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  P_LV – RIGA IFF 2017  

Show textShow cached sourceOpen source URL	Komponists Oļegs Karavaičuks dodas savā pēdējā pastaigā pa vasarnīcu ciematu Komarovu, kas atrodas Pēterburgas pievārtē. Te mitinājušies un atdusas zudušā laikmeta inteliģences pārstāvji, te viņš aizvadījis visu savu dzīvi un radījis lielāko daļu no mūzikas.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	Oleg Karavaichuk, eccentric musical genius and famous composer, takes his final stroll through Komarovo, a bay-side summer community just outside St. Petersburg where he spent his whole life and wrote most of his works. His final piece, “The Komarovo Waltz”, unveiled here for the very first time, was written as a tribute to the place. The film is the reclusive composer’s farewell to audience as well as his last address and reminder of things that are truly important – love for your fellow man and virgin nature.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	Главный герой фильма — композитор Олег Каравайчук — отправляется в свое последнее путешествие по дачному поселку Комарово, под Петербургом, где жила интеллигенция ушедшей эпохи и в котором он провел всю жизнь и написал большую часть музыкальных произведений. Последним произведением композитора-затворника стал «Вальс Комарово», который прозвучит в фильме впервые. Это прощание художника со зрителями, его послание и напоминание о вечных ценностях: любви к первозданной природе и человеку.

  SHORT RIGA – RIGA IFF 2...  

Show textShow cached sourceOpen source URL	Ķermeņa pārvērtības un dzimuma identitātes dekonstrukcija grūtniecības laikā. Filmform, © Maja Borg – Man, 2016.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	The physical transformation and deconstruction of gender identity during a pregnancy. Filmform, © Maja Borg – Man, 2016.

  Sirdsakmens – RIGA IFF ...  

Show textShow cached sourceOpen source URL	Personisks stāsts, kas balstīts režisora atmiņās par uzaugšanu mazā zvejnieku ciematā. Divi pusaugu zēni piedzīvo vētrainu vasaru. Stāsts par draudzību, sevis pieņemšanu, spēku un ģimenes vērtību.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	A personal story based on the director’s experience growing up in a small fishing village.Two teenage boys experience a turbulent summer. A story of brotherhood, self-acceptance, strength, and the importance of family.

  Aritmija – RIGA IFF 2017  

Show textShow cached sourceOpen source URL	Režisoru Borisu Hļebņikovu savulaik dēvēja par Aki Kaurismeki radošā rokraksta mantinieku. Vai šis apgalvojums joprojām spēkā – vērtējiet paši.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	Oleg is a young gifted paramedic. His wife Katya works at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce.

  SHORT RIGA – RIGA IFF 2...  

Show textShow cached sourceOpen source URL	Baltijas Mūzikas Videoklipu konkursa skatē tiek izrādīti mākslinieciski augstvērtīgākie no jaunākajiem videoklipiem, kas tapuši Latvijā, Lietuvā un Igaunijā, turklāt skatītājiem ir iespēja klātienē tikties ar šo darbu veidotājiem, lai iepazītos ar mūzikas, teksta un video saplūsmes aizkulisēm.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	The Baltic Music Video Competition programme consists of the latest music videos with high artistic quality from Latvia, Lithuania and Estonia. The audience will also have a chance to meet the authors and get a first-hand insight into the convergence of the text, music and video.

  Pēdējais valsis – RIGA ...  

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Komponists Oļegs Karavaičuks dodas savā pēdējā pastaigā pa vasarnīcu ciematu Komarovu, kas atrodas Pēterburgas pievārtē. Te mitinājušies un atdusas zudušā laikmeta inteliģences pārstāvji, te viņš aizvadījis visu savu dzīvi un radījis lielāko daļu no mūzikas.

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Oleg Karavaichuk, eccentric musical genius and famous composer, takes his final stroll through Komarovo, a bay-side summer community just outside St. Petersburg where he spent his whole life and wrote most of his works. His final piece, “The Komarovo Waltz”, unveiled here for the very first time, was written as a tribute to the place. The film is the reclusive composer’s farewell to audience as well as his last address and reminder of things that are truly important – love for your fellow man and virgin nature.

  V_LV – RIGA IFF 2017  

Show textShow cached sourceOpen source URL	Ķermeņa pārvērtības un dzimuma identitātes dekonstrukcija grūtniecības laikā. Filmform, © Maja Borg – Man, 2016.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	The physical transformation and deconstruction of gender identity during a pregnancy. Filmform, © Maja Borg – Man, 2016.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	Физическая трансформация и деконструкция гендерной идентичности в течение беременности. Filmform, © Maja Borg — Man, 2016.

  Mīlestības Sirds – RIGA...  

Show textShow cached sourceOpen source URL	Kinodarba tapšanu iedvesmojusi divu Varšavas mākslinieku kopdzīve. Vojceks Bonkovskis ir viena no Polijas harismātiskākajām radošajām personībām, savukārt Zuzanna Bartošeka zīmē, raksta dzeju un neārstē autoimūnās saslimšanas, lai saglabātu savu neparasto izskatu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	The film is inspired by lives of two Warsaw based artists. Wojciech Bąkowski is one of Poland’s most charismatic modern artists with a fully developed stage image. Zuzanna Bartoszek creates drawings, writes poetry, and is affected by a number of autoimmune disorders that make her look unique.

  H_EN – RIGA IFF 2017  

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Divi pusaugu zēni piedzīvo vētrainu vasaru. Stāsts par draudzību, sevis pieņemšanu, spēku un ģimenes vērtību. Islandes ciemats ir kontrastu sastapšanās vieta, kur vasarās saule spīd bez atelpas, bet ziemās teju nemaz neuzaust.

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A personal story based on the director’s experience growing up in a small fishing village.Two teenage boys experience a turbulent summer. A story of brotherhood, self-acceptance, strength, and the importance of family. The village in Iceland is an environment full of contrasts, where the sun shines without rest during the summer and barely rises at all in winter. A place where the same things you love and give you freedom also tie you down. A place to discover how nature and people can be both amazingly beautiful and incredibly cruel.

  SHORT RIGA – RIGA IFF 2...  

Show textShow cached sourceOpen source URL	Baltijas mūzikas videoklipu konkursa skatē tiek izrādīti mākslinieciski augstvērtīgākie no jaunākajiem videoklipiem, kas tapuši Latvijā, Lietuvā un Igaunijā, turklāt skatītājiem ir iespēja klātienē tikties ar šo darbu veidotājiem, lai iepazītos ar mūzikas, teksta un video saplūsmes aizkulisēm.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	The Baltic music video competition programme consists of the latest music videos with high artistic quality from Latvia, Lithuania and Estonia. The audience will also have a chance to meet the authors and get a first-hand insight into the convergence of the text, music and video.

  IN KINO VERITAS – RIGA ...  

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“Pienācis brīdis, kad B kino iestiepj savus taustekļus IN KINO VERITAS. Tā raksturu vislabāk ataino filmu plakāti – ekspresīvi, koši, dažkārt šokējoši. B kino jēdziena izpratne laika gaitā attīstījusies no mazbudžeta kino līdz tādam, ko raksturo diezgan precīza sižetiskā, kinematogrāfiskā un estētiskā palete. No jūras iznākoši nezvēri, tomāti-slepkavas, dažnedažādi agresīvi noskaņoti insekti līdztekus kovbojiem un atriebīgām liktenīgajām skaistulēm tā sauktajās exploitation jeb sekspluatācijas filmās. B kino kalpojis kā iedvesmas avots Mārtinam Skorsēzem un Kventinam Tarantīno. Tas noteikti iedvesmos arī RIGA IFF skatītāju!”

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B-movie tentacles have finally reached IN KINO VERITAS, too! Best of all the character of B-movies comes out in posters – expressive, garish, and sometimes shocking. With time, B-films have developed from low budget productions to films with a rather defined plot, cinematic and aesthetic palette. Monsters emerging from the sea, killer tomatoes, all kinds of aggressive insects next to cowboys and revengeful fatal beauties in the so-called exploitation or sexploitation films. B-movies have inspired Martin Scorsese and Quentin Tarantino. And will surely inspire the audience of Riga IFF!

  Maniaks aiz maniaka – R...  

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, 1972) atzīst, ka šajā groteskajā stāstā par nodevību, atriebību, novirzēm, izvirtību, vardarbību un asinskāri aizgājis mazliet par tālu. Tolaik viņš izsmēja hipiju vērtības, tāpat kā pašlaik politkorektuma normas.

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, 1972) admits that he has gone a little too far with this grotesque tale of betrayal, revenge, perversions, depravity, violence and blood lust. At the time, he mocked the hippie philosophy the same way as he mocks political correctness now. And it is up to the audience to decide if they want to turn away in disgust, admire the extraordinary film or see a prophetic message of maniacs multiplying in the world.

  ARTDOCFEST/RIGA apaļā g...  

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Telekanāla Nastojaščeje vremja, kas pārraida krievu valodā visā pasaulē, arī Baltijas valstīs, apaļā galda diskusija notiks par galvenokārt reģionāli aktuālu tēmu: Baltijas kino. Tradicionālisms vai integrācija.

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Television channel currenttime.tv, which broadcasts in Russian worldwide including in the Baltics, will host a round table on a theme which is most relevant in this region: Baltic film. Traditionalism or integration. However, the organisers are certain that this issue is important to all European countries as it came into focus already before joining a united Europe. This topic is of major importance every time an author creates a new film. Must the author orient themselves only towards the minds in their own country, thus predictably narrowing their audience? Or must they be cosmopolitan, thus increasing their audience ten- or even one hundred- fold? This issue also becomes relevant when deciding on the support of projects with national foundation and ministry funds…

  F_EN – RIGA IFF 2017  

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Drīz situācija krasi saasinās, nākas paļauties vien uz saviem spēkiem. Šķērsojot Donbasa sniegotos plašumus, lai uzmeklētu pajumti un sabiedrotos, nākas iepazīt kara skarto cilvēku likteņus. Ceļotāji satuvinās, jo šajā pieredzē viņi sāk saprast dzīves un dzīvības vērtību…

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Rokas and Inga, a couple of young Lithuanians, volunteer to drive a cargo van of humanitarian aid to Ukraine. Amid the violence and death of the conflict, they meet different war correspondents, one of whom is played by Vanessa Paradis. When plans change and they find themselves left to their own devices, they cross the vast snowy lands of the Donbass region in search of allies and shelter, drifting into the lives of those affected by the war. They approach the frontline in spite of the danger, all the while growing closer to each other as they begin to understand life during wartime.

  Tas, ko viņi neredz – R...  

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Elza cenšas izprast jaunā intelektuāļa noslēpumu, savukārt viņš tiecas izrauties no šī noslēpuma važām… Visu sarežģī zinātnieka izgudrojums – mākslīgais intelekts Anna, kas aktīvi iejaucas varoņu attiecībās, lai vīrietis piederētu tikai viņai.

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A psychological drama with elements of science fiction. Nurse Elza falls in love with her patient – a young, rich, and brilliant scientist Nicolas. He is trapped in a coma now, but previously he was experimenting with artificial intelligence. The recovery will take a long time and it’s not easy for both characters to build a mutual trust. Things are getting really complicated as the scientist’s invention – artificial intelligence Anna – manages to wilfully interfere in the relationship of the man and woman.

  S_LV – RIGA IFF 2017  

Show textShow cached sourceOpen source URL	Divi pusaugu zēni piedzīvo vētrainu vasaru. Stāsts par draudzību, sevis pieņemšanu, spēku un ģimenes vērtību. Islandes ciemats ir kontrastu sastapšanās vieta, kur vasarās saule spīd bez atelpas, bet ziemās teju nemaz neuzaust.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	A personal story based on the director’s experience growing up in a small fishing village.Two teenage boys experience a turbulent summer. A story of brotherhood, self-acceptance, strength, and the importance of family. The village in Iceland is an environment full of contrasts, where the sun shines without rest during the summer and barely rises at all in winter. A place where the same things you love and give you freedom also tie you down. A place to discover how nature and people can be both amazingly beautiful and incredibly cruel.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rigaiff.lv as primary domain	Личная история, основанная на биографии режиссера, выросшего в маленькой рыбацкой деревне. Два подростка переживают беспокойное лето. История о братстве, принятии себя, силе и важности семьи.Деревня в Исландии – это среда полная контрастов, где солнце сияет непрерывно все лето и едва встает зимой. Место, где любимые вещи дают ощущение свободы и скованности. Место, где открываются природа и люди — одновременно восхитительно прекрасные и невероятно жестокие.

  S_EN – RIGA IFF 2017  

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Skaista mīlestība no pirmā acu skatiena. Viņa ilgojas tikt prom no tēva mājām, viņš – atbrīvoties no mazvērtības sajūtas. Pēc daudziem gadiem abi nejauši satiekas opernamā… Dzīve kā rāms, smeldzīgs plūdums, kurā gluži nemanāmi krājas drupas.

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A story of a young couple, the journalist Arvid Stjärnblom and Lydia Stille, who fall madly in love. They are both drawn to the dream of pure, great, and untainted love. Yet, the dream demands greater sacrifice than they could ever imagine. A passionate and fiery love story about the choices we have, the ones we don´t, the choices we make and the consequences that follow. This is an adaptation of Hjalmar Söderberg’s novel The Serious Game (1912) by the Swedish actress-turned-director Pernilla August whose creative life was previously closely linked with Ingmar Bergman and Bille August.

  Pēdējais valsis – RIGA ...  

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Komponists Oļegs Karavaičuks dodas savā pēdējā pastaigā pa vasarnīcu ciematu Komarovu, kas atrodas Pēterburgas pievārtē. Te mitinājušies un atdusas zudušā laikmeta inteliģences pārstāvji, te viņš aizvadījis visu savu dzīvi un radījis lielāko daļu no mūzikas.

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Oleg Karavaichuk, eccentric musical genius and famous composer, takes his final stroll through Komarovo, a bay-side summer community just outside St. Petersburg where he spent his whole life and wrote most of his works. His final piece, “The Komarovo Waltz”, unveiled here for the very first time, was written as a tribute to the place. The film is the reclusive composer’s farewell to audience as well as his last address and reminder of things that are truly important – love for your fellow man and virgin nature.

  Mana māte ir rozā – RIG...  

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Režisores debijas filma ir ārkārtīgi neparasts un pārsteidzošs stāsts – skaudrs piedzīvojums. Tik nopietns kā jebkura atskatīšanās bērnībā, kur rodami zaudējumi, neveiksmes un haoss, tomēr smieklīgs un aizkustinoši atbruņojošs.

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Cecilie Debell, making her debut as a director, reveals a deeply unusual and highly surprising family story – a hardcore adventure. It is just as serious as any look back at a childhood characterised by failure, loss, and chaos, however moving, funny and almost disarmingly vibrant. How to come to terms with the painful things in one’s life? Who are our parents as people? How did they turn us into the people we are? A cinematic epistle about tolerance in an age that sorely needs it.

  IN KINO VERITAS – RIGA ...  

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Fināls allaž viens – skatītājus aplaupa, bet aktieri notinas. Pats skandalozais režisors (Rozā flamingo, 1972) atzīst, ka šajā groteskajā stāstā par nodevību, atriebību, novirzēm, izvirtību, vardarbību un asinskāri aizgājis mazliet par tālu.

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Lady Divine (a comic drag queen, international icon of bad taste cinema) and her troupe hold free shows called The Cavalcade of Perversion, said to be the most extreme and truthful exhibits of acts of obscenities. However, the finale is always the same – the audience is robbed and the performers fly the coop. Even the notorious director (Pink Flamingos, 1972) admits that he has gone a little too far with this grotesque tale of betrayal, revenge, perversions, depravity, violence and blood lust. At the time, he mocked the hippie philosophy the same way as he mocks political correctness now. And it is up to the audience to decide if they want to turn away in disgust, admire the extraordinary film or see a prophetic message of maniacs multiplying in the world.