito B...  

Show textShow cached sourceOpen source URL	onde a equipe não entedia árabe, também ele não entendia Urdu, a língua falada em
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	production team could not understand the Arabic used to tell the story, neither could he understand the Urdu spoken in

  Ativistas Ilustradas  

Show textShow cached sourceOpen source URL	está dividido em três categorias: Global, Histórica e Espanha, o país onde a artista reside.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	is divided in three categories: Global, Historical and Spain, the country where the artist resides.

  Viagens, Assédio nas Ru...  

Show textShow cached sourceOpen source URL	Expliquei a situação e ela de imediato me ofereceu vários contatos de organizações e indivíduos locais da área onde a minha amiga estava.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	I explained the situation to her and immediately she offered me several contacts of local organizations and individuals located in the area where my friend was currently staying.

  Viagens, Assédio nas Ru...  

Show textShow cached sourceOpen source URL	Em lugares onde a separação de gênero é policiada, o sentimento de não pertencer é palpável a cada passo dado.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	In places where gender separation is strictly enforced, the feeling of not-belonging is palpable with every step you take.

  Capoeira  

Show textShow cached sourceOpen source URL	O centro do Rio de Janeiro é o coração da cidade. Uma área comercial principalmente, aqui se encontram muitos edifícios históricos e o porto a partir de onde a ...
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine contramare.net as primary domain	The center of Rio de Janeiro is the heart of the city. Mainly a commercial area, it is also the site of many of the main historical buildings and the harbor fro...

  Interseccionalidade Des...  

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Construir “cultura” como uma barreira à liberdade individual das mulheres revela uma concepção liberal do sujeito humano, onde a liberdade – ao nível pessoal, individual – é exposta como especialmente importante e resultado direto da eliminação de práticas culturais, sem levar em conta fatores políticos, econômicos e sociais afetados ainda por outros fatores, tanto locais quanto globais.

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Another way to employ an intersectional decolonial approach is by deeply interrogating the categories and notions of oppression we use. Rather than assume that we know what harms women, we should let the intersectional categories emerge from the cases and contexts themselves, bearing in mind global structures of inequality. To think of an obvious example, in the case of Arab women it is almost always assumed that “culture” (already a problematic homogenous designation) is somehow implicated in the oppression of women. Not only does this essentialize “culture,” it also isolates it as something problematic that needs to be fixed. This ignores the possibility of Arab women using cultured notions as a means of fighting oppression. It also fixates on culture at the expense of other relations or structures such as class. Constructing “culture” as a barrier to women’s personal freedom reveals a liberal conception of the human subject, where liberty – at a personal, individual level – is framed as especially important and as the direct result of the elimination of cultural practices, without taking into account the political, economic and social factors that are affected by both local and global factors.

  Interseccionalidade Des...  

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Um exemplo dessa abordagem seria conceitualizar o feminismo como um projeto que vê no patriarcado um sistema de construção negativa tanto de mulheres quanto de homens. Em vez de ver a justiça de gênero como um objetivo individualista de todas as mulheres – uma visão que por vezes pensa o homem como “inimigo” – ideias alternativas onde o patriarcado é entendido como um sistema opressor de todos podem ser mais úteis. Isto não significa que os homens não beneficiem do patriarcado – porque todos beneficiam. Mas significa complicar noções de masculinidade mostrando que nem todos os homens beneficiam igualmente. Pesquisas sobre masculinidade mostram que homens que se encaixam no tipo ideal, estão numa posição de poder relativamente não só às mulheres, mas também aos homens que se afastam dessas noções de “masculino.” Levando esse conceito mais longe, verifica-se que ele é também aplicável às sociedades onde a norma não é o individualismo. Para muitas mulheres nas sociedades pós-coloniais, o objetivo não é desafiar os homens, mas sim o sistema e as estruturas que permitem que eles dominem. Não existe feminismo sem anti-imperialismo, anticapitalismo, etc., porque o patriarcado também não existe sem o imperialismo, o capitalismo e outras estruturas.

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One example of such an approach would be to conceptualize feminism as a project that views patriarchy as a system that constructs both women and men in harmful ways. Rather than view gender justice as an individualistic goal to be attained by every woman – a view that sometimes views men as “the enemy” –alternative visions in which patriarchy is conceptualized as a system that oppresses everyone can be more useful. This is not to say that men do not benefit from patriarchy – all men do. Rather it is to complicate ideas of masculinity by showing that not all men benefit equally. Work on masculinities has shown that men who fit the ideal type are in a power relation not only with women but also with men who are outside of what is considered “masculine.” Pushing this conceptualization further, it is also more applicable to societies in which individualism is not the norm. For many women in postcolonial societies, the aim is not to challenge men, but rather to challenge the system and structures that allow men to become dominant. There can be no feminism without anti-imperialism, anti-capitalism, and so on, because patriarchy does not exist in isolation from imperialism, capitalism and other structures.

  Estética Descolonial  

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Enquanto testemunhas, componentes e pensadores desta situação, buscamos alcançar uma transmodernidade em direção a um futuro onde a colonialidade será finalmente erradicada e onde não mais estaremos envolvidos nas concepções normalizadas do eurocentrismo relativamente à existência humana e às dinâmicas socio-políticas.

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Coloniality does not operate anymore on tobacco production or on the slave trade but on the control of global finances, public opinion and subjectivity in order to perpetuate and magnify the salvationist rhetoric of modernity. For the decolonial option, identities, identification and de-linking are crucial because they assist constructed Others in unveiling the hegemonic legitimacy of ‘knowledge’ intrinsic to modernity, which denies agency and validation to the identities it constructed in the first place. Nationalism did not originate in China or the Arab World but in Europe. Nationalism beyond Europe is a derivative phenomenon—a direct consequence of coloniality. It is a two-edged sword because on the one hand, nationalism in the Non-European world provides a tool to confront Western encroachments; it is instrumental in counteracting those neo-liberal ideologies that are conveniently chastising nationalism in the name of globalization and free trade for the benefit of corporations.  On the other hand, nationalism in Non-European countries could also lay the discursive foundation for the political and financial elite that would allow them to alienate and exploit their own population. Furthermore, it could also justify imperial expansion in other Non-Western countries. Emerging in between the monoculture of globalization and regional nationalist cultures, the decolonial establishes itself as an option of delinking from both globalism and nationalism by means of promoting transnational identites-