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  Cappella Gabrieli - Gio...  
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Het koor
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Choir
  Cappella Gabrieli - Ges...  
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In 2000 gaf het koor zijn eerste concert onder de nieuwe naam. Daarna volgden programma’s met muziek uit renaissance en barok, maar ook met twintigste-eeuwse stukken. Cappella Gabrieli zong onder meer werk van Palestrina (
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) and the extended Bach family. In 1992, the choir released a CD of work by Hendrik Andriessen, which Queen Beatrix used as accompanying music to her Christmas speech. The choir projects celebrated their tenth anniversary with a mass and the
  Cappella Gabrieli - Ges...  
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Stichting Koorprojecten Rotterdam heeft het op zich genomen om, ter ere van het (meer dan) vierhonderdjarig bestaan van de Cantiones Sacrae, deze stukken te doen voltooien en uit te voeren. Ze heeft zich daartoe verzekerd van de medewerking van een aantal hedendaagse Nederlandse componisten.
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four hundredth anniversary, to complete and perform these pieces. To achieve this, the foundation has arranged to work with a number of contemporary Dutch composers. The foundation forms the governing board of the choir Cappella Gabrieli - directed by conductor Maarten Michielsen - who has substantial experience performing music from that period.
  Te huur: uniek kistorge...  
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Het koor huurde voor zijn concerten regelmatig een kistorgel, maar ondervond dat de bestaande orgels (doorgaans met registers van verschillende hoogten) niet ideaal zijn voor voor programma’s waarin zowel renaissance- als barokmuziek worden gezongen.
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Cappella Gabrieli regularly sings works by composers such as Lassus, Palestrina, Tallis, Schütz, Monteverdi en Bach. This often requires an organ accompaniment - solo or as a continuo instrument. The choir regularly hired a positive organ for its concerts, but found that the existing organs (generally with stops of different pitches) less than ideal for programmes featuring renaissance and baroque music. This is why the choir took the initiative to have an organ built to order. In consultation with the firm Klop and organ specialist Ton van Eck, the choir chose for an instrument with two 8′ stops and an advanced transposition facility. Such an instrument is unique in the Netherlands, and further afield.
  Te huur: uniek kistorge...  
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Mijn ervaring met continuo-instrumenten is dat hogere registers (zoals 4') vaak weinig of niets toevoegen aan de draagkracht en de steun voor het koor, en het toonbeeld zelfs kunnen vertroebelen. Het gekozen orgel is een uniek instrument.
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My experience with continuo-instruments is that higher registers (such as 4′) often add little or nothing to the strength and support for the choir, and can even confuse the sound. The chosen organ is a unique instrument. In the first place because of the two different 8′ stops: one for renaissance music and one for baroque and rococo music. As far as I know, no such instrument exists. Another advantage: the instrument is equipped with a convenient and versatile transposition facility so that it may be played with instruments with early music tuning (a = 415 Hz or a = 465 Hz) and even up to a fourth lower, which can be especially useful for renaissance music. A simple operation allows the instrument to be tuned chromatically (per semitone) within the range of a fifth: one tone higher and four tones lower.
  Te huur: uniek kistorge...  
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Het koor huurde voor zijn concerten regelmatig een kistorgel, maar ondervond dat de bestaande orgels (doorgaans met registers van verschillende hoogten) niet ideaal zijn voor voor programma’s waarin zowel renaissance- als barokmuziek worden gezongen.
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Cappella Gabrieli regularly sings works by composers such as Lassus, Palestrina, Tallis, Schütz, Monteverdi en Bach. This often requires an organ accompaniment - solo or as a continuo instrument. The choir regularly hired a positive organ for its concerts, but found that the existing organs (generally with stops of different pitches) less than ideal for programmes featuring renaissance and baroque music. This is why the choir took the initiative to have an organ built to order. In consultation with the firm Klop and organ specialist Ton van Eck, the choir chose for an instrument with two 8′ stops and an advanced transposition facility. Such an instrument is unique in the Netherlands, and further afield.