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En torno a los 425 m de altitud, el camino, que viene descendiendo a lo largo de los últimos metros, cruza el cauce del Regajo del Quejigal. La vegetación se vuelve especialmente densa debido a las condiciones ambientales reinantes en los cauces, destacando, aguas arriba, una espesa masa de adelfas, bajo cuyas ramas se crea un microclima sombrío y fresco.
At an altitude of around 425 metres, the path which comes down along the last few metres crosses the course of the 'Regajo del Quejigal. The vegetation becomes particularly dense due to the prevailing environmental conditions on the riverbeds, which highlights a thick mass of rosebays upstream, of which a fresh and dark microclimate is created under its branches. The existence of bulrush and Mediterranean Clubmoss indicate the presence of humid ground. Among the rosebays, species of turpentine trees and some Prosopis trees stand out, which stand over them. Towards the exterior of the brook, a dense bramble patch dotted with arganias marks the boundary of this vegetal community, which is joined to the brook. Here on the hillside, a dense rosemary patch that is dotted with pines and junipers almost covers the whole surface.
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Bermejo es el único río que totalmente cruza el espacio enorme de la llanura Chacopampeana, sirviendo como el pasillo para la conexión de elementos bióticos de la Cordillera de los Andes y la llanura Chacopampeana.
The Bermejo River Basin, located in southern South America, extends over some 123,000 km², originating in the Andes Mountains of northwestern Argentina and southern Bolivia. The river, which flows approximately 1,300 km, links two major geographic features: the Andean Cordillera and the Paraguay-Paraná Rivers. It is the only river that completely crosses the huge expanse of the Chaco Plains, acting as a corridor for the connection of biotic elements of both the Andean mountains and the Chaco Plains. Radically differing weather and topographic conditions in the large basin promote an array of rain forests, humid valleys, and mountain deserts in the Upper Basin and dry forests as well as humid and gallery forests in the Lower Basin. There is exceptional habitat diversity along the water course.
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El viaducto de Millau recuerda al Millennium Bridge, que cruza el río Támesis, al expresar una fascinación pareja por cómo se expresa la relación entre la funcionalidad, la tecnología y la estética en una forma estructural grácil.
غالبًا ما يُنظر إلى الجسور باعتبار أنها تنتمي إلى عالم الهندسة بدلاً من عالم العمارة. لكن عمارة البنية التحتية لها تأثير قوي على البيئة، و إن جسر ميلو، الذي تم تصميمه بالتعاون الوثيق مع المهندسين الإنشائيين، يعكس الدور التكاملي الذي يمكن أن يلعبه المعماري في تصميم الجسور. فهو يتبع جسر الألفية الذي يعبر نهر التيمز في التعبير عن الإهتمام بالعلاقة بين الوظيفة، والتكنولوجيا، والجماليات في شكل إنشائي أنيق.
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Concluye: “esto debería ser una parte activa del proceso del bicentenario, centrándose en las formas para desarrollar y aplicar el conocimiento que cruza fronteras dicotómicas y por lo tanto ayudando a construir un país fuerte e integrado, preparado para el siglo XXI”.
Saskia Sassen analyzes the large cities that currently face off against the major forces and acute accelerations of globalization and the impact of digitalization; cities in which the rising importance of flows obscures the materiality of the place; cities which are spaces where the most acute contradictions of our time are generated and rendered legible, and that gradually fall into a deep unease. She explores the commemoration of the bicentennial and a set of interventions by design and active art oriented toward the experiences of daily life in the city. She reflects on an expanded version of the “political economy of design,” viewing this work of design as a narrative strategy born of the everyday urban field and very different from the design that mainly seeks commercial gain. “This design work,” she maintains, “and artistic and cultural practice may destabilize global dynamics because they describe the unease and insert what is local and has been silenced in the urban landscape, rendering it legible, giving it a presence.” And, she proposes, “If the unease emerges from doing and from participation, it may well serve to excavate possible futures glimpsed through the fractures of that unease.”
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