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At eight points amidst the bed-bunks, we arranged live models to stand dressed in Nogard’s designs, being lit by cool lighting. Resemblingfairytales creatures, their silhouettes were reflected in baroque mirrors, creating double images. Unusual designs were archaic, relaxed and happy at the same time. In this atmosphere, the textiles in red and indigo blue with flower patterns came to their fullest expression. The roles were reversed: the visitors took a walk in the long tunnel, a sort of a catwalk, while the models observed the visitors with interest.
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