jas – Übersetzung – Keybot-Wörterbuch

  #SHORT_RIGA: Paneļdisku...  

Montrer texteMontrer source en cacheMontrer URL avec texte source	Nīls Fonseca (Niels Fonseca) ir filmu un televīzijas scenāriju redaktors un pasniedzējas ar vairāk kā 25 gadu pieredzi. Strādā visos žanros, tai skaitā rediģē scenārijus televīzijas filmām un seriāliem.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	Laurence Boyce (Estonia) is originally from the UK though now mostly lives in Estonia. He is an award winning journalist who writes for numerous publications and is a regular correspondent for Screen International, is the Baltic Correspondent for Cineuorpa and the editor of Cineuropa Shorts. He also regularly writes for Estonian newspapers including SIRP and Eesti Ekspress. He also works for Sleepwalkers Short Film Festival in Tallinn, where he is the programme director, as well as for the Black Nights Film Festival and the Leeds International Film Festival. He is a member of BAFTA, FIPRESCI, the London Critics Circle and the European Film Academy.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	Лоренс Бойс (Laurence Boyce) родился в Великобритании, но сейчас живет и работает в Эстонии. Журналист, лауреат многочисленных международных премий. Сотрудничает с такими известными киноизданиями, как Screen International и Cineuorpa; редактор Cineuropa Shorts. Его статьи регулярно публикуют такие эстонские газеты как SIRP и Eesti Ekspress. Директор программ международных фестивалей короткометражных фильмов Sleepwalkers, Black Nightsи Международного кинофестиваля в Лидсе. Член BAFTA, FIPRESCI и Европейской киноакадемии, а также Лондонского кружка кинокритиков.

  O_EN – RIGA IFF 2017  

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Izrādās, ka naktīs viņi redz vienādus sapņus… Un tieši reālistiskajos sapņos abu saikne ir visstiprākā un intīmākā. Nekādas ezotērikas –  filma par bailēm un jūtu apvaldīšanu, kad būtu jāatklājas citam cilvēkam.

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We’re in the same dream. A slaughterhouse in Budapest is the setting of a strangely beautiful love story. No sooner does Mária start work as the new quality controller than the whispers begin. At lunch, the young woman always chooses a table on her own in the sterile canteen where she sits in silence. Her boss Endre is also the quiet type. Tentatively, they begin to get to know each other. Recognising their spiritual kinship, they are amazed to discover that they even have the same dreams at night… This story of two people discovering the realm of emotions and physical desire tells about the fears and inhibitions associated with opening up to others, and about how exhilarating it can be when you finally do.

  RIGA IFF 2017  

Montrer texteMontrer source en cacheMontrer URL avec texte source	Bērnu žūrija izraudzījas filmu no festivāla ģimenes kino programmas KIDS WEEKEND
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	The RIGA IFF Kids’ Jury chose their pick from the KIDS WEEKEND programme

  G_EN – RIGA IFF 2017  

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Par cēlo rīcību valsts viņam svinīgi piešķir rokas pulksteni. Drīz vien tas diemžēl apstājas. Pa to laiku Transporta ministrijas Sabiedrisko attiecību departamenta vadītāja ir pazaudējusi Petrova veco, tēva dāvāto pulksteni.

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The film is inspired by an event reported in the Bulgarian press. A social-realist parable exploring the themes of corruption, class differences, and the rural-urban divide in contemporary society. Tsanko Petrov, a railroad worker finds millions of leva on the train tracks. He decides to turn the entire amount over to the police, and the state rewards him with a new wristwatch, but soon the new watch stops working. Meanwhile, Julia Staikova, head of the PR department of the Ministry of Transport, loses Petrov’s old watch. And here starts his desperate struggle to get his old watch back, as well as his dignity.

  Vitālijs Manskis: “Riga...  

Montrer texteMontrer source en cacheMontrer URL avec texte source	Pilna Artdocfest filmu programma – septiņas no aizvadītā gada spilgtākajām dokumentālajām filmām ne vien Krievijas un Eiropas, bet arī pasaules kontekstā – publicēta Rīgas Starptautiskā kino festivāla mājas lapā – rigaiff.lv
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	The complete program of Artdocfest – seven of the most interesting documentaries of the past year – is available on the Riga International Film Festival’s website, rigaiff.lv
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	Полная программа Artdocfest – семь самых ярких документальных фильмов прошлого года не только в российском и европейском, но и мировом контексте – опубликована на веб-сайте Рижского международного кинофестиваля rigaiff.lv

  Vīrs, vārdā Ūve – RIGA ...  

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Lai gan vientulības nomāktais, nīgrais un melanholiskais Ūve sen vairs nav iedzīvotāju kooperatīva priekšsēdis, viņam joprojām rūp, vai viss notiek un tiek darīts kā pieklājas. Tā paiet iekšēji sagumušā vīra dienas – uzmanot apkaimi un apciemojot mirušās sievas kapu.

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Stepping from the pages of Fredrik Backman’s international best-selling novel, Ove is the quintessential angry old man next door. An isolated retiree with strict principles and a short fuse, who spends his days enforcing block association rules that only he cares about, and visiting his wife’s grave, Ove has given up on life. However, an unlikely friendship develops with his boisterous new neighbors… What emerges is a heartwarming tale of unreliable first impressions and the gentle reminder that life is sweeter when it is shared.

  Aklums – RIGA IFF 2017  

Montrer texteMontrer source en cacheMontrer URL avec texte source	Viņa dzīvo savas mājas noslēgtībā kopā ar vīru, pārdomām un atmiņām, bet drīz gūst virsroku viņas dziļākās bailes un apspiestās fantāzijas… Vairs nerūp, kas pastāv īstenībā, ja vien tas iespējams iztēlē.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	The director hopes that the story will tell a lot of different things about human beings, especially about their inner selves – all the strange, shameful, imaginative thoughts we all have, but which we often have a hard time sharing with others. Vogt and his team have a visual language that exists somewhere between reality and dream. This film just refuses to fade away in memory.

  ARTDOCFEST/RIGA apaļā g...  

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Telekanāla Nastojaščeje vremja, kas pārraida krievu valodā visā pasaulē, arī Baltijas valstīs, apaļā galda diskusija notiks par galvenokārt reģionāli aktuālu tēmu: Baltijas kino. Tradicionālisms vai integrācija.

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Television channel currenttime.tv, which broadcasts in Russian worldwide including in the Baltics, will host a round table on a theme which is most relevant in this region: Baltic film. Traditionalism or integration. However, the organisers are certain that this issue is important to all European countries as it came into focus already before joining a united Europe. This topic is of major importance every time an author creates a new film. Must the author orient themselves only towards the minds in their own country, thus predictably narrowing their audience? Or must they be cosmopolitan, thus increasing their audience ten- or even one hundred- fold? This issue also becomes relevant when deciding on the support of projects with national foundation and ministry funds…

  Kritiens – RIGA IFF 2017  

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Vīrs, kura dzīvi pilnībā pārvērta liktenīgais kritiens, ir Pers Kirkebijs – pasaulslavenais dāņu gleznotājs, dzejnieks, skulptors, grafiķis un režisors. Viņam nu ir ierobežota kustību spēja, viņš vairs neatpazīst krāsas, sejas un pat savus darbus.

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It was the spring of 2013 when the old friend of the filmmaker Anne Regitze Wivel fell down his stairs and got a severe injury. This man is Per Kirkeby – the world-renowned Danish painter, poet, essayist, sculptor, graphic artist, and filmmaker. Not only has he lost his physical mobility, but also his ability to recognize colours, faces and even his own artwork. He struggles to return to his work while at the same time acknowledging his lack of progress. A story about the artist’s universe – marked by deep melancholy as well as astounding beauty; a story about a personal struggle, illusions and the meaning of life.

  Par Miesu un Dvēseli – ...  

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Izrādās, ka naktīs viņi redz vienādus sapņus… Un tieši reālistiskajos sapņos abu saikne ir visstiprākā un intīmākā. Nekādas ezotērikas –  filma par bailēm un jūtu apvaldīšanu, kad būtu jāatklājas citam cilvēkam.

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A slaughterhouse in Budapest is the setting of a strangely beautiful love story. No sooner does Mária start work as the new quality controller than the whispers begin. At lunch, the young woman always chooses a table on her own in the sterile canteen where she sits in silence. Her boss Endre is also the quiet type. Tentatively, they begin to get to know each other. Recognising their spiritual kinship, they are amazed to discover that they even have the same dreams at night… This story of two people discovering the realm of emotions and physical desire tells about the fears and inhibitions associated with opening up to others, and about how exhilarating it can be when you finally do.

  B_EN – RIGA IFF 2017  

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Viņa dzīvo savas mājas noslēgtībā kopā ar vīru, pārdomām un atmiņām, bet drīz gūst virsroku viņas dziļākās bailes un apspiestās fantāzijas… Vairs nerūp, kas pastāv īstenībā, ja vien tas iespējams iztēlē.

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Eskil Vogt’s feature debut stars Ellen Dorrit Petersen as Ingrid, who has recently lost her sight. She retreats to the safety of her home, alone with her husband and her thoughts, but her deepest fears and repressed fantasies soon take over. Ingrid no longer cares about what is real if she can manage to visualize it. The director hopes that the story will tell a lot of different things about human beings, especially about their inner selves – all the strange, shameful, imaginative thoughts we all have, but which we often have a hard time sharing with others. Vogt and his team have a visual language that exists somewhere between reality and dream. This film just refuses to fade away in memory.

  Kaisas apburtais mežs –...  

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Līdz pat 70. gadiem viņš kopā ar spāņu fotogrāfu Enriki Mendesu veica audio ierakstus un uzņēma kino materiālu, kas nesen pēc ilgiem meklējumiem nonāca režisores Katjas Gaurilovas – Kaisas mazmazmeitas – rokās.

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The legends, myths, and destiny of the Skolt Sámi. Swiss writer Robert Crottet followed an enigmatic call he heard in a dream and went to Lapland in the 1930s. He was welcomed by the indigenous people of the Kola Peninsula and formed a friendship with Kaisa – storyteller, seeress, and singer of epic ballads. He continued to be a part of her life until the 70s. A couple of years ago, the filmmaker Katja Gauriloff, Kaisa’s great-granddaughter, obtained the unique footage filmed by Robert Crottet and his partner – photographer Enrique Méndez. This poetic documentary tells about the enormous spiritual wealth of people who were forced out of their ancestral homes…

  A_EN – RIGA IFF 2017  

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Mozus (Mārtons Kristofs) ir nesen atgriezies no uzturēšanās psihiatriskajā slimnīcā. Jau tā neklājas viegli, bet viņa tēvs-garīdznieks nu ir miris, un dēlam jāizprot, kas liedz nelaiķa spokam pamest laicīgo pasauli.

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Virág Zomborácz’ first feature film. Its screenplay was her graduation project from the University of Theatre and Film Arts in Budapest. The story portrays a pastor’s family and focuses on the relationship between the father and his son. The father is now dead and the son has to work out what’s keeping the annoying ghost of his father in the earthly dimension. He takes advice from a professional medium and starts to sew up a series of loose ends to set the ghost free. Such an unusual grieving process finally affects the life of the whole family.

  Lēdija Makbeta – RIGA I...  

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Viens no pagājušā gada interesantākajiem britu kino notikumiem. Filma tapusi pēc Nikolaja Ļeskova noveles Mcenskas apriņķa lēdija Makbeta, pārnesot darbību no Krievijas uz 19. gadsimta Anglijas muižu, kur kaislību un vājprāta tumšās straumes sedz stindzinoša etiķetes virskārta.

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The debut feature by accomplished theater director William Oldroyd relocates Nikolai Leskov’s play Lady Macbeth of the Mtsensk District to Victorian England. Florence Pugh is forceful and complex as Lady Katherine, who enters into an arranged marriage with the domineering, repressed Alexander (Paul Hilton), and must contend with her husband’s even more unpleasant mine-owner father (Christopher Fairbank). In this constrictive new milieu, she finds carnal release with one of her husband’s servants (Cosmo Jarvis), but there are profound consequences to her infidelity. Boasting deft performances by an outstanding ensemble cast, Lady Macbeth is a rousing parable about the price of freedom.

  C_EN – RIGA IFF 2017  

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gada 14. jūnija nakts Rīgā. Varas pārstāvji iebrūk Aleksandra un Melānijas namā, liek modināt dēlu un kāpt kravas mašīnā. Stacijā vīrieši tiek šķirti no ģimenēm. Aleksandrs atvadās ar novēlējumu: “Audzini dēlu!”.

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The film is based on the life story of Melānija Vanaga, a woman who managed to survive her deportation to Siberia. It is a truthful account of the magnitude of the human spirit and the painful destinies, which were a part of the greatest tragedy facing the nation. It is the story of Latvian women who had to suffer and survive physically and emotionally in order for Latvia to live. To maintain hope, to preserve a person who is stronger than famine, cold, cruelty and even death and is capable of taking on responsibility for another person, to help others – such is the confirmation of Melānija Vanaga, her memories and also this film to the light in the world.

  S_EN – RIGA IFF 2017  

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Skaista mīlestība no pirmā acu skatiena. Viņa ilgojas tikt prom no tēva mājām, viņš – atbrīvoties no mazvērtības sajūtas. Pēc daudziem gadiem abi nejauši satiekas opernamā… Dzīve kā rāms, smeldzīgs plūdums, kurā gluži nemanāmi krājas drupas.

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A story of a young couple, the journalist Arvid Stjärnblom and Lydia Stille, who fall madly in love. They are both drawn to the dream of pure, great, and untainted love. Yet, the dream demands greater sacrifice than they could ever imagine. A passionate and fiery love story about the choices we have, the ones we don´t, the choices we make and the consequences that follow. This is an adaptation of Hjalmar Söderberg’s novel The Serious Game (1912) by the Swedish actress-turned-director Pernilla August whose creative life was previously closely linked with Ingmar Bergman and Bille August.

  RIGA IFF SELECTION – RI...  

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A. Hodorovskis Turpinājums Alehandro Hodorovska – ne vien kinorežisora, bet arī rakstnieka, dzejnieka, mūziķa, psihoterapeita un garīgā skolotāja – autobiogrāfiskajam stāstam, kas aizsākās filmā Realitātes deja (2013). Neraugoties uz tēva sašutumu, pagājušā gadsimta 40. gados Hodorovskis pamet mājas, lai īstenotu sapni kļūt par dzejnieku. Viņš iepazīstas ar māksliniekiem, kas reiz kļūs par literatūras dižgariem.

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“I want to make films that trigger a positive crisis within yourself, films able to make you face your essential self.” A. Jodorowsky Santiago de Chile, during the thrilling years of the 40s and the 50s. Alejandrito Jodorowsky, aged twenty, decides to become a poet against the will of his family. He is introduced in the inner circle of the artistic and intellectual avant-garde of the time and meets Enrique Lihn, Stella Diaz, Nicanor Parra and many other promising but anonymous young writers who will become the masters of Latin America’s modern literature. Totally immersed in this world of poetic experimentation, they live together as few have dared to live before: sensually, authentically, freely, madly.

  ARTDOCFEST/RIGA apaļā g...  

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Telekanāla Nastojaščeje vremja, kas pārraida krievu valodā visā pasaulē, arī Baltijas valstīs, apaļā galda diskusija notiks par galvenokārt reģionāli aktuālu tēmu: Baltijas kino. Tradicionālisms vai integrācija.

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Television channel currenttime.tv, which broadcasts in Russian worldwide including in the Baltics, will host a round table on a theme which is most relevant in this region: Baltic film. Traditionalism or integration. However, the organisers are certain that this issue is important to all European countries as it came into focus already before joining a united Europe. This topic is of major importance every time an author creates a new film. Must the author orient themselves only towards the minds in their own country, thus predictably narrowing their audience? Or must they be cosmopolitan, thus increasing their audience ten- or even one hundred- fold? This issue also becomes relevant when deciding on the support of projects with national foundation and ministry funds…

  V_LV – RIGA IFF 2017  

Montrer texteMontrer source en cacheMontrer URL avec texte source	Lai gan vientulības nomāktais, nīgrais un melanholiskais Ūve sen vairs nav iedzīvotāju kooperatīva priekšsēdis, viņam joprojām rūp, vai viss notiek un tiek darīts kā pieklājas. Tā paiet iekšēji sagumušā vīra dienas – uzmanot apkaimi un apciemojot mirušās sievas kapu.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	Stepping from the pages of Fredrik Backman’s international best-selling novel, Ove is the quintessential angry old man next door. An isolated retiree with strict principles and a short fuse, who spends his days enforcing block association rules that only he cares about, and visiting his wife’s grave, Ove has given up on life. However, an unlikely friendship develops with his boisterous new neighbors… What emerges is a heartwarming tale of unreliable first impressions and the gentle reminder that life is sweeter when it is shared.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	Уве, персонаж, сошедший со страниц всемирно известного бестселлера Фредерика Бакмана, – типичный старик, обозленный на всех вокруг. Одинокий, вспыльчивый пенсионер, бывший председатель кооператива жителей, строго следит за соблюдением правил, которые кроме него никого больше не волнуют. Так проходит жизнь Уве – в наблюдении за окрестностями и посещением могилы жены. Однако, с новыми шумными соседями завязывается неожиданная дружба…У режиссера получилась добрая история о ненадежности первого впечатления и напоминание о том, что жизнь приятнее, когда есть с кем ее разделить.

  S_EN – RIGA IFF 2017  

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Neapzinātās seksuālās vēlmes ir visciešāk saistītas ar baiļu sajūtu… Mākslinieks Alberts ir izvēlējies skaisto Vitu kā modeli Jaunavas Marijas portretam. Jau pēc pirmajiem pozēšanas seansiem jaunajai sievietei sāk rādīties dīvaini sapņi, kuros viņu vajā šausminošs zirneklis.

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Unconscious sexual desires are most closely linked with fear… Painter Alberts has chosen the beautiful Vita as a model for his portrait of Virgin Mary. After the first sittings for the artist, the young woman starts seeing strange dreams where she is chased by a horrifying spider. Unconscious sexual desires create a sense of fear and helplessness until the light of true love dispel the mystic webs. The first and for the time being only erotic horror film in the film history of Latvia based on a story by Vladimirs Kaijaks. This is the only film directed by professional production designer Vasili Mass (Limousine in the Colour of Midsummer’s Eve, 1981 / A Photo of a Woman and Wild Boar, 1987 / Days of Man, 1989) and the screen debut of actress Aurēlija Anužīte (The Mystery of the Old Parish House, 2000).

  S_LV – RIGA IFF 2017  

Montrer texteMontrer source en cacheMontrer URL avec texte source	Par cēlo rīcību valsts viņam svinīgi piešķir rokas pulksteni. Drīz vien tas diemžēl apstājas. Pa to laiku Transporta ministrijas Sabiedrisko attiecību departamenta vadītāja ir pazaudējusi Petrova veco, tēva dāvāto pulksteni.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	The film is inspired by an event reported in the Bulgarian press. A social-realist parable exploring the themes of corruption, class differences, and the rural-urban divide in contemporary society. Tsanko Petrov, a railroad worker finds millions of leva on the train tracks. He decides to turn the entire amount over to the police, and the state rewards him with a new wristwatch, but soon the new watch stops working. Meanwhile, Julia Staikova, head of the PR department of the Ministry of Transport, loses Petrov’s old watch. And here starts his desperate struggle to get his old watch back, as well as his dignity.
Comparer pages textesComparer pages HTMMontrer URL avec texte sourceMontrer URL avec langue cibleDéfinir rigaiff.lv comme domaine prioritaire	Рассказ о том, чего стоит человеческое достоинство, как легко его обесценить и как легко стереть человека в пыль, и какой непростой становится битва одного человека против системы. Картина о «маленьком человеке» нового времени. Рабочий-путеец Цанко Петров во время обхода железнодорожных путей находит огромную денежную сумму и сдает ее в полицейский участок. Министерство транспорта награждает Цанко новыми наручными часами, которые почти сразу ломаются. Между тем старые именные часы «Слава», подаренные Цанко его отцом, теряет глава министерской PR службы Юлия Стайкова…

  L_EN – RIGA IFF 2017  

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Viens no pagājušā gada interesantākajiem britu kino notikumiem. Filma tapusi pēc Nikolaja Ļeskova noveles Mcenskas apriņķa lēdija Makbeta, pārnesot darbību no Krievijas uz 19. gadsimta Anglijas muižu, kur kaislību un vājprāta tumšās straumes sedz stindzinoša etiķetes virskārta.

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So much more than a period piece. The debut feature by accomplished theater director William Oldroyd relocates Nikolai Leskov’s play Lady Macbeth of the Mtsensk District to Victorian England. Florence Pugh is forceful and complex as Lady Katherine, who enters into an arranged marriage with the domineering, repressed Alexander (Paul Hilton), and must contend with her husband’s even more unpleasant mine-owner father (Christopher Fairbank). In this constrictive new milieu, she finds carnal release with one of her husband’s servants (Cosmo Jarvis), but there are profound consequences to her infidelity. Boasting deft performances by an outstanding ensemble cast, Lady Macbeth is a rousing parable about the price of freedom.