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Pojavio se stoga kao rodonačelnik bezbrojnih tehnika koje su postale zaštitnim znakovima animacije: crtanje i graviranje na film, unakrsna pretapanja, piksilacija, sintetizirani zvuk i brojne druge. Za postojeće metode i formule u njegovu pristupu nema mjesta. Neobična odvažnost i originalnost bili su kreativno vrelo svih njegovih radova.

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Born in Stirling, Scotland, in 1914, Norman McLaren, the founder of the NFB’s animation studio, succeeded in giving Canadian animation a vision and direction that still endure today, long after he was hired by John Grierson in 1941. McLaren refused to accept the simple narrative that claimed cinema had been invented by the Lumière brothers in 1895; he was of the opinion that the art form had yet to fully come into its own, and that research and experimentation were the natural ingredients of artistic creation. He thus emerged as a pioneer of countless techniques that have become hallmarks of animation: drawing and engraving on film, cross-dissolves, pixillation, synthesized sound, and many others. Pre-existing methods and formulas had no place in his approach. Uncommon boldness and originality were the creative sources for all his work.

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Više od 300 izvrsnih kratkometražnih i dugometražnih filmova, od kojih će brojni imati svjetske premijere a brojni su već osvojili nagrade na prestižnim svjetskim filmskim festivalima, uvjetno se može podijeliti po četiri tematske linije, kako su to na konferenciji za medije učinili Daniel Šuljić i Vjera Matković. Bili bi to filmovi velikih autora, zatim filmovi koji sugeriraju dobro raspoloženje (tzv.

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The 25th World Festival of Animated Film – Animafest Zagreb opens on Tuesday, 9 June at 19.30, Europa Cinema. The opening night schedules as many as eight short animated films of different themes and techniques, announcing the extraordinary diversity of this festival edition. This was presented at the media conference by the festival’s artistic director Daniel Šuljić, producer Vjera Matković, executive producer Paola Orlić and guests: Ante Vrdelja, representative of CGDA, Alemka Lisinski, main Croatian programmer of Rendez-vous, festival of France in Croatia, and via Skype, festival guests Max Hattler, member of the Student and Commissioned Film Jury, and Tomm Moore, the author of

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Selektori natjecateljskih programa bili su Daniel Šuljić za natjecanje dugometražnih, kratkometražnih, hrvatskih i studentskih filmova, Nikica Gilić i Petra Zlonoga za natjecanje kratkometražnih i hrvatskih filmova, Ivana Bošnjak i Marko Meštrović za natjecanje studentskih filmova, Lado Skorin za natjecanje namjenskih filmova i Martina Peštaj za natjecanje filmova za djecu.

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This year’s competitions include 177 films categorized, according to the new festival structure, in one feature animation competition and five short animation competitions: short, student, commissioned and children’s competitions, and the new Croatian film section. The programmers were Daniel Šuljić for feature, short, students and Croatian competition, Nikica Gilić and Petra Zlonoga for short and Croatian competition, Ivana Bošnjak and Marko Meštrović for student competition, Lado Skorin for commissioned film competition, and Martina Peštaj for children’s film competition.

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Scenografija izložbe - raketa u kuli, kula oko rakete – predstavlja ujedinjenje dva značajna filma domaće animacije Krava na Mjesecu i Igra; ono što je bila pokretačka snaga samog Vuda u kojoj kao sudionici izložbe zavirujujući u model jedne naivne dječje rakete, gotovo realne veličine, zapravo zavirujemo u tajne jednog davno usnulog uma, a vječnog zbog ostavštine koja se predstavlja na izložbi kroz igračke, knjige, male sitne detalje, koji su kao osobna fascinacija bili pretočeni u stvaralaštvo onoga o kome se već odavno sve zna.

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The staging of the exhibition – a rocket in a tower, the tower around the rocket – depicts a combination of two significant achievements of our national animation: Cow on the Moon and The Play. The concept of the exhibition portrays the author’s driving force, inviting the visitors to take a sneak peek into a model of a naive, children’s, almost life-size rocket, while in fact revealing the secrets of a long-lost mind, eternalised by the legacy exhibited through toys, books, tiny details symptomatic of the author’s personal fascination that laid the foundations of the celebrated work.

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Kyung-min, propali poduzetnik, i novinar Jong-suk nekoć su bili srednjoškolski kolege. Susreću se nakon 15 godina i razgovaraju o školskim danima, kada su bogate i moćne učenike nazivali „psima“, a siromašne „svinjama“.

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Kyung-min, a bankrupt businessman, and journalist Jong-suk were once classmates in middle school. They reunite 15 years later and talk about their school days, in which the rich and powerful students were called 'dogs' and the poor ones 'pigs'. This clear social distinction created an atmosphere that allowed for the privileged to abuse the less fortunate. The hierarchies and systematic humiliations are questioned by no one, and condoned by the school's teachers – at least until the arrival of Chul, who takes on the dogs with clarity of purpose and brutality not seen before in the school. A daring, disturbing and violent animated film about bullying, social status and class difference.

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"Taratata je hommage mimohodima koji su se nekoć održavali na Dan sv. Ivana Krstitelja, što je državni praznik u Quebecu. Ti su mimohodi bili prilika da se oda počast tradicionalnim vrednotama ili pokaže napredak putem alegorijskih splavi. Održavali su se svake godine 24. lipnja u većim i manjim gradovima diljem Quebeca, a mjesni glazbenici i limeni orkestri dobivali su priliku iskazati svoj talent. Djeca su obožavala povorku u sjajnim odorama, a proslava je završavala veličanstvenim vatrometom. Htio sam još jednom podsjetiti na to popularno slavlje, naglasiti ono dražesno, smiješno ili pretenciozno."

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"Taratata is a tribute to the parades that used to be held on Saint-Jean-Baptiste Day, Quebec's national holiday. These parades were an occasion to honour traditional values or demonstrate progress by way of allegorical floats. Presented each year on June 24 in cities and towns all over Quebec, they gave local musicians and brass bands a chance to display their talents. Children adored the pageant with its splendid uniforms. The day would end with a great fireworks display. I wanted to evoke this popular celebration once again, emphasizing what was charming, ridiculous or pretentious." Frédéric Back

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Kada smo bili klinci Yellow Submarine nam je bila apsolutno najbolja pjesma Beatlesa. Kasnije sam saznao da je napravljen i istoimeni dugometražni crtić, ali tada su mi neke druge pjesme bile puno bolje.

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When we were kids, The Yellow Submarine was our absolute favourite among the Beatles’ songs. Later I realised there was a feature animated film of the same name, but at that time I preferred some other songs. And The Beatles fell apart, and in 1971 I “discovered” Pink Floyd. It was said that the Yellow Submarine (1968) was both commercial and revolutionary, but I do not remember ever seeing it in Croatian theatres. It cannot be found on video or DVD as well. The same goes for two other films in this year’s Animafest special programme, but Heavy Metal and The Wall at their time attracted huge audiences.

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I dodaše jajetu sve što je nedostajalo. Tako su učinili i ostali prijatelji, svaki prema svome ukusu. Začas je jaje bilo pokriveno piramidom čudnih predmeta. Svi su bili oduševljeni. Najviše g. Paun, čija je slava porasla.

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A distinguished sculptor Mr Peacock laid an egg. Thrilled with himself and his work of art, he made it widely known. Friends arrived soon. “What a beautiful egg… the only thing missing is the horns!” said Mrs Cow. “And a beak!” said Mr Duck. “And ears,” added Mr Donkey. So they supplied the egg with all what was missing. So did other friends, each to their taste. In a mere moment the egg was covered in a pyramid of strange objects. Everyone was thrilled, Mr Peacock in particular, as his fame grew. The only one hurt was the egg. Under the great weight – it broke.

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Selektori natjecateljskih programa bili su Daniel Šuljić za natjecanje dugometražnog filma, Ana Hušman, Draško Ivezić i Daniel Šuljić za natjecanje kratkometražnog i natjecanje hrvatskog filma, Nikica Gilić, Martina Meštrović i Daniel Šuljić za natjecanje studentskih filmova, Vesna Meštrić i Daniel Šuljić za Animation Goes MSU! te Martina Peštaj za natjecanje filmova za djecu.

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The central line-up this year consists of six competitions. Over 1700 entries from more than 70 countries were submitted. Competition selectors were Daniel Šuljić (feature competition), Ana Hušman, Draško Ivezić and Daniel Šuljić (short and Croatian film competition), Nikica Gilić, Martina Meštrović and Daniel Šuljić (student competition), Vesna Meštrić and Daniel Šuljić (Animation Goes MSU), and Martina Peštaj (children’s competition).

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Razgovaralo se i s dobitnikom nagrade za životno djelo, Michelom Ocelotom, u Medijateci Francuskog instituta, kao i s autorima u Natjecanju studentskog filma 1, u Tuškancu. Svi su navedeni (i drugi) festivalski gosti tijekom dana bili i na svečanom primanju kod zamjenice gradonačelnika Grada Zagreba, Vesne Kusin.

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After the official opening of the World Festival of Animated Film – Animafest on Tuesday, supported by the full auditorium at Europa cinema, the first ‘working’ festival day was also quite eventful. One of the additional events particularly interesting to broader audience was the opening of an exhibition of children’s literature and animation by short film competition jury member Yumi Joung at ULUPUH Gallery, open until Sunday.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	David Prosser (1986) studirao je animaciju na Školi za umjetnost i dizajn u Norwichu 2005. godine. Crtanje i skiciranje oduvijek su bili temelj njegova rada. Animacija je postala njegov prvi izbor na zadnjoj godini studija jer mu pomaže premostiti ograničenja stranice.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	David Prosser (1986) studied illustration at Norwich School of Art and Design in 2005. Drawing and sketchbooks have always been fundamental to his working. Animation became apparent choice of working throughout his final year, a way of expanding the limitations of the page. While studying he worked an internship with Studio aka, and has more recently joined their team as a director.

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Radi s urednicima časopisa, dizajnira scenografije za kazališne predstave i animacije za dokumentarne filmove. Autor je filmova Phantom Inventory (2003) i Mister COK (2008), koji su bili prikazani na međunarodnim festivalima.

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Born in Versailles, Franck Dion makes good use of his talent in multiple areas. He takes lessons to become an actor in the American Center, then in the Théâtre de l'Archet. At the same time, he becomes passionate about cinema and learns by himself to sculpt, to draw and to paint. He works with editors and magazines, designs sets for theatres plays and animations for documentary films. He made films Phantom Inventory (2003), and Mister COK (2008), which toured the international festival circuit.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Njihovi vlastiti filmski projekti čak su 19 puta bili nominirani za Oscar, a osvojili su ih osam, o čemu će Marcy Page i govoriti 11. lipnja u 12 sati u Zagrebačkom plesnom centru.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	is scheduled for Saturday, 9.30pm, a wonderful tale suitable for children over nine years of age. The boy from the title leaves his village for the neon and a technological metropolis. What does he find there? Find out at Ribnjak!

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Konačno – 'oskarovski' program Animafesta zaokružit će izbor klasika nagrađenih zlatnim kipićem, i to u izboru umjetničkog (ali i privatnog) para producentice Marcy Page i skladatelja Normanda Rogera iz Kanade, čiji su projekti za Oscar bili nominirani 19 puta, a osvojili su ih čak 8.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	And finally, Animafest’s Oscar programme wraps up with a selection of award-winning classics to the choice of the artistic duo and couple producer Marcy Page and composer Normand Roger, whose projects had 19 nominations and eight wins. Marcy chose

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Sve što su smislili, prilično je odudaralo od tradicionalnih bajki na kakve smo navikli. Kod kuće bi zapisivali svoje priče, nesvjesni svojih mana, sve dok jednu od posljednjih priča nisu čuli odglumljenu u susjedstvu, ali prilično drugačije nego što su je bili napisali.

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Once upon a time there were seven brothers who wandered through the streets of their village, looking for inspiration for fairy tales. The ideas they came up with, however, didn't look much like the traditional fairy tales we are used to. At home, the brothers wrote their stories down, unaware of their shortcomings. But then they heard their last tale being acted out next door, quite differently from the way they had written it. The brother's wanderings are shown in live action; the fairy tales are animated.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Prekrižene haringe priča je o djevojci i mladiću čiji su životi i svakodnevni rituali oblikovani strahom i iluzijama. Kada bi imali priliku upoznati se, bili bi savršeni par i savršeno bi ispunjavali jedan drugog.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	Crossed Sildis a story about a girl and a young man, whose lives and everyday rituals are shaped by fear and illusions. If they had a chance to meet they would be a perfect couple and complete each other perfectly. Once it almost happened.

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Thomas Johnson (Bath, Engleska, 1984) diplomirao je vremenski baziranu umjetnost na Institutu Sveučilišta u Walesu, u Cardiffu. Njegovi su lutkarski performansi dosad bili prikazani na nekoliko festivala.

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Thomas Johnson (Bath, England, 1984) graduated in Time Based Media from the University of Wales Institute, Cardiff, and is currently studying at the New Media Department of the Academy of Fine Arts in Zagreb. To date his puppet performances have been shown at a number of festivals. In 2014, together with Ivana Bošnjak at Bonobostudio, Thomas finished his debut co-directed stop-animation short film

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Ukoliko ste bili sudionik prijašnjih godina upišite svoj email s kojim ste se tada prijavili.
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Montrer texteMontrer source en cacheMontrer URL avec texte source	Prostaku i njegovoj ženi Sveti Martin je obećao ispuniti četiri želje. Samo moraju poželjeti sve što im treba kako bi bili vječno sretni...
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	Saint Martin grants four wishes to a villain and to his wife. They just have to wish everything they need to be happy forever …

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Za vrijeme Kulturne revolucije (1966-1976) oni su bili crvena straža, oni su bili naoružani, oni su slamali stari svijet. To je vrijeme prošlo, a nasilje je ostalo kao ovisnost, kao stil života. Oni su naši očevi i majke.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	During the Cultural Revolution (1966-1976), they were the red guards, they were armed, they were breaking the old world. The era is gone, the violence remains as an addiction, a way of living. They are our fathers and mothers.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Kratkometražni filmovi Michel Ocelota, njih 8, koji su na ovogodišnjem Animafestu bili prikazani u sklopu Retrospektive započinju u 19:30.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	Nocturna will start 18:00 hours. Don't miss this thrilling movie made for all generations.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Tefik s Kosova živi s ocem i traumatiziranom majkom u izbjegličkom kampu u Danskoj. Napustili su Albaniju,gdje su bili izloženi napadima. Možda zato što su Romi.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	Tefik from Kosovo is living with his father and traumatised mother in a refugee camp in Denmark. They have fled from Albania because they were harassed. Maybe because they are Roma gypsies.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Za vrijeme Kulturne revolucije (1966-1976) oni su bili crvena straža, oni su bili naoružani, oni su slamali stari svijet. To je vrijeme prošlo, a nasilje je ostalo kao ovisnost, kao stil života. Oni su naši očevi i majke.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	During the Cultural Revolution (1966-1976), they were the red guards, they were armed, they were breaking the old world. The era is gone, the violence remains as an addiction, a way of living. They are our fathers and mothers.

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Koliko su bili kvalitetni pokazuje i činjenica da s drugima ustvari nisam ni želio raditi. Posebno su kvalitetni u podupiranju mladih redatelja jer ne nude samo sigurnost producentske kuće, infrastrukture i svega što uz nju ide, već vas potiču da budete bolji.

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Lord and Sproxton invited me to come to work with them when I was in the middle of the film, which helped me a lot. Their quality is seen also from the fact that there was nobody else I wanted to work for really. They are particularly good at nurturing young directors because they offer not just the umbrella of the production company and the facilities, butthey make you better. They are very good in being critical of what you are working on, but also encouraging, fostering creativity and constructiveness. Aardman is an exceptionally creative environment with a team of outstanding authors. All this finally helps you to make a better film. It's nice to be in such a place where we are constantly pushing ourselves and remaining critical of what we do.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Dušana Vukotića osvojio je nagradu Oscar te ušao u povijest kao prvi neamerički autor koji je zaslužio to priznanje, nakon čega su hrvatski filmovi za nju bili nominirani još tri puta – Vukotićeva
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	by Dušan Vukotić won the Academy Award and made history as the first ever non-American filmmaker to win this honour, after which Croatian films had three other nominations – Vukotić’s

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Petra Zlonoga (1982.) diplomirala je grafički dizajn na Studiju dizajna 2007. i animirani film i nove medije na Akademiji likovnih umjetnosti u Zagrebu 2011. godine. Pažnju scene privukla je već svojim studentskim radovima: bili su to filmovi
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	Petra Zlonoga (1982) graduated in graphic design from the Faculty of Design in 2007, and in animated film and new media from the Zagreb Academy of Fine Arts in 2011. She first attracted attention with her student works, films

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Montrer texteMontrer source en cacheMontrer URL avec texte source	Nick Park: Lord i Sproxton bili su jako dobri prema meni još od kada sam došao u Aardman završiti
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	Nick Park: They certainly have been very good to me ever since I came to Aardman to finish

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Montrer texteMontrer source en cacheMontrer URL avec texte source	). Njeni radovi bili su dio vizualnog identiteta festivala Vox Feminae i DRAGram­a.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	magazine and children books. Her work was a part of visual identity for the Vox Feminae and DRAGram festivals.

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Montrer texteMontrer source en cacheMontrer URL avec texte source	nastao je oko ideje predvidljivosti ljudskih postupaka i mehaničkih, ukorijenjenih reakcija na sve životne događaje ma koliko oni bili obični i svakodnevni ili nepredvidljivi i čudesni. Kako bi se neki nepredvidljiv događaj odrazio na svakodnevicu jedne obične obitelji?
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir animafest.hr comme domaine prioritaire	revolves around the idea of human predictability and mechanical, rooted responses to life events, no matter how ordinary and usual or unpredictable and wondrous they may be. How does an unpredictable event reflect on one family's daily routine?