soie – -Translation – Keybot Dictionary

  Restauration du drapeau...  

Show textShow cached sourceOpen source URL	Figure 11b: La même zone, une fois attachée au tissu support à l'aide de points couchés de fil de soie très fin.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	Figure 11b: The same area after being couched onto the support fabric with hairsilk.

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL

Les contenants de plastique en polyéthylène et les boîtes de carton non acide peuvent servir pour ranger les tissus. Le papier de soie non acide ou la mousseline de coton non blanchie, lavée au préalable, conviennent pour doubler les contenants, comme bourrage ou pour protéger les textiles de la poussière.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Polyethylene plastic and acid-free cardboard boxes are fine for storage. So is acid-free tissue paper or pre-washed unbleached cotton muslin when used as a box liner, packing material or dust cover. At all costs, avoid regular paper, cardboard, wood and wood products and adhesives such as urea-formaldehyde, which emit damaging acids. Also, do not use plastic garment bags (such as the ones provided by dry cleaners) because there is no air circulation (which can encourage moisture to build up); they offer no protection from light; and they are typically made of a non-recommended plastic.

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL

Les cintres en bois peuvent être matelassés avec de la ouate de polyester couverte de mousseline non blanchie, lavée avant l'emploi. Soutenir les manches en les bourrant avec du papier de soie non acide chiffonné.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Costumes in good condition can be hung for storage. Avoid hanging fragile costumes, knit or bias cut garments, heavily beaded or decorated items or costumes that have weak shoulder seams. Do not hang costumes on wire hangers because they can rust and mark the textile, and may not provide adequate support. Avoid scented, padded hangers because the dried flowers they contain attract pests. Wood hangers can be padded with polyester batting and then covered with washed, unbleached muslin. Support the interior of sleeves with crumpled acid-free tissue. Then place a loose muslin bag over the garment and hang in a well-ventilated place with ample room for hanging.

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL

Dans la mesure du possible, il faut éviter de plier les textiles. S'il n'y a pas moyen de faire autrement, matelasser les plis avec du papier de soie non acide ou de la mousseline. Il faut aussi éviter d'empiler les textiles.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Flat storage is recommended for most textiles because it provides support for the entire textile. An acid-free or polyethylene box with a lid, a sealed shelf or drawer can be used for flat storage. Line the box or shelf with unbleached muslin. Ideally, the textile should not be folded. But if that is unavoidable, pad the creases with acid-free tissue paper or muslin. It is best not to stack several textiles on top of each other. If textiles must be layered, use acid-free paper in between, with the heaviest items at the bottom. Store in a dark place where there is stable heat and humidity and good air circulation.

  Traitement d'une robe d...  

Show textShow cached sourceOpen source URL

Beaucoup de fils d'argent du brocart s'étaient détachés. La soie avait pâli et s'était altérée de façon évidente, surtout le long du pan avant. L'ouverture sur le devant du corsage avait été modifiée, opération qui a laissé des plis permanents et brisé la soie.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The fabric itself was dirty, but generally in good condition with some abrasion, fracturing and loss. Many of the metallic threads of the brocade fabric had come loose. The silk was faded and discoloured, particularly down the front panel. The front opening of the bodice had been altered resulting in permanent crease lines and fractured silk. Perspiration damaged the underarm areas of the sleeves and bodice extensively. Previous repairs were not only fugitive and had caused staining, but were also haphazardly sewn and pulled on the weakened material.

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL

Dans la mesure du possible, il faut éviter de plier les textiles. S'il n'y a pas moyen de faire autrement, matelasser les plis avec du papier de soie non acide ou de la mousseline. Il faut aussi éviter d'empiler les textiles.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Flat storage is recommended for most textiles because it provides support for the entire textile. An acid-free or polyethylene box with a lid, a sealed shelf or drawer can be used for flat storage. Line the box or shelf with unbleached muslin. Ideally, the textile should not be folded. But if that is unavoidable, pad the creases with acid-free tissue paper or muslin. It is best not to stack several textiles on top of each other. If textiles must be layered, use acid-free paper in between, with the heaviest items at the bottom. Store in a dark place where there is stable heat and humidity and good air circulation.

  Traitement d'une robe d...  

Show textShow cached sourceOpen source URL

Beaucoup de fils d'argent du brocart s'étaient détachés. La soie avait pâli et s'était altérée de façon évidente, surtout le long du pan avant. L'ouverture sur le devant du corsage avait été modifiée, opération qui a laissé des plis permanents et brisé la soie.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The fabric itself was dirty, but generally in good condition with some abrasion, fracturing and loss. Many of the metallic threads of the brocade fabric had come loose. The silk was faded and discoloured, particularly down the front panel. The front opening of the bodice had been altered resulting in permanent crease lines and fractured silk. Perspiration damaged the underarm areas of the sleeves and bodice extensively. Previous repairs were not only fugitive and had caused staining, but were also haphazardly sewn and pulled on the weakened material.

  Étude de la charte roya...  

Show textShow cached sourceOpen source URL

De plus, les marges supérieure et latérales de la première page sont décorées de motifs imprimés de lions, de licornes, de boucliers et d'autres images. Le grand sceau de Charles II est attaché au cordon de soie qui retient ensemble les cinq feuilles.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The charter consists of five large sheets of parchment made from calfskin or deerskin. Each sheet is about 65 cm by 80 cm. Page one lies flat; the others are rolled up at the bottom. All the pages are inscribed with ornate calligraphy, and the top right corner of page one contains a portrait of Charles II. As well, the top and side margins of page one are adorned with printed illustrations of lions, unicorns, shields and other images. The Great Seal of King Charles is bound to a silk cord, which, in turn, binds the five pages together.

  Restauration du drapeau...  

Show textShow cached sourceOpen source URL

Le tissu en coton dont étaient composés la bande supérieure et le fourreau n'était pas assez solide pour résister à d'importants travaux de couture. On a renforcé ces zones avec de la crêpeline (un fin tissu de soie presque transparent) dont les deux côtés sont revêtus d'un adhésif thermoplastique, le Clariant T1460 (Figure 8).

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The cotton fabric making up the top band and the pole sleeve was too weak to withstand very much stitching. These areas were backed with silk crepeline (a fine, nearly transparent fabric) coated on both sides with a solution of Clariant T1460 (a thermoplastic adhesive) (Figure 8). The excess crepeline was trimmed away, and the cotton was then adhered to the backing fabric by heat setting. This method reinforced the cotton to the extent that a few small stitches could be taken around the edges using hairsilk (an extremely fine silk thread) (Figure 9a, b).

  Restauration du drapeau...  

Show textShow cached sourceOpen source URL

Le tissu en coton dont étaient composés la bande supérieure et le fourreau n'était pas assez solide pour résister à d'importants travaux de couture. On a renforcé ces zones avec de la crêpeline (un fin tissu de soie presque transparent) dont les deux côtés sont revêtus d'un adhésif thermoplastique, le Clariant T1460 (Figure 8).

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The cotton fabric making up the top band and the pole sleeve was too weak to withstand very much stitching. These areas were backed with silk crepeline (a fine, nearly transparent fabric) coated on both sides with a solution of Clariant T1460 (a thermoplastic adhesive) (Figure 8). The excess crepeline was trimmed away, and the cotton was then adhered to the backing fabric by heat setting. This method reinforced the cotton to the extent that a few small stitches could be taken around the edges using hairsilk (an extremely fine silk thread) (Figure 9a, b).

  Un tissu de recouvremen...  

Show textShow cached sourceOpen source URL

À l'arrivée du guidon à l'ICC, on a constaté que la texture de la soie était très poudreuse; l'exposition à la lumière au cours des années l'avait détériorée. D'un bleu marine foncé à l'origine, le guidon était devenu vert pâle, et les décorations étaient entourées d'auréoles.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Exposure to light over the years had weakened the ground silk of the guidon, and when it arrived at CCI the texture of the silk was very powdery. Originally a dark navy blue, the guidon had turned pale green and had tidemarks surrounding the battle honours. Previous repairs in a coarse dark thread had not faded to the same light green colour, and were visible. The fragile silk ground fabric required a flat support beneath and an overlay above, both of which would have to accommodate the thickness of the battle honours.

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL

On peut aussi utiliser un tube de carton commun, à condition de le couvrir d'un matériau de protection comme une pellicule de plastique Mylar, une pellicule de plastique en polyéthylène, de Tyvek ou une couche épaisse de papier de soie non acide.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Rolling textiles for storage is another option. This works well for larger pieces (shawls, quilts and the like) and for small textiles such as lengths of narrow lace. Acid-free cardboard tubes are available at archival supply shops. A regular cardboard tube can be used if covered by a barrier. Cover the tube with Mylar plastic sheeting, polyethylene plastic sheeting, Tyvek or heavy acid-free tissue. Be sure the tube is longer than the item itself so that there is no contact with the ends when hanging the tube.

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL

Si ces goujons sont en bois, il faut les sceller avec plusieurs couches de peinture-émulsion acrylique pour empêcher tout contact direct avec l'objet. Les goujons en acier inoxydable ou galvanisé doivent être recouverts de papier de soie non acide, d'une toile de coton ou d'une pellicule Mylar.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Textiles can also be displayed by draping them over one or more dowels if they are strong enough to support their own weight. If wood is chosen for the dowels, seal the dowels before use with several coats of acrylic latex paint to prevent direct contact with the object. Dowels made of stainless or galvanized steel should be wrapped with acid-free tissue, cotton or Mylar. If the type of metal is unknown, coat the dowel with an epoxy or urethane film.

  Traitement d'une robe d...  

Show textShow cached sourceOpen source URL

Pour renforcer les parties détériorées, une soie semblable a été choisie et teinte d'une couleur appropriée. Les bords des déchirures ont été remis à plat, les fils réalignés et ensuite cousus au tissu de soutien.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

A compatible silk fabric was chosen to support deteriorated areas and was dyed to match the gown. Torn areas were flattened, and threads were re-aligned and underlaid with this support fabric. The couching of all these areas was a lengthy procedure, because large areas of the skirt required support. The deteriorated underarm portions of the bodice presented a different challenge. Not only was the silk badly disintegrating but it was awkward to repair because of the three-dimensional nature of the bodice.

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL

Les textiles sont composés de fibres naturelles comme le coton, le lin, la laine et la soie, ainsi que de fibres naturelles modifiées (la rayonne) ou synthétiques comme le nylon et le polyester. Toutes ces fibres ont des propriétés chimiques et physiques différentes qui influent sur la résistance des textiles.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Textiles are made with natural fibres such as cotton, linen, wool and silk, as well as from modified natural fibres (rayon) or synthetics such as nylon and polyester. All fibres have different chemical and physical characteristics that affect how they hold up over time. These differing traits also influence how we care for items made out of fabric. It is understandable that at times we feel torn between wanting to preserve textiles while, at the same time, wanting to use them by wearing or displaying them.

  Un tissu de recouvremen...  

Show textShow cached sourceOpen source URL

À l'arrivée du guidon à l'ICC, on a constaté que la texture de la soie était très poudreuse; l'exposition à la lumière au cours des années l'avait détériorée. D'un bleu marine foncé à l'origine, le guidon était devenu vert pâle, et les décorations étaient entourées d'auréoles.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

Exposure to light over the years had weakened the ground silk of the guidon, and when it arrived at CCI the texture of the silk was very powdery. Originally a dark navy blue, the guidon had turned pale green and had tidemarks surrounding the battle honours. Previous repairs in a coarse dark thread had not faded to the same light green colour, and were visible. The fragile silk ground fabric required a flat support beneath and an overlay above, both of which would have to accommodate the thickness of the battle honours.

  Restauration du drapeau...  

Show textShow cached sourceOpen source URL

On a aussi renforcé les zones de fils déliés avec des morceaux de crêpeline, en les collant au tissu support au moyen d'une spatule chauffante. On a de plus renforcé les morceaux attachés de cette manière à l'aide de points couchés de fil de soie très fin.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The bottom band of fabric was also a wool/cotton blend. In this band the fly end was so fragmented that it could not be stabilized with adhesive-coated crepeline because the adhesive would be too difficult to remove from the many areas where it would be exposed. Fortunately the fabric was strong enough to be stitched, so all of the bottom band was attached to the backing fabric in this manner. Fragments and weak areas were couched onto the backing fabric using hairsilk (Figures 10 and 11a, b).

  Comment prendre soin de...  

Show textShow cached sourceOpen source URL	Les moquettes et les tapis, qu'ils soient d'origine orientale, en soie, crochetés, des catalognes ou des kilims, servent non seulement à habiller les planchers des maisons, mais aussi à en décorer les murs.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	Carpets and rugs are used not only to beautify the floors of our homes, but they also make attractive wall decorations whether they are oriental, silk, hooked or rag rugs or kelims. This combination of the practical and the aesthetic has helped ensure their popularity through the ages. The size and condition of a carpet or rug often helps determine how it is used or displayed.

  Traitement de conservat...  

Show textShow cached sourceOpen source URL	Figure 5. Détails de la tapisserie montrant des fils de soie qui se désintègrent.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	Figure 5. Detail of front showing sections of disintegrating silk.

  Traitement de conservat...  

Show textShow cached sourceOpen source URL	Figure 6. Section de la tapisserie après le nettoyage et le retissage avec des fils de soie.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	Figure 6. Section of tapestry after washing and reweaving with new silk.

  Services scientifiques ...  

Show textShow cached sourceOpen source URL	Figure 3 : Grâce au chromamètre portatif Minolta, on peut mesurer le changement de couleur d'un vêtement de soie en traitement.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	Image 3: Using a portable Minolta Chromameter to measure the colour change of a silk garment undergoing conservation treatment.

  Notes de l'ICC 6/2  

Show textShow cached sourceOpen source URL	Papier de soie sans acide et sans réserve alcaline (pH neutre) :
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	Unbuffered, acid-free (neutral pH) tissue paper:

  Traitement d'une robe d...  

Show textShow cached sourceOpen source URL	Un échantillon de la soie bleue a été analysé suivant la méthode de Hofenk-De Graff modifiée par Schweppe, ce qui a permis d'identifier le colorant. Le test a permis de conclure qu'une matière colorante du genre indigo avait été utilisée.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	A sample of the blue silk fabric was analyzed according to the Hofenk de Graaff method as modified by Schweppe to determine the dye. The test indicated that an indigo-type dye was present.

  Traitement d'une robe d...  

Show textShow cached sourceOpen source URL	Pour des raisons esthétiques et pratiques, la jupe et le jupon ont été doublés d'une soie légère teinte d'une couleur semblable à l'original. Cette doublure protégera la robe lorsqu'on habillera le mannequin.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	For aesthetic and practical reasons, the interior of the skirt and petticoat were both lined with a lightweight silk fabric dyed to match. This lining will protect the gown when it is placed on and off the mannequin.

  Traitement de conservat...  

Show textShow cached sourceOpen source URL

Avant de laver, on a effectué des tests pour déterminer comment les teintures réagiraient au nettoyage; on a aussi retiré le doublage et les réparations antérieures qui avaient été posés au dos de la tapisserie. On a cousu des pièces de coton fin sur certaines zones très fragiles afin de soutenir les fils de soie brisés et pour retenir la chaîne pendant le nettoyage.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

In order to revitalize the tapestry's colours, recover as much as possible the original concept of the artist and weaver, and restore flexibility to the tapestry, a wet washing was selected over other forms of cleaning. Tests were carried out to determine the possible behaviour of the dyes during cleaning. The lining, backing fabric and some previous repairs were removed before washing. Sheer cotton patches were stitched across the weak areas to support the fragmented silk and to hold the warp together during washing. The tapestry was carefully washed in a custom designed washbath with distilled water and a neutral detergent, and then rinsed several times. Drying was done quickly with cool air fans to prevent damage to already weak fibres.

  Traitement de conservat...  

Show textShow cached sourceOpen source URL

Cette tapisserie est faite de fils de laine pour la trame et la chaîne et de fils de soie pour les rehauts. Les teintures employées pour les couleurs proviennent uniquement de substances organiques. Les parties les plus abîmées de la tapisserie sont les fils de soie et les contours des images faits de laine brun foncé; ces deux matériaux se détériorent facilement sous l'influence du milieu ambiant et ils sont particulièrement fragiles à la lumière.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The tapestry is made of wool and silk: wool for the warp and weft, and silk for the highlights. The dyes used were made entirely from natural substances. Most of the degradation has occurred in the silk and dark brown wool areas outlining the images, since these materials are especially vulnerable to degradation due to environmental factors, particularly light. Previous restorations to deal with this problem have proven unsatisfactory.

  Un tissu de recouvremen...  

Show textShow cached sourceOpen source URL	Noter les fendillements qui ont résulté de l'affaiblissement de la soie et de l'incompatibilité des matériaux (c.-à-d. le gros fil métallique de la décoration appliqué à la soie fine); les réparations antérieures sont également visibles.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain	Figure 5. Detail of the same battle honour. Note the splitting that has resulted from the weakening of the silk and the incompatibility of the materials (i.e., heavy metallic thread of the battle honour applied to fine silk ground fabric); previous repairs are also visible.

  Traitement d'une robe d...  

Show textShow cached sourceOpen source URL

Une robe de soie bleue et un jupon, appartenant au Costume Museum of Canada à Dugald (Manitoba), ont été traités à l'Institut canadien de conservation; ils appartenaient originalement à la famille Tucker, l'une des premières familles anglaises à coloniser les Bermudes.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

An 18th-century silk open-robe and petticoat from the collection of the Costume Museum of Canada , Dugald, Manitoba received conservation treatment at the Canadian Conservation Institute. It originally belonged to the Tucker family, who were among the first English settlers in Bermuda. This gown, circa 1780, is of English construction and would have been worn for formal occasions or lavish evening entertainment.

  Traitement de conservat...  

Show textShow cached sourceOpen source URL

Cette tapisserie est faite de fils de laine pour la trame et la chaîne et de fils de soie pour les rehauts. Les teintures employées pour les couleurs proviennent uniquement de substances organiques. Les parties les plus abîmées de la tapisserie sont les fils de soie et les contours des images faits de laine brun foncé; ces deux matériaux se détériorent facilement sous l'influence du milieu ambiant et ils sont particulièrement fragiles à la lumière.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

The tapestry is made of wool and silk: wool for the warp and weft, and silk for the highlights. The dyes used were made entirely from natural substances. Most of the degradation has occurred in the silk and dark brown wool areas outlining the images, since these materials are especially vulnerable to degradation due to environmental factors, particularly light. Previous restorations to deal with this problem have proven unsatisfactory.

  Traitement d'une robe d...  

Show textShow cached sourceOpen source URL

Pour renforcer les parties détériorées, une soie semblable a été choisie et teinte d'une couleur appropriée. Les bords des déchirures ont été remis à plat, les fils réalignés et ensuite cousus au tissu de soutien.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cci-icc.gc.ca as primary domain

A compatible silk fabric was chosen to support deteriorated areas and was dyed to match the gown. Torn areas were flattened, and threads were re-aligned and underlaid with this support fabric. The couching of all these areas was a lengthy procedure, because large areas of the skirt required support. The deteriorated underarm portions of the bodice presented a different challenge. Not only was the silk badly disintegrating but it was awkward to repair because of the three-dimensional nature of the bodice.