sobie – Übersetzung – Keybot-Wörterbuch

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Dili: Türkçe/ İngilizce
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Language: Turkish/ English
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Çıkış Var, Özmen’in bir sanatçı olarak hem kendi gerçekliğini, hem de sanatın büyük meseleleri ele alış tarzını sorguladığı bir sergi. Özmen, bugüne dek kullanmadığı beton, metal, ışıklı pano gibi birbirinden oldukça farklı medyumlarla ürettiği eserlerinde, malzemeye yaklaşıyor ve sanatında yeni bir dili/yeni bir dönemi müjdeliyor.
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In “There is a way out” Özmen questions both his own reality as an artist and looks at the ways art handles subjects of significance. Embracing materials he has not used before, like concrete, metal and light-box, Özmen signals a new language and phase in his artistic practice.
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isimli sergisine ev sahipliği yapıyor. Batman’da yaşayan Fikret Atay, videolarında, doğu-batı, gelenek ve modernite, sivil ve askeri alanlar arasındaki gerilim noktalarını işaret eden bir video dili kullanır.
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Fikret Atay, whose works were presented at variety of venues and institutions such as Tate Modern, New Museum, Lyon Biennial, Alexandria Biennial, Istanbul Biennial, Sidney Biennial and are among valuable collections of Tate Modern, Mudam, Frac, VKV, introduces his most recent productions after a 5-year-break. The works that reckon on memory, trauma and body cling to each other through the appearance of intertwined time cycles.
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Dokunulması neredeyse imkansızlaşmış konulara ve Türkiye’nin derin mevzularına eğilerek, milliyetçi ideolojilerin eleştirisine yoğunlaştı. Dili, üslubu, tabulara karşı aldığı cesur tutum ve sürekli kendini yenileyen tavrıyla, ‘95 Kuşağı’ olarak adlandırılan jenerasyonun öncü isimlerinden biri oldu.
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Halil Altındere gained reputation through his early yet destructive works that manipulate social, cultural codes and question the official material of the state. Altındere focused on criticizing the nationalistic ideologies by dealing with issues, which had been untouchable previously in Turkey. He became one of the leading figures of ‘95 Generation’ through his expression, tone, courageous manner against the taboos and self-renewing attitude. In his later work, Altındere deals with tradition/modernity dilemma, sub-cultures, marginalized minorities, outsiders, pop icons and cult characters.