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  2 Hits www.prague.kralovskacesta.cz  
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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.
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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.
  2 Hits www.kralovskacw.kqodazx.kralovskacesta.cz  
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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.
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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.
  2 Hits www.xn--www-rp0a.kralovskacesta.cz  
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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.
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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.
  2 Hits www.kqodazx.kralovskacw.kqodazx.kralovskacesta.cz  
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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.
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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.
  www.ecb.europa.eu  
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Členy komise byli odborníci na numismatiku, umělci, bývalá členka Evropské komise (Christine Scrivener), poslanci, ředitel Francouzské mincovny Emanuel Constans, rytec Pierre Rodier, herečka Irene Jacob a zástupci dalších odborných orgánů.
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Ce jury était composé d'experts en numismatique, d'artistes, d'un ex-Commissaire européen (Christine Scrivener), de membres du Parlement, du directeur des Monnaies (Emmanuel Constans), du graveur Pierre Rodier, de représentants d'associations professionnelles et de l'actrice Irène Jacob. Leur choix s'est porté sur les dessins suivants :
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La commissione era formata da: esperti di numismatica, artisti, l'ex membro della Commissione europea Christine Scrivener, parlamentari, il direttore della zecca francese Emmanuel Constans, l'incisore Pierre Rodier, l'attrice Irène Jacob e rappresentanti di varie categorie professionali.
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В комисията участваха специалисти по нумизматика, художници, Кристин Скривнер – бивш член на Европейската комисия, депутати, директорът на Монетния двор на Франция Еманюел Констанс, главният гравьор Пиер Родие и актрисата Ирен Жакоб, както и представители на различни професионални организации. Те избраха следните дизайни:
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Panelet bestod af eksperter i numismatik, kunstnere, et tidligere medlem af Europa-Kommissionen (Christine Scrivener), franske parlamentsmedlemmer, møntdirektør Emmanuel Constans, chefgravør Pierre Rodier, skuespilleren Irène Jacob samt repræsentanter for faglige sammenslutninger. De valgte følgende design:
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Monety 1 € i 2 €: na monetach figuruje zaprojektowany przez artystę Joaquima Jimineza wizerunek drzewa symbolizującego życie, ciągłość i wzrost. Drzewo wpisane jest w sześciokąt i otoczone hasłem Republiki: „Liberté, Egalité, Fraternité" (wolność, równość, braterstwo).
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Monedele de 1 EUR şi 2 EUR: motivul copacului, simbolizând viaţa, continuitatea şi creşterea, este o creaţie a artistului Joaquim Jimenez. Copacul este încadrat într-un hexagon, fiind înconjurat de mottoul republicii, „Liberté, Egalité, Fraternité” (Libertate, egalitate, fraternitate). Pe marginea monedei de 2 EUR, apare inscripţia „2**”, repetată de şase ori, orientată alternativ de jos în sus şi de sus în jos.
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Odbor so sestavljali numizmatiki, umetniki, nekdanja članica Evropske komisije (Christine Scrivener), poslanci, direktor francoske kovnice Emmanuel Constans, splošni graver Pierre Rodier, igralka Irene Jacob in predstavniki strokovnih ustanov. Izbrali so naslednja oblikovanja:
  2 Hits www.htwkdzz.kralovskacesta.cz  
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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.
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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.
  2 Hits www.xuzwvjd.kralovskacesta.cz  
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Praha, město na křižovatce kultur, byla tavicím tyglíkem vlivů a mnohé stavby všech epoch se vyznačují značnou mírou originality. Umělci i řemeslníci, ať byly jejich dosavadní cesty jakékoliv, se podřizovali geniu loci Prahy a na oplátku dávali městu to nejlepší.
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New impulses for the development of the town lying on the Vltava River had usually been brought by globetrotters coming in with knowledge of French, German or Austrian architecture; however, this does not mean that Prague architecture blindly followed the foreign patterns. Prague, a city on the crossroads of cultures, was a melting pot of many influences and many buildings from all the periods show a certain extent of originality. Artists and craftsmen, regardless their previous experiences, had surrendered to the Prague’s genius loci and had given their best to the city in return.
  2 Hits www.pq.cz  
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Právě to je velmi důležité ve světě, v němž se lidé těžko orientují, v němž politici používají imaginaci a fikci, zatímco umělci jsou posedlí autenticitou. Jak se k tomu postavíme? Co bychom s tím měli udělat?
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The difficulty of orienting one's self in this contemporary world makes scenography's social function very important: here politicians use imagination and fiction (and artists are obsessed with the authentic); here systems and recognitions are disrupted; nowadays often one is not allowed to wear a mask at demonstrations. The questions 'what should be done?' and 'how should one position oneself?' ring throughout PQ 2015: individual expositions explore the position of the designers in their process (like Lithuania); the place 'of the designer in national and international contexts' (Mexico); and often the place of an individual in a community in the contemporary world (like Uruguay, Australia).
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