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Keybot 9 Ergebnisse  www.verzio.org
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A 7 éves Mását elveszik alkoholista szüleitől és állami gondozásba veszik. De ő haza akar menni.
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Tracing the roots of a song that Greeks, Macedonians, Turks, Serbs and Bulgarians all claim as their own national heritage - a Balkan story.
  VERZIO Film Festival  
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A film hőse Niels, a félig dán, félig grönlandi férfi, aki egy spirituális utazáson akar visszatalálni grönlandi gyökereihez. A lírai történetben, amelyhez a fenséges tájak teremtik meg a környezetet, megtudjuk, milyen átalakuláson ment át az inuit kulturális identitás, miután évszázadokon át a többségi társadalom értékeit és normáit kényszerítették rá.
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The film follows Niels, a half-Danish half-Greenlandic man, on his spiritual journey to re-connect with his Greenlandic roots. A tale of poetic imagery woven into magnificent Greenlandic scenery, the film laments the transformation of Inuit cultural identity by centuries of the imposition of values and norms by majority society. Images of ice, water, vapor and clouds render the transformative powers of postcolonial traumas. With a unique visual narrative, the film explores the social and cultural consequences of the colonization of Greenland, and consequently that of the island’s indigenous inhabitants, the Greenlandic Inuits.
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Retel Helmrich Indonéziáról szóló cinéma vérité trilógiájának középső darabja a film. Rumidzsá, a 62 éves özvegyasszony Dzsakartában él fiával, Baktival és unokájával, Tárival. Hét éve bukott meg Szuharto, a diktátor – azóta a társadalmi zűrzavar zaklatott korszakát éli az ország.
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Shape of the Moon is the middle part of the cinéma vérité trilogy by Retel Helmrich about modern Indonesia. Rumidjah, a 62-year-old widow, lives in Jakarta with her son Bakti and her granddaughter Tari. Since the fall of dictator Suharto seven years earlier, she has witnessed the country passing through a tumultuous period of socio-political chaos. Islam, the largest religion of Indonesia, is becoming increasingly fundamentalist in tone, which affects the everyday lives of all Indonesians, no matter what religion they profess. Rumidjah, who is a Christian, has had more than enough of the capital’s chaos. When her son Bakti converts to Islam in order to marry a Muslim girl, she seriously considers leaving the hectic city forever and moving to the safety of the countryside where she grew up. The only thing that still ties Rumidjah to the city is the responsibility she feels for Tari: she knows that there's no future for an eleven-year-old girl in the countryside. A close and sensitive portrait of the everyday life of three generations sharing their worries about the present and their hopes for a better future.
  VERZIO Film Festival  
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A 18 éves Sonita afgán menekült, aki papírok nélkül él Teherán egy szegény elővárosában. Bátor, karakán ifjú hölgy, aki szembemenve az iráni szokásokkal és konzervatív patriarchális családjának elvárásaival, megharcol azért, hogy az lehessen, ami akar: művész, énekes és zenész.
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Sonita is an 18-year-old undocumented Afghan immigrant living in the poor suburbs of Tehran. She is a feisty, spirited, young woman who fights to live the way she wants, as an artist, singer, and musician in spite of all the obstacles she confronts in Iran and her conservative patriarchal family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family. The price for her hand right now is about US$ 9,000. What’s more, women aren’t allowed to sing in Iran. How can Sonita still succeed in making her dreams come true? Director Rokhsareh Ghaem Maghami ends up personally involved in answering that question, reigniting the discussion as to how documentary makers should relate to their subjects. This is just one of the many unexpected twists in an exciting journey replete with the setbacks and successes of a young women looking for her own path.
  VERZIO Film Festival  
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A Verzió akar lenni az, aki felemeli a szavát az erőszak ellen, aki megmutatja a „pislákoló igazságot”, aki meglátja az emberi méltóságot egy poros filmtekercsen, egy betiltott dalban, egy csendes beszélgetésben vagy menekültek szerelmi történetében.
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In 2004 the very first Verzio Film Festival was opened by a man who inspired us for decades with his life, words, and deeds: Árpád Göncz (1922 –2015), Hungary’s first democratically elected head of state. Twenty years ago he said the following: We cannot, however, make concessions where the protection of those whose human rights are violated is at stake. There is no external advantage for which we can abandon our fellow human beings. When human dignity is denied we must protest with all our strength. For we cannot bear the violation of the human dignity of others; and it harms our own dignity if we could have done something but had reconciled with the intolerable. We must protest so that a rights violation counts as a violation. So that it is understood: we have human rights. We consider it our duty to make Árpád Göncz’s legacy resonate with future generations. Verzio wants to be the voice that counts. The voice that shouts violation, the mirror that shows the “flickering truth”, the eye that sees human dignity –be it in a dusty film reel, a forbidden song, a quiet conversation or a refugee love story.
  VERZIO Film Festival  
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A szovjet Lenin-kultusz helyére az ortodox vallás lépett, amelyet a kommunisták el akartak törölni. A szovjet éra végén Gorkijban, Moszkvától 20 kilométerre megépült az utolsó, egyben a legambiciózusabb Lenin Múzeum.
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The cult of Lenin had replaced the Orthodox religion, which Communists wanted to eliminate. At the end of Soviet era, in the village of Gorky, 20 kilometers from Moscow, the last and the most ambitious Museum of Lenin was built. In the past it had 3,000 visitors per week whereas now it has only 20: it looks like a temple of forgotten civilization, a place that has fallen out of time. However, the museum staff remains faithful to Lenin’s spirit. They wait for the return of old times as random visitors come to the abandoned halls.The story of the museum is shown through two main characters: Evgenia and Natalya, the caretakers. Natalya is a 52 years old history teacher at the local school who is fond of Communism and Lenin’s legacy. Evgenia is 56 years old who worships different gods and considers Lenin one of the biggest among them. However, after 10 years of dedicated work she now wants to leave and continue her spiritual journey in another place.