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  Anita Malfatti « Galer...  
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No ano seguinte, recebe bolsa de estudo do Pensionato Artístico do Estado de São Paulo e parte para Paris, onde é aluna de Maurice Denis (1870 – 1943), freqüenta cursos livres de arte e mantém contatos com Fernand Léger (1881 – 1955), Henri Matisse (1869 – 1954) e Tsugouharu Foujita (1886 – 1968).
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[The Yellow Man] (1915/1916), becoming a member of the Grupo dos Cinco [Group of the Five], together with Tarsila do Amaral (1886 – 1973), Mário de Andrade (1893 – 1945), Oswald de Andrade (1890 – 1954) and Menotti del Picchia (1892 – 1988). In the following year, she received a travel grant from the Pensionato Artístico do Estado de São Paulo [São Paulo State Artists’ Fund], leaving for Paris, where she was a pupil of Maurice Denis (1870 – 1943), attending free art courses and maintaining contacts with Fernand Léger (1881 – 1955), Henri Matisse (1869 – 1954) and Tsugouharu Foujita (1886-1968). She returned to Brazil in 1928, lecturing in drawing and painting at Mackenzie College, the Escola Normal Americana, the Associação Cívica Feminina [Women’s Civic Association] and in her studio. During the 1930s, she was a member of the Sociedade Pró-Arte Moderna – SPAM [Pro-Modern Art Society (SPAM)] the Família Artística Paulista – FAP [São Paulo Artistic Family] and took part in the Salão Revolucionário [Revolutionary Salon]. Her first retrospective was held in 1949 at the Museu de Arte de São Paulo Assis Chateaubriand – Masp [Assis Chateaubriand Museum of Art of São Paulo]. In 1951, she took part in the 1º Salão Paulista de Arte Moderna [1st São Paulo Salon of Modern Art] and the 1st Bienal Internacional de São Paulo [São Paulo International Bienal].
  Roberto Burle Marx « ...  
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De volta ao Brasil, faz curso de pintura e arquitetura na Escola Nacional de Belas Artes – Enba, Rio de Janeiro, entre 1930 e 1934, onde é aluno de Leo Putz (1869 – 1940), Augusto Bracet (1881 – 1960) e Celso Antônio (1896 – 1984).
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Roberto Burle Marx (São Paulo, 1909 – Rio de Janeiro, 1994). Landscaper, architect, draughtsman, painter, engraver, sculptor, weaver, potter. Spent his childhood in Rio de Janeiro. He moved to Germany with his family in 1928, studying singing in Berlin, and entering into the cultural life of the city, where he attended theatres, operas, museums and art galleries. He also came into contact with the works of Vincent van Gogh (1853 – 1890), Pablo Picasso (1881 – 1973) and Paul Klee (1879 – 1940). During 1929, he attended the painting workshop of Degner Klemm. He was excited to find examples of Brazilian flora In the botanic gardens and museums of Dahlem, in Berlin. On returning to Brazil, he took courses in painting and architecture at the Escola Nacional de Belas Artes – Enba [National School of Fine Arts] in Rio de Janeiro, between 1930 and 1934, where he was a pupil of Leo Putz (1869 – 1940), Augusto Bracet (1881 – 1960) and Celso Antônio (1896 – 1984). In 1932, he carried out his first garden project for the residence of the Schwartz family in Rio de Janeiro at the invitation of the architect, Lucio Costa (1902 – 1998), who executed the architectural design in collaboration with Gregori Warchavchic (1896-1972). From 1934 to 1937, he occupied the position of Director of Parks and Gardens in Recife, Pernambuco, where he lived. During this period, he made frequent visits to Rio de Janeiro, taking classes with Candido Portinari (1903 – 1962) and the writer, Mário de Andrade (1893 – 1945), at the Art Institute of the Federal District University. He returned to Rio de Janeiro in 1937, working as assistant to Candido Portinari. The end of the 1930s witnessed the integration of his landscape work into modern architecture, with the artist experimenting with sinuous and organic forms in his projects. While his passion for plants dated back to his youth, when he became interested in botany and gardening, it was in 1949 that Burle Marx organised a large collection, when he acquired a 800,000 m² plot in Campo Grande, Rio de Janeiro. Together with botanists, he made many visits to various regions of the country in order to collect and catalogue examples of plants, reproducing the diversity of Brazilian flora in his work.
  Mário Gruber « Galeria...  
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Autodidata, começa a pintar em 1943. Muda-se para São Paulo em 1946 e matricula-se na Escola de Belas Artes, onde é aluno do escultor Nicolau Rollo (1889 – 1970). Em 1947, ganha o primeiro prêmio de pintura na exposição do grupo 19 Pintores.
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Gruber Mario Correia (SP Santos 1927). Painter, printmaker, sculptor, muralist. Self-taught, began painting in 1943. He moved to Sao Paulo in 1946 and enrolled in the School of Fine Arts, where he studied the sculptor Nicholas Rollo (1889 – 1970). In 1947 he won first prize for painting in the group exhibition Painters 19. The following year he held his first solo show and goes on to study printmaking with Poty (1924 – 1998) and working with Di Cavalcanti (1897-1976). Receives scholarship in 1949, will live in Paris, studied at the Ecole Nationale Superieure des Beaux-Arts [National School of Fine Arts] with writer Edouard Goerg (1893-1969) and works with Candido Portinari (1903-1962). He returned to Brazil in 1951 and founded the Club of Painting (later the Art Club) in his hometown, where to stay back. He teaches printmaking at the Museum of Modern Art in Sao Paulo – MAM / SP in 1953 and teaches classes in etching at the Fundação Armando Alvares Penteado – FAAP, São Paulo, between 1961 and 1964. Monta printmaking studio in Sao Paulo in 1970. From 1974 to 1978, lives in Paris, then returned to Brazil, lives in Olinda, Pernambuco. In 1979, assembles studio in New York. Back in St. Paul, performs large works in public spaces like the subway station and the Cathedral Latin America Memorial. In the 2000s, continues to work intensively with an annual production of 100 to 120 works.