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  2 Hits www.nabertherm.fr  

Show textShow cached sourceOpen source URL	Abgaswäscher für die Reinigung ent-stehender Prozessgase durch Auswaschen
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  2 Hits www.nabertherm.it  

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  2 Hits wwdw.nabertherm.com  

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Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nabertherm.de as primary domain	Depuradora de gases perdidos para la depuración de los gases de proceso por lavado
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nabertherm.de as primary domain	Depuratore dei gas di scarico per la pulizia dei gas di processo mediante lavaggio
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  2 Hits www.nabertherm.pl  

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Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nabertherm.de as primary domain	Postcombustion catalytique en fonction du four pour le post-équipement sur des installations existantes
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nabertherm.de as primary domain	Depuradora de gases perdidos para la depuración de los gases de proceso por lavado
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nabertherm.de as primary domain	Depuratore dei gas di scarico per la pulizia dei gas di processo mediante lavaggio
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  kissamoshotel.creteislandhotels.net  

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Schon seinerzeit auf IBM wie dann auch auf HP 85 hat Cepec seine eigenen Grafik-Programme entwickelt, mit "Plots", auf denen die individuellen Daten und die Salärtendenzlinien in Abhängigkeit vom Alter dargestellt wurden.

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La fin des années septante marqua aussi le passage au traitement électronique des données. Dans un premier temps en service bureau sur IBM 370, avec un langage APL. Ensuite sur HP 85, un précurseur des PC, avec un raccordement sur plotter et sur machine à écrire. Au milieu des années huitante, ce fut le passage sur les premiers PC et les premières imprimantes laser. Déjà sur IBM, puis sur HP 85, Cepec avait développé ses propres programmes de traitement graphique, avec des "plots" présentant les données individuelles et les lignes de tendance des salaires par rapport aux âges. Dès le départ, ces programmes intégrèrent aussi la confection automatisée d'organigrammes par niveaux, une nouveauté à l'époque. Avec l'arrivée des PC, Cepec passa à un développement plus structuré, réalisé par Georges Künzli, aujourd'hui IT manager de Cepec. Ces nouveaux programmes, dénommés Graf-Sal, furent installés dans plusieurs grandes entreprises, par exemple Ciba SC, Coop ou Holcim. Aujourd'hui encore, ils sont utilisés à l'interne pour certains traitements spécifiques de Cepec. Beaucoup plus récemment, avec la disponibilité des instruments modernes de programmation et de bureautique, Cepec a développé, sous le nom de VisiSal, toute une série de modules qui donnent des supports plus conviviaux pour l'analyse et la gestion des rémunérations. Ces modules VisiSal sont devenus actuellement des outils indispensables de la gestion HR dans de nombreuses entreprises et administrations.

  www.impots.cm  

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  6 Hits www.eeas.europa.eu  

Show textShow cached sourceOpen source URL	Der Europäischen Union regelmässig Bericht zu erstatten über relevante Ent­wicklungen in den Bereichen Politik, Gesetzgebung, Wirtschafts-, Finanz- und Steuerfragen, sowie Handel, Forschung und Kultur der Gastländer (sowohl Bundes- wie kantonale Ebene) und zu diesem Zweck den Kontakt zu den wichtigen Akteuren in der Schweiz und im Fürstentum Liechtenstein zu pflegen.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine eeas.europa.eu as primary domain	Informer l'Union européenne de la politique, de la justice, des affaires intérieures, des affaires économiques et financières, de la fiscalité, du commerce, de la recherche, de la culture ainsi que des questions régionales, tant à l’échelle fédérale que cantonale et, dans cette perspective, entretenir les contact avec les principaux acteurs de la Suisse et de la Principauté de Liechtenstein.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine eeas.europa.eu as primary domain	informare regolarmente l'Unione europea sugli sviluppi in atto nella politica, nella legislazione, nell’economia, nelle finanze, nella fiscalità, nel commercio, nella ricerca e nella cultura (a livello federale e cantonale) e curare i contatti con gli attori principali in Svizzera e nel Principato del Liechtenstein

  7 Hits www.museum-ludwig.de  

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Iko­nen der Fo­to­geschichte von Man Ray, Ce­cil Bea­t­on oder Au­gust San­der breit­en darin das Pano­ra­ma der Fo­tokunst des 20. Jahrhun­derts auf. Einzi­gartig ist die Samm­lung Gru­ber aber nicht nur we­gen der Fo­to­gra­fien, einzi­gartig ist auch die Ent­ste­hungs­geschichte der Samm­lung.

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In 1977 the L. Fritz and Re­­­­nate Gru­ber Col­lec­­­­tion laid the foun­­­­da­­­­tion for the pho­­­­tog­ra­­­­phy col­lec­­­­tion at the Mu­se­um Lud­wig. Icons of pho­­­­to­­­­graph­ic his­­­­to­ry from Man Ray, Ce­­­­cil Bea­t­on, or Au­­­­gust San­der of­fer a pano­ra­­­­ma of twen­ti­eth-cen­­­­tu­ry pho­­­­tog­ra­­­­phy. Yet the Gru­ber Col­lec­­­­tion is not on­­­­ly unique due to the pho­­­­to­­­­graphs them­­­­selves, but al­­­­so in light of its ge­n­e­­­­sis. The col­lec­­­­tion took shape as a re­­­­sult of the col­lec­­­­tors’ long­­­­time friend­­­­ships with the pho­­­­to­g­ra­phers. On the oc­­­­ca­­­­sion of her eight­i­eth birth­­­­day in Ju­­­­ly 2016, Re­­­­nate Gru­ber shares her very per­­­­so­n­al me­m­ories of twen­­­­ty pho­­­­to­g­ra­phers who are now among the most fa­­­­mous of the twen­ti­eth cen­­­­tu­ry in our se­ries "Pho­­­­to­g­ra­phers, Friend­­­­ships, and the Unique Gru­ber Col­lec­­­­tion."

  elearning.utmn.ru  

Show textShow cached sourceOpen source URL	Das originelle Rückenprogramm. Mit dieser speziellen Wirbelsäulenbehandlung bewahren Sie Haltung! „Ver“-Spannung versus „Ent“-Spannung. Durch diese Anwendung wird die Energie wieder zum Fließen gebracht & werden Blockaden gelöst.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine kohlern.com as primary domain	The perfect massage experience to forget about everyday life. This sophisticated back massage relieves tension in the back muscles and improves the dynamics of the spine. The particular application of energetic massage and cupping methods provides comfort and relaxation for the stressed back. It helps to maintain posture and gives us beauty and radiance.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine kohlern.com as primary domain	L’originale programma per la zona dorsale. Grazie a questo speciale trattamento la colonna vertebrale „imparerà a riconoscere“ la postura corretta. L‘uso di un rotolo caldo e apposite coppette aiutano ad ottenere un effetto rilassante ancor più marcato.

  www.astrophysik-potsdam.de  

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Ihre wissen­schaft­lichen Ziele sind das Studium der Wechsel­wirkung von Galaxien und die Entwicklung eines präzisen Modells für die Geometrie, Bewegung und Ent­stehungs­geschichte von Sternen in den Magellanschen Wolken zu entwickeln.

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Writing successful proposals also means receiving and handling a huge amount of data — especially if you are interested in large sky surveys as Maria-Rosa Cioni is. For her work involving data from the VISTA telescope in Chile, she received one of the renowned ERC Consolidator Grants by the European Union, which allows her to establish her own research group at AIP. Science goals are to study inter­actions of galaxies and to develop a precise model for the geometry, motion and formation history of stars in the Magellanic Clouds. She and her team will look at observational data both from VISTA and from the Gaia space mission.

  dbartmag.com  

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Beim Betreten der Galerie rief ein Ansager den Namen des jeweiligen Besuchers laut in einen scheinbar leeren Raum. Ent-anonymisiert und mit geschärftem Bewusstsein betrat man den White Cube und wurde mit sich bewegenden schwarzen Punkten konfrontiert.

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Since that time, Huyghe has been working increasingly with animals, and his art has become more direct and less technical. This was also evident in his 2011 exhibition Influants at Esther Schipper. When people entered the gallery, an announcer called out the name of each respective visitor into an apparently empty room. Robbed of one’s anonymity and with a heightened awareness, the visitor entered the white cube only to discover moving black dots. A closer look revealed ants and spiders crawling about the place. Visitors each reacted in their own way: interested, amazed, or disgusted. They automatically transformed into collaborators, and all at once began moving with great caution in order not to step on the insects. Or they fled in fear as quickly as possible in the direction of the exit.

  2 Hits www.coldjet.com  

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Was seine Denkweise angeht gehört Piotrowski irgendwie in eine andere, eher „romantische“ Ära, eine, die irgendwie entfernter von der Fiktion und dem abstrakten Humor der in der Ausstellung präsentierten Werke jüngerer Künstler ist.

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In his way of thinking, Piotrowski belongs somewhat to a different, more “romantic” era, one somehow distanced from the fiction or abstract humor of the younger artists’ works represented in the exhibition. Standing as an interesting counterpoint to Piotrowski’s interpretation are the pseudo-abstract paintings of Kamil Kuskowski, from the Club Colors (2003) series. On narrow, horizontal canvasses, he imitates patterns of soccer fans’ scarves using them to build provocatively esthetic compositions. In doing so, he plays both with the modernistic artistic attitude and the atavism of fighting groups of fans. Juxtaposed in the touring exposition with Kuskowski are Robert Maciejuk’s cautiously and precociously exhibited, large format, vacuous political symbols that follow a similar de-semanitization process.

  www.sculpture-network.org  

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Als promovierter Geologe trat er 1962 der Experimental Art School in Kopenhagen bei und fand zu einer Bildsprache, die facettenreich und in verschiedensten künstlerischen Medien um Meta­morphosen der Natur kreist.

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Per Kirkeby (* 1938 in Copenhagen) is a one of the most important figures in contemporary Scandina­vian art. After receiving a doctorate in geology, Kirkeby joined the Experimental Art School in Copenhagen in 1962 and began to develop the visual idiom through which he has consistently explored the metamorpho­sis of nature in a wealth of articulations and media. Kirkeby emphatically considers himself a painter. This context thus informs an examination of his three-di­mensional works dating from the early eighties, which he produced with traditional sculpting techniques and cast in bronze. In addition, over the course of his career the artist has produced a substantial body of prints that rival his works in other media. This cata­logue is the first juxtaposition of numerous drypoints and woodcuts by the artist with a series of bronzes. A number of miniature woodcuts dating from the fif­ties, which were believed to be lost, have been redis­covered and being published for the first time.

  www.db-artmag.com  

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Beim Betreten der Galerie rief ein Ansager den Namen des jeweiligen Besuchers laut in einen scheinbar leeren Raum. Ent-anonymisiert und mit geschärftem Bewusstsein betrat man den White Cube und wurde mit sich bewegenden schwarzen Punkten konfrontiert.

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Since that time, Huyghe has been working increasingly with animals, and his art has become more direct and less technical. This was also evident in his 2011 exhibition Influants at Esther Schipper. When people entered the gallery, an announcer called out the name of each respective visitor into an apparently empty room. Robbed of one’s anonymity and with a heightened awareness, the visitor entered the white cube only to discover moving black dots. A closer look revealed ants and spiders crawling about the place. Visitors each reacted in their own way: interested, amazed, or disgusted. They automatically transformed into collaborators, and all at once began moving with great caution in order not to step on the insects. Or they fled in fear as quickly as possible in the direction of the exit.

  gb.srgssr.ch  

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ETH. Von 1991 bis 1998 arbeitete Marco Derighetti als Assistent am Institut für Automatik an der ETH Zürich. Von 1998 bis 2001 war er bei der Oerlikon Contraves AG Ent­wicklungsingenieur in der Abteilung Feuerleittechnik-Radar und von 2001 bis 2002 Abteilungsleiter.

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Le Tessinois Marco Derighetti a grandi à Muralto et à Losone. A l’EPFZ, il obtient un diplôme d’ingénieur en électronique en 1991 et un post-diplôme en techniques de l’information en 1993, avant de devenir docteur en sciences techniques, en 1998. De 1991 à 1998, Marco Derighetti travaille comme assistant à l’Institut d’Automatique de l’EPFZ. De 1998 à 2001, il est ingénieur développement dans le département capteurs radars d’Oerlikon Contraves AG et, de 2001 à 2002, chef du même département. En 2002, il est nommé Chief Technology Officer (CTO) et chef du secteur Media Technology à Radiotelevisione svizzera (RSI).

  www.oejab.at  

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Um auch die Quar­tierfrage die­ser jungen Arbeiter zu lösen, schuf Dr. Buchwieser gemeinsam mit Freunden in einer Bomben­ruine in der Wiener Himmel­pfortgasse eine Unterkunft – das erste Internat der Österreichi­schen JungArbeiterBewegung. Dort ent­stand eine Gemeinschaft von jungen Menschen, die einander halfen und für gemeinsam gesteckte Ziele ar­beite­ten – die „Jungarbeiterbewegung“ war geboren.

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ÖJAB was founded by Dr. Bruno Buchwieser in 1946. Representing his parents’ con­struction company, Dr. Buchwieser was the head of the reconstruction opera­tions of St. Stephen’s Cathedral in Vienna at that time. There the Buchwieser company em­ployed a great number of workers who came to Vienna from different parts of Austria in search of work. To solve the problem of accommodation for these young workers, Dr. Buchwieser and friends founded a sort of hostel in a bomb ruin on Himmelpfortgasse in Vienna – the first hostel of the Austrian Young Workers Movement. A society of young people then developed who helped each other and worked for common goals – the “Young Workers Movement” was born.

  www.menorca.events  

Show textShow cached sourceOpen source URL	Unsere Leistungen und unser technisches Fachwissen ent-sprechen der Komplexität und den Anforderungen der moder-nen LKW-Produktion.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	Les services et l’expertise technique de Bodycote avancent avec l’industrie, par le biais de changements intervenant dans l’utilisation des matériaux.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	Los servicios y los conocimientos técnicos de Bodycote avanzan junto con la creciente complejidad de la industria de camiones pesados actual.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	I servizi e l’esperienza tecnica di Bodycote progredisce con la crescente complessità del settore attuale degli autocarri pesanti.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	De door Bodycote aangeboden behandelingen en technische know-how nemen toe met de toenemende complexiteit van de hedendaagse zware-vrachtwagenindustrie.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	Služby a technické odborné znalosti společnosti Bodycote se s rostoucí složitostí dnešního odvětví těžkých nákladních automobilů stále prohlubují.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	Bodycotes tjenesteydelser og tekniske ekspertise øges med kompleksiteten i nutidens tunge lastbilindustri.
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Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	Usługi firmy Bodycote oraz wiedza techniczna, którą dysponuje, rozwijają się wraz ze wzrostem złożoności dzisiejszej branży dużych ciężarówek.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	Bodycotes tjänster och tekniska expertis håller jämna steg med de ökande kraven i dagens tunga lastbilsindustri.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bodycote.com as primary domain	Bodycote’un hizmetleri ve teknik alandaki uzmanlığı, günümüzün ağır kamyon sanayisindeki artan karmaşıklıkla beraber ilerliyor.

  db-artmag.de  

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Beim Betreten der Galerie rief ein Ansager den Namen des jeweiligen Besuchers laut in einen scheinbar leeren Raum. Ent-anonymisiert und mit geschärftem Bewusstsein betrat man den White Cube und wurde mit sich bewegenden schwarzen Punkten konfrontiert.

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Since that time, Huyghe has been working increasingly with animals, and his art has become more direct and less technical. This was also evident in his 2011 exhibition Influants at Esther Schipper. When people entered the gallery, an announcer called out the name of each respective visitor into an apparently empty room. Robbed of one’s anonymity and with a heightened awareness, the visitor entered the white cube only to discover moving black dots. A closer look revealed ants and spiders crawling about the place. Visitors each reacted in their own way: interested, amazed, or disgusted. They automatically transformed into collaborators, and all at once began moving with great caution in order not to step on the insects. Or they fled in fear as quickly as possible in the direction of the exit.

  24 Hits rollinathens.tours  

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Unser Ange­bot ent­hält Links zu exter­nen Web­sei­ten Drit­ter, auf deren Inhalte wir keinen Ein­fluss haben. Des­halb können wir für diese frem­den Inhalte auch keine Gewähr über­neh­men. Für die Inhalte der ver­link­ten Seiten ist stets der jewei­lige Anbie­ter oder Betrei­ber der Seiten ver­ant­wort­lich.

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Our web­site con­ta­ins links to third party web­sites whe­reas the infor­ma­tion dis­played on such web­sites is out of our reach. We decline and reject all res­pon­si­bi­li­ties with regard to such infor­ma­tion dis­played on third party web­sites or with regard to any infor­ma­tion a user of such web­sites may use and the poten­tial losses he or she might incur using such infor­ma­tion. Only the pro­vi­ders of such web­sites are res­pon­si­ble for such con­tent. Links to third party web­sites have been che­cked with regard to pos­si­ble vio­la­ti­ons and no ille­gal activi­ties found. A per­ma­nent con­trol of links or the con­tent of linked pages or web­sites is unre­a­sonable without con­crete facts hin­ting to a pos­si­ble vio­la­tion. Should we by hint get know­ledge of ille­gal activi­ties on third party pages we will delete the rele­vant link. Fur­ther rights are rejec­ted and the user of this web­site accepts this by use of the site.

  8 Hits www.velona.gr  

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  5 Hits www.folkworld.de  

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  950 Hits en.memory-alpha.org  

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  5 Hits www.realvnc.com  

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  24 Hits www.bamf.de  

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  www.meteo.md  

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Fanfarenstöße, eine Tuba spuckt Wolken, allmählich entsteht daraus eine schwebende Muschel. Märchenhafte Figurinen queren den Raum. Als würde man eine Graphic Novel lesen: Wälder, Parks und Gärten, barocke Paläste, moderne Städte kommen und gehen.

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After a fanfare of trumpets, and a tuba spewing clouds, a floating shell gradually emerges. Fairy-tale-like figurines cross the stage. It is like reading a graphic novel: woods, parks and gardens, baroque palaces and modern cities come and go. Shifts in perspective, distortions of vision, optical illusions and disillusions take place. Spaces inhabited by fantasy flow into one, making the entire set spring to life until the piece culminates into something akin to an eclipse of the sun. Using soundscapes, animations, projections and comic elements, new visual spaces keep on coming, only to collapse again. Phantoms emerge in black and white, and the black box turns into a magical landscape.

  2 Hits www.norman.com  

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  www.db-artmag.de  

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Beim Betreten der Galerie rief ein Ansager den Namen des jeweiligen Besuchers laut in einen scheinbar leeren Raum. Ent-anonymisiert und mit geschärftem Bewusstsein betrat man den White Cube und wurde mit sich bewegenden schwarzen Punkten konfrontiert.

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Since that time, Huyghe has been working increasingly with animals, and his art has become more direct and less technical. This was also evident in his 2011 exhibition Influants at Esther Schipper. When people entered the gallery, an announcer called out the name of each respective visitor into an apparently empty room. Robbed of one’s anonymity and with a heightened awareness, the visitor entered the white cube only to discover moving black dots. A closer look revealed ants and spiders crawling about the place. Visitors each reacted in their own way: interested, amazed, or disgusted. They automatically transformed into collaborators, and all at once began moving with great caution in order not to step on the insects. Or they fled in fear as quickly as possible in the direction of the exit.

  db-artmag.com  

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Beim Betreten der Galerie rief ein Ansager den Namen des jeweiligen Besuchers laut in einen scheinbar leeren Raum. Ent-anonymisiert und mit geschärftem Bewusstsein betrat man den White Cube und wurde mit sich bewegenden schwarzen Punkten konfrontiert.

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Since that time, Huyghe has been working increasingly with animals, and his art has become more direct and less technical. This was also evident in his 2011 exhibition Influants at Esther Schipper. When people entered the gallery, an announcer called out the name of each respective visitor into an apparently empty room. Robbed of one’s anonymity and with a heightened awareness, the visitor entered the white cube only to discover moving black dots. A closer look revealed ants and spiders crawling about the place. Visitors each reacted in their own way: interested, amazed, or disgusted. They automatically transformed into collaborators, and all at once began moving with great caution in order not to step on the insects. Or they fled in fear as quickly as possible in the direction of the exit.

  5 Hits www.salzgitter-flachstahl.de  

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Die Dualphasen-Stahlsorten können ent- sprechend dem Verwendungszweck mit einem Korrosionsschutz/Umformhilfe (Pre- lubeöl, Hotmelt), wie auch mit Umformhilfen (ATP®) nachbehandelt werden. Bei der Ver- arbeitung der Dualphasen-Stahlsorten kön- nen alle bekannten Techniken beim Pressen, Fügen und Lackieren weiterhin genutzt wer- den.

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The dual-phase grades of steel can receive post-treatment depending on the appli- cation with corrosion protection/forming aid (Prelube oil, hotmelt), as well as with forming aids (ATP®). In the processing of dual-phase steel grades, all known tech- nologies of pressing, joining and painting can continue to be used. The dual-phase grades of steel have good cold formabili- ty and harden strongly after deformation. The dual-phase steels described may be welded by all known welding processes both manual and automated. As filler ma- terial, welding wires or electrodes appro- ved for this strength group should be used

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Die Ausstellungsidee "Entfernung. Österreich in Auschwitz" verweist auf die geografische Entfernung zwischen Österreich und Auschwitz, zugleich aber auch auf die physische Entfernung der nach Auschwitz Deportierten, aus Österreich und aus dem Leben.

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The Austrian exhibition at the Auschwitz-Birkenau State Museum, opened in 1978, greeted visitors with an entrance display reading “Austria – First Victim of National Socialism”. For a long time this “victims paradigm” formed part of the Austrian national identity. With the change in awareness of Austria’s shared responsibility for the crimes perpetrated under National Socialism came the calls for a new exhibition. In 2013, the 1978 exhibition in Block 17 of the memorial was closed down. Following Europe-wide calls to tender, in 2014 a team was commissioned to develop a new concept for the exhibition and in 2015 an architect was commissioned with its design.