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Unter den frühsten Bauwerken mit künstlerischem Wert in Albanien sind die vielen byzantinischen Kirchen, besonders in Berat (um 1300) und den Gebieten von Gjirokastra und Korça, sowie alte Moscheen wie die Mirahor-Moschee von Korça (1495), die Sultan-Moschee (1492) und die Blei- Moschee (1553-1554) von Berat, die Murad-Moschee von Vlora (1537-1542), die Naziresha-Moschee von Elbasan (vor 1599), die Blei-Moschee von Shkodra (1773-1774) und die Et’hem-Bey-Moschee von Tirana (1793-1794).
Deutsch | Shqip This website is devoted to Albanian art in the broadest sense, that it to say, to the various artistic endeavours undertaken by Albanians or connected in some way with Albania and/or the Albanians. It does not purport to provide a comprehensive history of Albanian art, but simply to present aspects and phenomena that might be of interest to the international reader/viewer. Art forms in Albania were moulded by traditional Albanian folk culture, by early Byzantine traditions and by the country's inclusion in the Ottoman Empire for five centuries until 1912. Among the earliest works of architecture of artistic value in Albania are the many old Byzantine churches such as those in Berat (ca. 1300) and southern Albanian regions of Gjirokastra and Korça, and venerable mosques such as the Mirahor Mosque in Korça (1495), the Sultan Mosque (1492) and the Lead Mosque (1553-1554) in Berat, the Murad Mosque in Vlora (1537-1542), the Naziresha Mosque in Elbasan (pre-1599), the Lead Mosque in Shkodra (1773-1774) and the Et’hem Bey Mosque in Tirana (1793- 1794). Less well known are the superbly elegant Ottoman-style vaulted bridges, few of which have survived the centuries. Not much remains either of the many early Catholic churches of the north. Notable in style for private dwellings are the lofty mansions of Gjirokastra, the windowed homes in the Mangalem quarter of Berat (The City of a Thousand Windows), and the lonely kullas (fortified stone towers) planted here and there in isolated regions of northern Albania and Kosovo. Following mosaics and murals from antiquity and the mediaeval period, the first concrete representations in painting were icons in the Byzantine Orthodox tradition. The earliest Albanian icons date from the late thirteenth century and there is general agreement that they reached their artistic zenith in the eighteenth century. Among the greatest protagonists of Albanian iconic art were Onufri and David Selenica. The museums of Berat, Korça and Tirana have good collections of the few icons that remain. In the Ottoman period other painting was limited mostly to folk art and to the often exuberant decorations of mosques. Modern painting and sculpture arose in the first half of the twentieth century and reached a modest zenith in the 1930s and 1940s when the first major art exhibitions were held in the country. The traditions of Albanian art that evolved up until the Second World War were largely destroyed by the communist regime that t
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Herstellung von blei, zink oder zinn
General public administration
Fabrication de vis et de boulons
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Noch immer findet man in ganz Europa Spuren dieser Katastrophe, in Form von Staub oder radioaktiven Gasen, wie Caesium und Jod 131. Im explodierten Reaktor „Abri" befinden sich unter einem Blei- und Betonschutzmantel verborgen noch immer fast
Le 26 avril 1986, le nom de Tchernobyl entre brutalement dans l'histoire à l"occasion de la plus importante catastrophe nucléaire connue à ce jour. Le cœur du réacteur no 4 de la centrale de Tchernobyl explose et prend feu, projetant un nuage radioactif dans l'atmosphère dont on retrouve dans toute l'Europe des traces de poussières, d'aérosols et de gaz radioactifs (dont le césium et l'iode). Le réacteur, répondant au nom de code «Abri», conserve toujours dans son ventre gainé de plomb et de béton armé près de vingt tonnes de combustible nucléaire. Qu'est-il advenu de cette matière, personne ne le sait. Vingt ans après que retient-on de cette explosion ?
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Tungsten Hartmetall ist eines der stärksten bekannten Metalle zu den Menschen. Es ist dichter als Blei und härter als Stahl. Tungsten Hartmetall einzigartige Kombination aus Festigkeit, erfüllt Härte und Zähigkeit die anspruchsvollsten Anwendungen.
Carbure de tungstène cémenté est l'un des plus forts métaux connus pour les êtres humains. Il est plus dense que le plomb et le plus dur que l'acier. Tungstène cimenté Carbide combinaison unique de force, de dureté et de ténacité répond aux applications les plus exigeantes.
Carboneto de tungsténio cementado é um dos mais fortes metais conhecidos para os seres humanos. É mais denso do que o chumbo e mais duro que o aço. Tungstênio cimentado combinação única de carboneto de resistência, dureza e resistência satisfaz as mais exigentes aplicações.
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