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Show text Show cached source Open source URL	Schiaparelli estaba convencida de que su amistad con Dalí, Man Ray y Cocteau, entre muchos otros surrealistas, le aportó una vía de escape y la liberó de “la cruda realidad de simplemente diseñar vestidos para ser vendidos”.
Compare text pages Compare HTM pages Open source URL Open target URL Define thedaliuniverse.com as primary domain	One of history’s most influential couturiers, Elsa Schiaparelli, collaborated with Dalí during the 1930s and 40’s. Linked with the Surrealists in Paris during the 1930s, they shared a sense of artistic creativity. Schiaparelli claimed that her friendship with Dalí, Man Ray and Cocteau amongst others from the surrealist group provided her with a sources of escape and released her ‘from the boring reality of merely making a dress to sell’.
Compare text pages Compare HTM pages Open source URL Open target URL Define thedaliuniverse.com as primary domain	Elsa Schiaparelli, stilista d’alta moda tra le più influenti della storia, collaborò con Dalí nel corso degli anni ‘30 e ‘40. Legati ai surrealisti parigini degli anni Trenta, i due condivisero un senso di creatività artistica. La Schiaparelli ha affermato che la sua amicizia con gli esponenti del gruppo surrealista, in particolare Dalí, Man Ray e Cocteau, le fornì un’occasione di fuga, liberandola “dalla noiosa realtà della realizzazione di un abito da mettere in vendita”.

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Se levantan unos gruesos muros de carga de 40cm de espesor de adobe (ladrillo de tierra cruda) que permiten sostener la carga del techo superior y aumentar el aislamiento térmico y acústico de la sala.

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The building stands on a generous concrete platform that protects it from damp and allows it to be circled. Thick, 40-cm load-bearing walls were erected in adobe (raw earth bricks) that underpin the load of the upper roof and increase the rooms thermal and acoustic insulation. This space is first covered in a sequence of lowered vaults made from BTC (compacted earth blocks), supported by in-situ-reinforced concrete beams with a 7-metre span. The building is crowned with galvanised fretted sheet metal affixed to a three-dimensional structure in tubular metal with a circular section. This metallic structure is conveniently anchored in the reinforced concrete beams and, at the requirement of the calculations, become a sort of composite beams. The upper sheet metal creates a ventilated roof and protects the construction below it from direct sunlight and the strong rainfall in summer. The internal adobe walls are finished in lime mortar, with the exteriors and vaults rendered in different hues of clay taken from nearby quarries, giving the main building an attractive and eye-catching image.

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Show text Show cached source Open source URL	Actúa como un magnífico soporte para dibujos geométricos y cenefas caligrafiadas, en particular en los numerosos edificios religiosos (86 mezquitas y medersas). La casa con patio es la unidad de base original de una arquitectura doméstica, que incluye también viviendas de tierra cruda con techo de bálago.
Compare text pages Compare HTM pages Open source URL Open target URL Define ovpm.org as primary domain	Baked brick covered with white stucco is the main material of this homogeneous architectural ensemble. It provides an excellent support for the geometric drawings and calligraphy that embellish the buildings, in particular on the numerous religious buildings, including 86 mosques and madrassas. The courtyard house is the basic element of the city's domestic architecture, which also includes mud brick dwellings with thatched roofs; this architectural style, which appears in its most accomplished form in Zabid, can be found throughout the Tihama plain.
Compare text pages Compare HTM pages Open source URL Open target URL Define ovpm.org as primary domain	La brique cuite recouverte de stuc blanchi est le matériau principal de cet ensemble architectural homogène. Elle se fait le support magnifique de dessins géométriques et de bandes calligraphiées, notamment dans les nombreux bâtiments religieux (86 mosquées et madrasas). La maison-cour est l'unité de base originale d'une architecture domestique qui inclut en outre des demeures de terre crue avec toitures de chaume. Ce style architectural, qui apparaît dans sa forme accomplie à Zabid, est caractéristique de la Tihama.

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