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  Kanuti Gildi SAAL  
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Oblivion on etendus kõigest, mida Sarah Vanhee oleks pidanud ühe aasta jooksul töö- ja elamise käigus minema viskama. Etendus on aeglaselt kulgev ood hästiununenud asjade ja tunnete taastulemisele.
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Vanhee is co-author of the art book Untranslatables - a guide to translingual dialogue and author of The Miraculous Life of Claire C and TT.
  Kanuti Gildi SAAL  
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Oma kunstiloomingu kõrvalt juhendab Ivo Dimchev meistriklasse Riiklikus Teatriakadeemias (Budapest), Belgia Kuninglikus Balletikoolis (Antwerpen), Kunstikõrgkoolis (Bern), DanceWebis (Viin) jne. Ta on Bulgaarias tegutseva sihtasutuse Humarts asutaja ja direktor ning korraldab kord aastas toimuvat üleriigilist kaasaegse koreograafia konkurssi.
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Besides his artistic work Ivo Dimchev gives master classes in the National theater academy (Budapest), the Royal dance conservatorium of Belgium (Antwerp), Hochschule der Künste (Bern), DanceWeb (Vienna) etc. He is founder and director of Humarts foundation in Bulgaria and organizes every year a National competition for contemporary choreography. Since Oct 2009 after doing his master studies on performing arts at Dasarts academy (Amsterdam), Ivo Dimchev moved to Brussels where he opened a performance space Volksroom which weekly presents international young artists. From Jan 2013 Ivo Dimchev is an Artist in Residence in Kaaitheater / Brussels for 4 years. In 2014 Ivo opened his new place MOZEI in Sofia Bulgaria, an independent space focused on contemporary art and music.
  Kanuti Gildi SAAL  
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Micheli uusim sooloetendus “Yellow Towel” oli vastavalt ajalehe Voir (Montréal) ja ajakirja Dance Current (Kanada) 2013. aasta viie ning kümne parima tantsusündmuse hulgas. 2014. aastal sai ta vastloodud auhinna Impulstanz Award (Viin) tunnustamaks teda silmapaistvate kunstiliste saavutuste eest ning teda tõsteti esile ühena aasta tähelepanuväärsetest naiskoreograafidest ajalehes New York Times.
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Michel's newest solo, Yellow Towel, was featured on the “Top Five” and the “Top Ten” 2013 dance moments in the Voir newspaper (Montreal) and Dance Current Magazine (Canada) respectively. In 2014, she was awarded the newly created Impulstanz Award (Vienna) in recognition for outstanding artistic accomplishments and was highlighted amongst notable female choreographers of the year by the New York Times. The year concluded with Yellow Towel appearing on the Time Out Magazine (New York City, U.S.) “Top Ten Performances” list. “…An artist who refuses to compromise and dares to invent her own language.”(P. Couture and E. Pépin, Voir, 2013)
  Kanuti Gildi SAAL  
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Oma kunstiloomingu kõrvalt juhendab Ivo Dimchev meistriklasse Riiklikus Teatriakadeemias (Budapest), Belgia Kuninglikus Balletikoolis (Antwerpen), Kunstikõrgkoolis (Bern), DanceWebis (Viin) jne. Ta on Bulgaarias tegutseva sihtasutuse Humarts asutaja ja direktor ning korraldab kord aastas toimuvat üleriigilist kaasaegse koreograafia konkurssi.
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Besides his artistic work Ivo Dimchev gives master classes in the National theater academy (Budapest), the Royal dance conservatorium of Belgium (Antwerp), Hochschule der Künste (Bern), DanceWeb (Vienna) etc. He is founder and director of Humarts foundation in Bulgaria and organizes every year a National competition for contemporary choreography. Since Oct 2009 after doing his master studies on performing arts at Dasarts academy (Amsterdam), Ivo Dimchev moved to Brussels where he opened a performance space Volksroom which weekly presents international young artists. From Jan 2013 Ivo Dimchev is an Artist in Residence in Kaaitheater / Brussels for 4 years. In 2014 Ivo opened his new place MOZEI in Sofia Bulgaria, an independent space focused on contemporary art and music.
  Kanuti Gildi SAAL  
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Micheli uusim sooloetendus “Yellow Towel” oli vastavalt ajalehe Voir (Montréal) ja ajakirja Dance Current (Kanada) 2013. aasta viie ning kümne parima tantsusündmuse hulgas. 2014. aastal sai ta vastloodud auhinna Impulstanz Award (Viin) tunnustamaks teda silmapaistvate kunstiliste saavutuste eest ning teda tõsteti esile ühena aasta tähelepanuväärsetest naiskoreograafidest ajalehes New York Times.
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Michel's newest solo, Yellow Towel, was featured on the “Top Five” and the “Top Ten” 2013 dance moments in the Voir newspaper (Montreal) and Dance Current Magazine (Canada) respectively. In 2014, she was awarded the newly created Impulstanz Award (Vienna) in recognition for outstanding artistic accomplishments and was highlighted amongst notable female choreographers of the year by the New York Times. The year concluded with Yellow Towel appearing on the Time Out Magazine (New York City, U.S.) “Top Ten Performances” list. “…An artist who refuses to compromise and dares to invent her own language.”(P. Couture and E. Pépin, Voir, 2013)
  Kanuti Gildi SAAL  
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Micheli uusim sooloetendus “Yellow Towel” oli vastavalt ajalehe Voir (Montréal) ja ajakirja Dance Current (Kanada) 2013. aasta viie ning kümne parima tantsusündmuse hulgas. 2014. aastal sai ta vastloodud auhinna Impulstanz Award (Viin) tunnustamaks teda silmapaistvate kunstiliste saavutuste eest ning teda tõsteti esile ühena aasta tähelepanuväärsetest naiskoreograafidest ajalehes New York Times.
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Michel's newest solo, Yellow Towel, was featured on the “Top Five” and the “Top Ten” 2013 dance moments in the Voir newspaper (Montreal) and Dance Current Magazine (Canada) respectively. In 2014, she was awarded the newly created Impulstanz Award (Vienna) in recognition for outstanding artistic accomplishments and was highlighted amongst notable female choreographers of the year by the New York Times. The year concluded with Yellow Towel appearing on the Time Out Magazine (New York City, U.S.) “Top Ten Performances” list. “…An artist who refuses to compromise and dares to invent her own language.”(P. Couture and E. Pépin, Voir, 2013)
  Kanuti Gildi SAAL  
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aasta märtsis, et Eesti Vabariigi sünnipäevaks kingitakse suurejooneline lavastusprojekt, kus tuuakse publiku ette vabariigi sajandi lugu, mille raames 24 teatri osavõtul sünnib aasta jooksul – sügisest 2017 kuni kevadeni 2018 – 12 lavastust.
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In March 2014, Estonian theatres decided to gift the Republic of Estonia with a grandiose stage project, which will present the audiences with a story of a century of the republic. In the framework of the project, 24 theatres will create 12 performances from the autumn of 2017 until the spring of 2018. The theatres raffled partners and divided the decades amongst themselves. Fortune chose for the joint effort of the Estonian National Opera and the Kanuti Gildi SAAL to reflect the sixties.
  Kanuti Gildi SAAL  
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Ta on Eesti esimese iseseisva teatri Von Krahli trupi asutajaliige, teinud koostööd erinevate kunstnikutega Eestis, Saksamaal ja Soomes, sealhulgas osalenud mitmes Kristian Smedsi lavastuses: Year of the Hare, The Seagull, Mental Finland and Der Imaginäre sibiriske Zirkus des Rodion Raskolnikow. Eelmine aasta lavastas Ulfsak Von Krahli teatris, Teater NO99s ja Eesti Draamateatris.
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Actor and director Juhán Ulfsak, is one of Estonia’s most influential contemporary artists. He is a founder member of Estonia’s first independent theatre, the Von Krahl company. Ulfsak has worked with leading figures from the art world in Estonia, Germany and Finland. He has participated in several productions by director Kristian Smeds: The Year of the Hare, The Seagull, Mental Finland and Der Imaginäre sibiriske Zirkus des Rodion Raskolnikow. Last year Ulfsak worked as a director for the Von Krahl company , Theatre N0 99, and the Estonian Drama Theatre. In autumn 2016 he will be directing William Golding’s Lord of the Flies at the Finnish Theatre Academy.
  Kanuti Gildi SAAL  
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Ta lõpetas 2016. aasta juulis Amsterdami Kunstikõrgkooli (SNDO) bakalaureusekraadiga koreograafia alal. Viimased kolm aastat on ta uurinud ekraanide, objektiivide ja küberruumi vahendusel piinliku täpsusega võimalusi kokkupuudeteks võõrastega.
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Samira Elagoz is a Finnish/Egyptian artist currently based in Amsterdam. She graduates as a choreography BA from the Amsterdam University of the Arts in July 2016. The last three years she has meticulously explored the possibilities of intimate encounters with strangers through screens, lenses and cyberspace. The Internet is her tool, functioning as a playground, a stage, and an inspiration. She creates work mainly on video, and usually presents them either in an installation or as a lecture performance. Educated in performative arts, she incorporates aspects of this medium with that of video and film, creating her own unique brand of “docu-fiction”. For her work she has travelled meeting strangers in Amsterdam, Berlin, Tokyo, New York, Miami, Havana, Helsinki. The project has received support from The Finnish Cultural Foundation and Blooom Award, Cologne. In October 2014 Samira won the Blooom Award in Cologne out of 1200 applicants, with her first short film “Four Kings”.
  Kanuti Gildi SAAL  
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aasta kevadel tehti algust „Lecture For Every One“ loengutesarjaga, mille käigus korraldati etteteavitamata nn „loomingulisi sekkumisi“ kohtades, kus inimesed tavaliselt eraelulistel või tööalastel eesmärkidel kogunevad.
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In August 2013, Sarah Vanhee made an installation together with inmates of the prison in Mechelen (BE): I screamed and I screamed and I screamed. This project was hosted by Contour 2013. 
Spring 2013 Lecture For Every One took off, a series of unannounced artistic interventions in different places where people gather together for a specific purpose, either private or professional. Lecture For Every One is a short lecture on contemporary society as a co-creation by every-one, traveling from banks to football teams and city councils. On 2014 she visited Tallinn with her lecture-performance "Lecture for Every One" at August DanceFestival.
  Kanuti Gildi SAAL  
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aasta märtsis, et Eesti Vabariigi sünnipäevaks kingitakse suurejooneline lavastusprojekt, kus tuuakse publiku ette vabariigi sajandi lugu, mille raames 24 teatri osavõtul sünnib aasta jooksul – sügisest 2017 kuni kevadeni 2018 – 12 lavastust.
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In March 2014, Estonian theatres decided to gift the Republic of Estonia with a grandiose stage project, which will present the audiences with a story of a century of the republic. In the framework of the project, 24 theatres will create 12 performances from the autumn of 2017 until the spring of 2018. The theatres raffled partners and divided the decades amongst themselves. Fortune chose for the joint effort of the Estonian National Opera and the Kanuti Gildi SAAL to reflect the sixties.
  Kanuti Gildi SAAL  
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NU Performance Festivali raames toimuv etendus on pärast kolmeosalist uurimisperioodi projekti „Fuchsia“ esimene esietenduse-eelne proovisõit. Projekt käivitus algselt Eestis 2015. aasta septembris, arenes edasi etenduseks Amsterdamis 2016. aasta aprillis ja transformeerus siis veebigalerii-näituseks.
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The performance, as shown during NUP, is the first try out of “Fuchsia” before its premiere and after finishing the threepart research period. The project was initially set off in Estonia in September 2015, developed further for the performance in April 2016 in Amsterdam and transformed into an online gallery exhibition.
  Kanuti Gildi SAAL  
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Ooperi koreograafilist materjali esitavad Eesti Rahvusballeti tantsijad. Lisaks 2016. aasta maikuus Kanuti Gildi SAALis esitletud avamängule saab nüüd kuulda ka esimesi ooperi elektroonilise muusika katkeid.
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On the second showing of the opera, fragments form the translation of Manfred MIM’s legacy into a body language will be introduced, thereby mixing classical movement with the contemporary one. Opera’s choreographical material will be presented by the Estonian National Ballet dancers. In addition to the overture introduced in May 2016, excerpts from the opera’s electronical music will be played for the first time.
  Kanuti Gildi SAAL  
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Märtsis aastal 2014 otsustasid Eesti teatrid, et Eesti Vabariigi sünnipäevaks kingitakse suurejooneline lavastusprojekt, kus tuuakse publiku ette vabariigi sajandi lugu ja mille raames 24 teatri osavõtul sünnib aasta jooksul – sügisest 2017 kuni kevadeni 2018 – 12 lavastust.
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In March 2014 Estonian theatres decided to make a gift for Estonia 100 jubilee year and create a big performance project that stages a story of a century of the republic and that will culminate with 12 performances from fall 2017 to spring 2018 in collaboration with 24 theatres. Theatres raffled and shared decades and Estonian National Opera and Kanuti Gildi SAAL share the decades 60's and 70's.
  Kanuti Gildi SAAL  
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NU Performance Festivali raames toimuv etendus on pärast kolmeosalist uurimisperioodi projekti „Fuchsia“ esimene esietenduse-eelne proovisõit. Projekt käivitus algselt Eestis 2015. aasta septembris, arenes edasi etenduseks Amsterdamis 2016. aasta aprillis ja transformeerus siis veebigalerii-näituseks.
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The performance, as shown during NUP, is the first try out of “Fuchsia” before its premiere and after finishing the threepart research period. The project was initially set off in Estonia in September 2015, developed further for the performance in April 2016 in Amsterdam and transformed into an online gallery exhibition.
  Kanuti Gildi SAAL  
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Ta on lavastajatööd teinud nii Soomes, Eestis, Leedus, Belgias, kui mujal Euroopas. Eestis on ta näiteks Von Krahli lavale toonud "Jänese aasta" ja "12 Karamazovit", Juhan Ulfsak ja Eva Klemets on osalenud ka tema rahvusvahelises teatrilavastuses "Mental Finland".
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Actress Annamária Láng is one of Hungary’s best known artists on independent theatre circuit. Láng was long associated with the Krétakör theatre founded by Árpád Schilling, but since leaving the company she has worked freelance. Láng has worked in theatre and film in Hungary, Germany, Switzerland and France.
  Kanuti Gildi SAAL  
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NU Performance Festivalil toimuva kontserdi keskmeks on üle kuue aasta ilmunud stuudioalbum “Rub” (2016).
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The concert at NU Performance Festival will centre on the studio album Rub (2016), her first in over six years.
  Kanuti Gildi SAAL  
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Ta on Eesti esimese iseseisva teatri Von Krahli trupi asutajaliige, teinud koostööd erinevate kunstnikutega Eestis, Saksamaal ja Soomes, sealhulgas osalenud mitmes Kristian Smedsi lavastuses: Year of the Hare, The Seagull, Mental Finland and Der Imaginäre sibiriske Zirkus des Rodion Raskolnikow. Eelmine aasta lavastas Ulfsak Von Krahli teatris, Teater NO99s ja Eesti Draamateatris.
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Actor and director Juhán Ulfsak, is one of Estonia’s most influential contemporary artists. He is a founder member of Estonia’s first independent theatre, the Von Krahl company. Ulfsak has worked with leading figures from the art world in Estonia, Germany and Finland. He has participated in several productions by director Kristian Smeds: The Year of the Hare, The Seagull, Mental Finland and Der Imaginäre sibiriske Zirkus des Rodion Raskolnikow. Last year Ulfsak worked as a director for the Von Krahl company , Theatre N0 99, and the Estonian Drama Theatre. In autumn 2016 he will be directing William Golding’s Lord of the Flies at the Finnish Theatre Academy.
  Kanuti Gildi SAAL  
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Ta lõpetas 2016. aasta juulis Amsterdami Kunstikõrgkooli (SNDO) bakalaureusekraadiga koreograafia alal. Viimased kolm aastat on ta uurinud ekraanide, objektiivide ja küberruumi vahendusel piinliku täpsusega võimalusi kokkupuudeteks võõrastega.
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Samira Elagoz is a Finnish/Egyptian artist currently based in Amsterdam. She graduates as a choreography BA from the Amsterdam University of the Arts in July 2016. The last three years she has meticulously explored the possibilities of intimate encounters with strangers through screens, lenses and cyberspace. The Internet is her tool, functioning as a playground, a stage, and an inspiration. She creates work mainly on video, and usually presents them either in an installation or as a lecture performance. Educated in performative arts, she incorporates aspects of this medium with that of video and film, creating her own unique brand of “docu-fiction”. For her work she has travelled meeting strangers in Amsterdam, Berlin, Tokyo, New York, Miami, Havana, Helsinki. The project has received support from The Finnish Cultural Foundation and Blooom Award, Cologne. In October 2014 Samira won the Blooom Award in Cologne out of 1200 applicants, with her first short film “Four Kings”.
  Kanuti Gildi SAAL  
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Ta on teinud koostööd paljude rahvusvaheliselt tunnustatud ja tunnustamata kunstnike ja institutsioonidega. Pärast lühidast tööperioodi Eestis 2008. aastal kolis Steenbergen 2011. aastal 31 aasta vanuselt püsivalt Tallinnasse.
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Renzo van Steenbergen (1977), nomad from gypsy descent, born in The Netherlands, with degrees in Sound and Image and ArtScience, is a freelance artist with a strong background in multimedia and digital sound art. Renzo has been working in Internationally as an autonomous all-round artist in the fields of installation art, music and composition, film, live-cinema and contemporary dance and theatre since 2001. Next to being one of the initiators of the artist-collective Feedbacksociety since 2001, he has been the programmer and initiator of Seveninchrecordings and Seveninchprojects, was part of several electronic music formations such as Noizbleed and Johnny Locash and has collaborated with numerous internationally acknowledged and unrecognized artists and institutions. After a working period in Estonia in 2008 he immigrated to Tallinn at the age of 31. Since then, he has composed music and made sound designs for various theatre productions and directors in and out of Estonia such as Sasha Pepelyaev, Dogtroep, Von Krahl theatre, Mart Koldits and Kristjan Sarv as well as making and producing music just for the sake of making music in his home, studio and in the train. His work is concerned with issues of energy, density, complexity, movement, simultaneity and violent beauty, and he often works extensively with space as a primary compositional parameter. He thinks that sound does not exist in time but rather creates it, and considers that music is not the art of sound but rather the art of the transcendence of sound.