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  Dock Of The Bay 2017 - ...  
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Dock of the Bayren hamargarren edizio hau zuentzako da.
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This tenth edition of Dock of the Bay is for you.
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Esta décima edición de Dock of the Bay es para vosotros.
  Dock Of The Bay. Musika...  
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Dock of the Bayko epaimahaiak -Felipe Cabrerizok, Concha Barquerok, Eulalia Iglesiasek, Joan Ponsek eta Julián Elizaldek osatua- honako sari hau ematea erabaki du Sail Ofizialeko lehiaketan.
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El jurado de Dock Of The Bay, compuesto por Felipe Cabrerizo, Concha Barquero, Eulalia Iglesias, Joan Pons y Julián Elizalde, ha decidido otorgar el siguiente premio dentro de la sección oficial a concurso.
  Dock Of The Bay. Musika...  
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Lamb of God metal taldeari eta mundu osoko euren miresleei buruzko film hau thriller bihurtuko da Randy Blythe abeslariari Txekiar Errepublikako miresle baten heriotza leporatzen diotenean. Emozioz, biraz eta rock and roll gorgarriz betetako larriminezko drama.
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Un filme sobre el grupo metal Lamb of God y sus fans mundiales se transforma en un thriller cuando Randy Blythe (cantante) es acusado de homicidio tras la muerte de un fan en la República Checa. Un angustiante drama lleno de emoción, giros y rocanrol ensordecedor.
  Dock Of The Bay. Musika...  
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Pulp eta Sheffield elementu bereizezinak dira. Hau ezingo litzateke gertatu beste inon. Adineko andreek, haurrek, zaleek eta arrain saltzaileek jende arruntaren taldea aztertzen dute. Pulp taldeko kideak pop izarrak dira bere gogoaren kontra, eta taldeari buruz hitz egiten dute.
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Pulp and Sheffield as inseparable elements. This couldn’t have happened anywhere else. Old folks, kids, fans and fishermen examine the group of the common people. Pulp – reluctant pop stars – talk about doing their thing.
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Pulp y Sheffield como elementos inseparables. Esto no podría haber sucedido en ninguna otra parte. Ancianas, niños, fans y pescaderos examinan al grupo de la gente común. Pulp, popstars a su pesar, hablan de lo suyo.
  Dock Of The Bay. Musika...  
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Publikoaren saria -Sade-, 1.000 euroko diru kopuruarekin. Lehiaketa ataleko film bati emango zaio saria. Publikoa arduratuko da sari hau erabakitzeaz, botoen bidez.
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Sade - audience prize. A prize of €1,000 . The prize will be awarded to one of the films in the competition section. The audience will decide the winner by voting.
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Premio del Público - Sade, con una dotación económica de 1.000€. El premio se otorgará a una de las películas de la sección competitiva. El público será el encargado de hacer llegar éste premio a través de sus votos.
  Rumba tres, de ida y vu...  
  Dock Of The Bay. Musika...  
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Istorioak erakusten du Capdevila anaiek eta haien lagun José Sardañak, Bartzelonakoak eta txima-luzeak izanik, jaialdi guztiak irabazi zituztela, herrialde gris bat astindu zutela, groupie nekaezinek jarraitu zietela eta penintsulako eskualde guztiak igaro zituztela gala hartara edo honetara bidean (bizia arriskuan jarriz). Istorio hau ezkontzako maitasunarena da, birak eta maitakeriak gorabehera.
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A panegyric to the most jubilant Catalan rumba band. The trio's zest for life was like a break in the storm clouds of Francoism. And they weren't born with silver spoons in their mouths, either. Theirs is a story of stardom and gas station tapes, of brilliant songs and "diabolical" dancers, of family warmth, poverty and rhythm. It's a story of overcoming: sadness, the abuse to which they were subjected in the school-prison, being born in the boondocks. And it's a story of damned redemption. Of how the Capdevila brothers and their buddy José Sardaña, Barcelonian and mullet-tastic, won all the festivals, made a grey country shimmy, were pursued by tireless groupies and travelled to every corner of the peninsula to one gala or another (risking their lives). It's a story of matrimonial love, despite the tours and wild affairs. A story of family and cohesion and hitsoverty and rhythm.
  Dock Of The Bay. Musika...  
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Gaur egun, 'Los Conciertos de Radio 3' saioko zuzendariordea, '180 Grados' saioko ahotsa –berak gidatzen du Radio 3eko saio hau, astelehenetik ostiralera, 11:00etan (Kanarietan, 10:00etan)– eta TVEren La2 kateko "Cachitos de Hierro y Cromo" saioaren aurkezlea da.
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Music journalist and DJ Virginia Díaz has been on Radio 3 since the year 2000, presenting programmes like Los Conciertos de Radio 3 and ‘Música es… 3’ and as a member of the channel’s different teams broadcasting the top festivals in the country. She is currently the assistant director of Los Conciertos de Radio 3, the voice of 180 Grados – the programme she runs from Monday to Friday on Radio 3, at 11am or 10am in the Canary Islands – and presenter of the programme "Cachitos de Hierro y Cromo" on TVE’s La2 channel. Her passion for music also means that the name Virginia Díaz DJ features on the bills of some of the most important musical events in Spain – FIB, SOS 4.8, Sonorama, Low Cost, Arenal Sound, LolaPop, B-Side Fest, Ecopop and more - and many of the venues around the country – Independence and Moby Dick (Madrid), La3 (Valencia), Polaroid (Granada), 12 y Medio (Murcia) and so on.
  Dock Of The Bay. Musika...  
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Esperotakoa da argumentuaren haria (jatorri xumea; ospera jauzia; drogengatik eta zoramenagatik gainbehera; haragikeria; azken erredentzioa), baina Alice Cooperren ezer ez zen izan arrunta; eta bere bizitzaren berrikuspen hau ere ez da hala.
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His real name is Vincent Furnier, but he's best known as Alice Cooper, the dude that was, for years, the most infamous and influential rock star on the planet. The storyline here is what you'd expect (humble beginnings, catapult to fame, descent into ruin through drugs, madness and lust and ultimate redemption), but nothing about Alice Cooper was particularly standard, nor is this review of his life. Super Duper Alice Cooper uses photographs and original footage combined with the voice of the only possible narrator – Cooper himself – to retell a rollercoaster life that went belly up in the middle. The result is addictive, intimate (come on, it's Alice Cooper).
  A fat wreck - The-Punk-...  
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Kirmen Uribe idazlearen poesia, Mikel Urdangarinen, Rafa Ruedaren eta Bingen Mendizabalen musika eta Mikel Valverderen ilustrazioak uztartzen dituen multimedia ikuskizun berri hau New Yorken inauguratu zuten, 2013.
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The new multimedia show combining poetry by the writer Kirmen Uribe, the music of Mikel Urdangarin, Rafa Rueda and Bingen Mendizabal and illustrations by Mikel Valverde premiered in New York in late 2013. This pictures set out to be a record of it.
  Dock Of The Bay Mintegi...  
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Hardcore melodikoaren musikari ikoniko honen inguruan barruratzen den dokumentala da, egilea eta bere musika guztia agerian uzten duena: nola bihurtu zen punk, hastapenak bere taldearekin, Epitaph Records zigiluan izandako enplegua eta batik bat nola gorpuztu zen "Fat soinua". Esan gabe doa, artista hau inguratu zuten talde guztiak ikusi eta entzungo ditugu, besteak beste, Lagwagon, Get Dead, No Use For A Name, Good Riddance, Ten Foot Pole, Propagandhi eta Strung Out.
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This is the life of Fat Mike, frontman of NOFX and founder of the mythical Fat Wreck Chords label. A documentary on this iconic melodious hardcore musician telling us everything about the man and his music: how he became a punk, the early days with his band, his job at Epitaph Records, and above all how the “Fat sound” came about. A documentary where it goes without saying we’ll see and listen to all the bands close to him: Lagwagon, Get Dead, No Use For A Name, Good Riddance, Ten Foot Pole, Propagandhi and Strung Out, among others. Not to be missed.
  Dock Of The Bay Mintegi...  
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Mintegi hau Dock of the Bay jaialdiak antolatzen du, Euskal Herriko Unibertsitatea, Koldo Mitxelena Kulturunea (Gipuzkoako Foru Aldundia) eta Donostia Sustapena lagun dituela. Bertan aztertuko dira zinema dokumental musikalaren narratibak, eta baita ere horiek nola txertatzen diren ikus-entzunezko garaikideen sorkuntzaren eta berrikuntzaren arloan.
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This seminar, organised by the Dock of the Bay Festival in cooperation with the University of the Basque Country, KM Kulturunea (Gipuzkoa provincial authority) and the city employers’ association, sets out to deal with the narratives of music documentary film and the ways this fits into the sphere of creativity and renovation in contemporary audiovisual work. Reflection and debate about documentary film in its different expressive guises will be offered by a group of speakers linked to film-making, criticism, research and education.
  Dock Of The Bay. Musika...  
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Mintegiaren gogoetagaia hau izango da: dokumentatzeko, kontatzeko, iritzia emateko eta are programatzeko ekintzek jarrera kritikoa hartzea dakarte, bai zine modalitate horrekiko, bai eta ikusgarritasuna eta balioa hartzen duten narratiba eta lengoaiekiko ere.
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This seminar, organised by the Dock of the Bay Festival in cooperation with the Gipuzkoa provincial authority's department of culture, Koldo Mitxelena Kulturunea and Fomento de San Sebastián, sets out to discuss the narratives of music documentary film. At this year's edition, discussion will focus on how the action of documenting, narrating and expressing opinions, as well as that of programming, always involve a critical positioning regarding this film genre and regarding the narratives and languages that gain visibility and value through it.
  Dock Of The Bay. Musika...  
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Esperotakoa da argumentuaren haria (jatorri xumea; ospera jauzia; drogengatik eta zoramenagatik gainbehera; haragikeria; azken erredentzioa), baina Alice Cooperren ezer ez zen izan arrunta; eta bere bizitzaren berrikuspen hau ere ez da hala.
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His real name is Vincent Furnier, but he's best known as Alice Cooper, the dude that was, for years, the most infamous and influential rock star on the planet. The storyline here is what you'd expect (humble beginnings, catapult to fame, descent into ruin through drugs, madness and lust and ultimate redemption), but nothing about Alice Cooper was particularly standard, nor is this review of his life. Super Duper Alice Cooper uses photographs and original footage combined with the voice of the only possible narrator – Cooper himself – to retell a rollercoaster life that went belly up in the middle. The result is addictive, intimate (come on, it's Alice Cooper).
  Dock Of The Bay. Musika...  
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Bilboko Nerbioi itsasadarraren ezkerralde kutsatuan, 80ko hamarkadaren hasieran, langabeziak eta terrorismoak berotutako Euskal Herrian, Eskorbuto taldeak lehen ostikada eta listu musikalak zabalduko zituen. Aberriko musikan iraultza ekarri zuen punk banda hau modurik punkenean ageri da hemen irudikatua.
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Making use, with subversive intentions, of Youtube’s vast audiovisual archive, Kikol Grau conducts an imaginary interview with the punk bank Eskorbuto, while portraying the post-Francoist Spain of the 80s. The epitome of national punk was born and grew up on the marginalized left bank of the river Nervión, in Bilbao, and through its fits of lyrics spat out to the rhythm of three guitar chords, Grau makes an incisive collage, full of causticity, using news reports, ads, “cine quinqui”, video clips and almost any type of material within his grasp. An era shaken by terrorism and the shock of the arrival of democracy (and its first disillusionments), whose only possible soundtrack is that of Eskorbuto.
  Dock Of The Bay. Musika...  
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Disko hori, ordea, egilea txiki-txiki eginda zegoenean grabatutakoa da. Albumari zein sortzaileari berari buruzko istorioa da hau, eta jakin beharreko guztia dago bertan jasota. Besteak beste, Oldfielden familia, nerabezaroa, Kevin Ayers Bandetik igaro zenekoa, "garratz izateak ekarri zizkionak", Terry Riley eta errepikapenaren espiritua.
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Oldfield's life is full of highs and lows. And at the heart of it all: Tubular Bells, one of the greatest super-sellers of all time, an album recorded – no less – when its author was in pieces. This is the story of the album and its creator, and it will bestow all you wish to know. Here you'll find Oldfield's family, his adolescence, his time in the Kevin Ayers Band, his "bad acid trips", Terry Riley and the spirit of repetition. Then arrives Tubular Bells, something that still can't be put into words. Oldfield orders dozens of instruments. Upon hearing the finished master, Richard Branson, exclaims "But he doesn't sing!". It all explodes from there, but Oldfield can only mumble deliriously in interviews. In this film, we discover crucial details like the cover, the letter type and how he chose them. We see what could rocket Tubular Bells even higher sales-wise: the use of a fragment of the LP in the soundtrack to The Exorcist (1973). Oldfield tells all here, his spiritual "rebirth" and from there to his recent risorgimento in the inauguration of the 2012 Olympics.

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Pulp eta Sheffield elementu bereizezinak dira. Jarvis Cockerrek filmaren bigarren minutuan berresten duen moduan, hau ezingo litzateke gertatu beste inon. Eta ezingo litzateke beste modu batean filmatu: hemen, bizia, heriotza, supermerkatuak eta aizto dendak daude.
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Pulp and Sheffield are inseparable. As Jarvis Cocker states two minutes into the film, this couldn't have happened anywhere else. Nor could it have been filmed in any other way: here there's life, death, supermarkets and cutlery. These are the good people of Sheffield, who reflect upon the band's omnipotence in the final few months before Pulp's last UK concert. Pulp – reluctant popstars against the odds – also speak candidly about doing their thing. A phenomenal film that explains Pulp better than all the biographies. Pulp are this because they come from there. Now we get it.