luid – Übersetzung – Keybot-Wörterbuch

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Want in een eerste reeks gevallen verdoezelt de plaatsing van luidsprekers in de ruimte alleen maar het feit dat puur muzikale technieken om (vooral de horizontale dimensie in) de muzikale ruimte te structuren worden aangevuld met elektronische technieken.
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Again, with Nono the voices are moving with large leaps: fourths and fifths, octaves, sevenths and ninths. Nono enhances the effect through contrasting those leaps with seconds and micro-intervals circling around the end-points of the larger intervals. These intervals enhance the feeling of space: octaves, fourths and five sound ‘hollow’, and also here that effect is enhanced through contrast with seconds or clusters. One could object that also in many contemporary music sounds are tumbling through space on far greater intervals. But, apart from the fact that they are not contrasted with more dense intervals, above all the hierarchy between the tones is missing; space is no longer articulated around the beacons of the tonic on the vertical axis of musical space. Nono, on the other hand, articulates his expanded space through the quasi permanent presence of a tonic and the manifold octave-jumps or octave-doublings. This technique comes to its apogee in the ‘Stasimo secondo’: here, musical space extends from the highest to the lowest regions, and this enormous span is bridged through an articulation in clearly distinguishable layers, wherein the separate voices are moving each on their own level. Nono uses a similar technique in his impressive blocks of sound (chords or clusters) reaching from the highest to the lowest regions: the space in between is made all the more tangible in that Nono subdivides it in segments moving independently – the effect of which is further enhanced in that those segments resonate from different places in real space.
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