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eduard-heinrich-haus.hotels-salzburg.org

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"Time For Bedlam" is a first taste of the next Deep Purple studio album "Infinite", following the success of the previous "Now What ?!". Since February 3 will be available this exclusive limited edition EP, which contains precisely the song "Time For Bedlam" (first single from the new album) and 3 unreleased recordings: "Paradise Bar", a B-sides recorded after closing tracklist of the new album (which is not present); "Uncommon Man", a song of "Now What ?!" in an original instrumental version and "Hip Boots", contained in "endless", here in special version only recorded by Ian Paice. All it produced by the legendary Bob Ezrin, which captures the classic sound of Deep Purple without falling into the temptation of nostalgia.

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“Time For Bedlam” è un primo assaggio del prossimo disco in studio dei Deep Purple “InFinite”, che segue il successo del precedente “Now What?!”. Dal 3 febbraio sarà disponibile questo EP esclusivo in edizione limitata, che contiene appunto il brano “Time For Bedlam” (primo estratto del nuovo album) e altre 3 registrazioni inedite: “Paradise Bar”, una B-sides, registrata dopo aver chiuso la tracklist del nuovo disco (nel quale non è presente); “Uncommon Man”, brano di “Now What?!” in un’inedita versione strumentale e “Hip Boots”, contenuta in “InFinite”, qui in versione speciale registrata solo da Ian Paice. Tutto prodotto dal mitico Bob Ezrin, che cattura il suono classico dei Deep Purple senza cadere nella tentazione nostalgica.

www.taschen.com

Show text Show cached source Open source URL	"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, United States
Compare text pages Compare HTM pages Open source URL Open target URL Define taschen.com as primary domain	"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, États-Unis
Compare text pages Compare HTM pages Open source URL Open target URL Define taschen.com as primary domain	"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, USA
Compare text pages Compare HTM pages Open source URL Open target URL Define taschen.com as primary domain	"There's no crew better than the good folks at TASCHEN to finally give this movement its authoritative tome. Join many of the artists and the book's curators and editors at tonight's LA launch party for what in many ways is the book of an art generation."— Flavorpill.com, Estados Unidos

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Show text Show cached source Open source URL	What in this Focus On denounce as Federation for over 30 years he is working to defend the rights of the most vulnerable people, It is that we risk being faced with a new social emergency with thousands of other persons deprived of minimum awards to start an include path, vulnerable people who will populate the streets and the shelters for the homeless
Compare text pages Compare HTM pages Open source URL Open target URL Define fiopsd.org as primary domain	Qu'est-ce que dans ce Focus On dénonçons la Fédération pour plus 30 ans, il travaille à défendre les droits des personnes les plus vulnérables, Il est que nous risquons d'être confrontés à une nouvelle urgence sociale avec des milliers d'autres personnes privées de prix minimum pour commencer un chemin d'inclusion, les personnes vulnérables qui peupleront les rues et les refuges pour les sans-abri
Compare text pages Compare HTM pages Open source URL Open target URL Define fiopsd.org as primary domain	O que neste Focagem no denúncia como Federação por mais 30 anos, ele está trabalhando para defender os direitos das pessoas mais vulneráveis, É que corremos o risco de ser confrontados com um nova emergência social com milhares de outras pessoas privadas de prêmios mínimos a iniciar um caminho de inclusão, pessoas vulneráveis que vai povoam as ruas e os abrigos para os sem-teto

ujr.gov.me

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People have talked a lot about speculation in art and it has been practiced exesively. But the speculation has nothing to do with the collectors who follow their passsion, but with the parvenus who are found in all spheres of the activity even the cultural one. Then, the collector stops being a simple compiler and becomes an authentic creator. But we must remember Jean Baudrillard in his ‘Por una crítica de la economia del signo´he affirmed: the proper ego is always collected. So, the collector doesn´t choose the works not only for the themes,the colour, the esthetic,but also the extra artistic values are reflected in the collection: that work which has been refused for the price, that one which has been bought to be the first in the acquisition. In the psycological study or about the collector, we could see the causes which push him to collect, the justifications, but we could see also how the collector´s personality condition the collection and how it is reflected in its. In this point Germano Celant reminded us what, in several occasions, Panza di Biumo has repeated, one of the present greatest collectors: I have the conviction that my collection is a continuation of my thought, a concretion of my life conception.

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Se n’ha parlat molt, de l’especulació a l’art; fins i tot, s’hi ha practicat en excés. Però l’especulació no té res a veure amb els col·leccionistes, que segueixen la seva passió, sinó que té a veure amb els arribistes, els quals es poden trobar en tots els àmbits de l’activitat, inclosa la cultural. El col·leccionista, doncs, deixa de ser un simple recopilador per convertir-se en un autèntic creador. Però recordem que Jean Baudrillard a Por una crítica de la economía del signo ja afirmava que: “es col·lecciona sempre el propi jo”. O sigui, que el col·leccionista no tan sols escull les obres pels temes, pel color, per l’estètica, sinó que els valors extraartístics es reflecteixen en la col·lecció: aquella obra que s’ha rebutjat pel preu, aquella que s’ha adquirit per passar al davant a un altre comprador....En l’estudi psicològic o sobre el col·leccionista podríem trobar les causes que el porten a col·leccionar, les justificacions, però alhora veuríem com la seva personalitat condiciona la col·lecció i com s’hi reflecteix. Germano Celant, aquí, ens recorda el que en més d’una ocasió ha repetit Panza di Biurno, un dels grans col·leccionistes actuals: “ Tinc la convicció que la meva col·lecció és una continuació del meu pensament, concreció de la meva concepció de la vida.

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