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Immer wieder tauchen in Jabès’ Buch Rabbiner auf, die die Geschichte kommentieren und hinterfragen. Diese Mikrostruktur formt Sarah Nemtsov sehr genau aus und führt sie in weiten musikalischen Bögen zu einer fünfaktigen Form.
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The musical structures of the opera operate underground and hold a very fractured music together. On the basis of Edmond Jabès’ The Book of Questions, the truths of the opera are revealed not in linearity, but rather in the empty spaces, in silence, in abysses and unusual connections. Rabbis constantly turn up in Jabès’ book to comment upon and question the story. Nemtsov shapes this micro-structure very precisely and develops it in broad musical arcs into a five-act form.