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The analysis of this data shows that the sensibility of grapes increases with berry maturation, that in particular the red varieties Acolon, Cabernet Dorsa, Cornalin, Divico, Dornfelder, Dunkelfelder, Galotta, Garanoir, Humagne rouge, Mara, Regent and Syrah are at higher risk and that soft-skinned cultivars are more heavily infested by D. suzukii. However, the role of this new pest for the development of sour rot in the vineyard still needs to be clarified.
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Même si la présence de la drosophile du cerisier (Drosophila suzukii) dans les vignobles suisses a provoqué une grande inquiétude auprès des viticulteurs en 2014, les expériences acquises ces deux dernières années montrent que la vigne doit être considérée comme une plante hôte secondaire. Malgré cela, des oeufs peuvent être pondus dans les baies de divers cépages. Avec l’aide des services cantonaux, nous avons échantillonné plus de 90 000 baies dans 500 parcelles en 2015, ainsi que 150 000 baies dans 600 parcelles en 2016. L’analyse de ces données montre que la sensibilité du raisin augmente avec la maturation, que les cépages rouges Acolon, Cabernet Dorsa, Cornalin, Divico, Dornfelder, Dunkelfelder, Galotta, Garanoir, Humagne rouge, Mara, Regent et Syrah subissent un risque plus élevé et que les cépages à pellicule tendre sont plus fortement attaqués par D. suzukii. La contribution de ce nouveau ravageur au développement de la pourriture acide dans le vignoble doit cependant encore être précisée.
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Anche se la presenza della drosofila del ciliegio (Drosophila suzukii) nei vigneti svizzeri ha provocato una grande ondata di preoccupazione tra i viticoltori nel 2014, le esperienze fatte negli ultimi due anni dimostrano che la vigna deve essere considerata come una pianta ospite secondaria. Ciononostante, le uova possono essere deposte nelle bacche di diversi vitigni. Grazie al sostegno dei servizi cantonali, abbiamo raccolto i campioni di oltre 90 000 bacche in 500 parcelle nel 2015 e 150 000 bacche in 600 parcelle nel 2016. L’analisi di questi dati dimostra che la sensibilità dell’uva aumenta con la maturazione, che i vitigni rossi Acolon, Cabernet Dorsa, Cornalin, Divico, Dornfelder, Dunkelfelder, Galotta, Garanoir, Humagne rosso, Mara, Regent e Syrah sono più a rischio e che i vitigni a pellicola tenera sono attaccati maggiormente dalla D. suzukii. Occorre tuttavia ancora definire quanto il nuovo parassita contribuisca allo sviluppo del marciume acido nei vigneti.
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After the Congress of Vienna in 1815, Ogiński considered the Polish puppet Kingdom of Poland, with the Tsar himself as King, a sell-out, and he lost faith not only in politics, but also in his marriage, which, like his first one, had gone sour.
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Po Kongresie Wiedeńskim w 1815 roku Ogiński postrzegał stworzenie marionetkowego Królestwa Polski z carem jako jego królem, jako zaprzedanie się, tracąc wiarę nie tylko w politykę, ale także w swoje małżeństwo, które jak pierwsze się rozpadło. W 1823 roku napisał swego najbardziej znanego Poloneza a-moll Nr 13, bardziej znanego jako Pożegnanie Ojczyzny i wyjechał do ukochanej Florencji, gdzie zmarł i został pochowany w 1833 roku. Jego grobowiec z płaskorzeźbą i inskrypcją znajduje się w Capella del Santissimo w kościele Santa Croce.
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A Dominican-American writer, Junot Díaz talks in this interview in Oakland, CA, about his most recent bestseller “This Is How You Lose Her,” a collection of stories about relationships gone sour. He won the 2008 Pulitzer Prize for Fiction for his novel “The Brief Wondrous Life of Oscar Wao.”
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El escritor dominicano-americano, Junot Díaz habla en esta entrevista, realizada en Oakland, CA, sobre su libro más reciente Así es como la pierdes, una colección de cuentos sobre relaciones defraudadas. Díaz ganó en 2008 el Premio Pulitzer de ficción por su novela La breve y maravillosa vida de Oscar Wao. Invitado: Junot Díaz, escritor y […]
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Crowd­­sour­­cing is an open call to anyone to parti­­ci­pate in the prob­lem solv­ing pro­cess of a focal actor. It can be char­ac­te­r­ized as a mecha­n­ism to turn dis­tant search of a focal actor (which is sear­ch­ing for new solu­­tions) into local search of a large num­ber of dis­tri­b­uted prob­lem solv­ers (Afuah and Tucci, 2012).
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Crow­d­­sour­­cing is an open call to anyone to parti­­ci­­pate in the problem solving process of a focal actor. It can be charac­­te­­rized as a mecha­­nism to turn distant search of a focal actor (which is sear­ching for new solu­­tions) into local search of a large number of distri­buted problem solvers (Afuah and Tucci, 2012). Crow­d­­sour­­cing can take many diffe­­rent forms ranging from ‘small scale problem solving’ in idea­­tion contests to so-called grand chal­­lenges in which highly complex problems are being solved over very long time spans.
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