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Animafest.hr

Text zeigen Zeige Ausgangstext im Cache URL mit Ausgangstext zeigen	Osim izvedbi uživo surađivali su i na nekoliko projekata, od vizualizacija za turneju grupa The Egg i Basement Jaxx do stop-animacije za film 'Aanaatt' (koji se nalazi u Natjecanju namjenskih filmova) i Maxovog najnovijeg kratkog filma 'Spin'.
Textseiten vergleichen HTM-Seiten vergleichen URL mit Ausgangstext zeigen URL mit Zielsprache zeigen animafest.hr als Prioritätsdomäne definieren	is their third collaboration since the project Oh Yes, which toured the entire Europe, and three-screen performance /\/\/\. Aside from live performances, the collaborated on several other projects, from visuals for the bands The Egg and Basement Jaxx to stop-motion animation for Aanaatt (Commissioned Film Competition) and Max’s latest short film Spin.

Animafest.hr

Text zeigen Zeige Ausgangstext im Cache URL mit Ausgangstext zeigen	animirani rad, o kojem su između 16 odabranih za medijsku fasadu MSU-a odlučivali Leila Topić i Daniel Šuljić, jest
Textseiten vergleichen HTM-Seiten vergleichen URL mit Ausgangstext zeigen URL mit Zielsprache zeigen animafest.hr als Prioritätsdomäne definieren	(Seo-ro Oh) because „the jury feels that the film pinpoints with narrative economy, visual flair and gusto the subject of drowsiness in the manner of a 4-minute animated essay.“

Animafest.hr

Text zeigen Zeige Ausgangstext im Cache URL mit Ausgangstext zeigen	diplomiralo je na Akademiji za umjetnost, arhitekturu i dizajn u Pragu. Prvi su put surađivali u sklopu Hafan filma, gdje su sudjelovali na dugometražnom lutka-filmu
Textseiten vergleichen HTM-Seiten vergleichen URL mit Ausgangstext zeigen URL mit Zielsprache zeigen animafest.hr als Prioritätsdomäne definieren	graduated from the Academy of Arts, Architecture and Design in Prague. Their first collaboration started in the Hafan film where they participated in a feature-length puppet film

Animafest.hr

Text zeigen Zeige Ausgangstext im Cache URL mit Ausgangstext zeigen	'Putovali smo umjetničkim svemirom kroz 78 filmova. Uživali smo u kvaliteti i raznolikosti i sigurni smo u budućnost ovog medija.'
Textseiten vergleichen HTM-Seiten vergleichen URL mit Ausgangstext zeigen URL mit Zielsprache zeigen animafest.hr als Prioritätsdomäne definieren	'We travelled through an artistic universe in 78 films. We enjoyed the quality and diversity and are confident about the future of the medium.'

Animafest.hr

Text zeigen Zeige Ausgangstext im Cache URL mit Ausgangstext zeigen	Eugene Kim, Corrie Francis Parks i Darko Vidačković odlučivali su o najboljem hrvatskom filmu i laureatom proglasili film
Textseiten vergleichen HTM-Seiten vergleichen URL mit Ausgangstext zeigen URL mit Zielsprache zeigen animafest.hr als Prioritätsdomäne definieren	Feature Film Grand Competition jury consisting of Justine Bannister, Marcy Page and Boško Picula gave the award to the film

Animafest.hr

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Dan je protekao u prijateljskim, ali intenzivnim diskusijama o lutka-filmu i smjerovima kojima kreće animirani film. Uz stručnjake, u izlaganjima najvećih umova koji se znanstveno zanimaju ovom umjetnošću uživali su i gosti te publika Animafesta.

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Animafest Scanner symposium ended with a reception hosted by the Austrian Cultural Forum at Velvet café. The day was filled with friendly but intense discussions about puppet film and the directions animated film is taking. In addition to professionals, numerous Animafest visitors and audience also enjoyed the presentations of the greatest minds with a scientific interest in this art. Paul Wells, and Giannalberto Bendazzi attracted most attention with their speeches on Mackinnon & Saunders studio and the historiography of animation, but Midhat Ajanović Ajan, Barbara Laborde, Fatemeh Hosseini-Shakib, Madi Piller, Anna Ida Orosz and Tomislav Mikulić also intrigued the listeners. Animafest Scanner in its premiere edition fulfilled the set goal of connecting animation theory and practice in a pleasant festival atmosphere, offering new views of the audience’s favourite works.

Animafest.hr

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Nick Park: Inspiraciju vučem iz svoje okoline, iz sjećanja i sitnica s kojima sam odrastao, iz filmova koje sam gledao. Okolina me i usmjerila prema lutka-filmu - mogućnost da oblikujem male svijećnjake, stare stolice i uzorke koji su me okruživali.

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Nick Park: I draw ideas from things around me. They tend to come from things I remember or grew up with, or from movies I saw. That's what attracted me to model animation as well – the chance of making small lampstands behind Wallace, chairs and the patterns that surrounded me. I grew up in the 1960s, when everything we had was second handfrom the fifties. I liked this post-war, kind of round aesthetic – I saw it as something friendly. From my own British perspective it is hard to tell what is distinctively British in my work, but I suppose it is subtlety and understatement.

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