arp – -Translation – Keybot Dictionary

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Show textShow cached sourceOpen source URL	TAEUBER-ARP, Sophie: Les derniers 9 dessins de Sophie Taeuber-Arp / accompagné d’une letter de Gabrielle Buffet-Picabia. – Zürich: Allianz-Verlag, 1943. – [16] pages: most of them illustrated; 20 cm
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nb.admin.ch as primary domain	TAEUBER-ARP, Sophie : Les derniers 9 dessins de Sophie Taeuber-Arp / accompagné d'une lettre de Gabrielle Buffet-Picabia. – Zurich : Allianz-Verlag, 1943. – [16] f. : en majeure partie des ill. ; 20 cm
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nb.admin.ch as primary domain	TAEUBER-ARP, Sophie : Les derniers 9 dessins de Sophie Taeuber-Arp / accompagné d'une lettre de Gabrielle Buffet-Picabia. – Zürich : Allianz-Verlag, 1943. – [16] f. : en majeure partie des ill. ; 20 cm
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nb.admin.ch as primary domain	TAEUBER-ARP, Sophie : Les derniers 9 dessins de Sophie Taeuber-Arp / accompagné d'une lettre de Gabrielle Buffet-Picabia. – Zürich : Allianz-Verlag, 1943. – [16] f. : en majeure partie des ill. ; 20 cm

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Show textShow cached sourceOpen source URL	· Product tested under the norms ASTM F- 495 and ARP 1775A
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Show textShow cached sourceOpen source URL	AP vulnerabilities in bridge mode: ARP Poisoning
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Show textShow cached sourceOpen source URL	The complete list of award recipients is available at http://www.tbs-sct.gc.ca/arp/aepe11-eng.asp.
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  nouvelles.hydroquebec.com  

Show textShow cached sourceOpen source URL	Guy Litalien, ARP
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He studied philosophy and art history in Munich and Hamburg. Previously, Schreiber was curator at the Böttcherstraße Museums in Bremen, the Museum Frieder Burda in Baden-Baden and the Arp Museum, Rolandseck, and artistic director of the Kunsthalle Tübigen.

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Daniel J. Schreiber ist seit 2013 Direktor des Buchheim Museum der Phantasie in Bernried. Er studierte Philosophie und Kunstgeschichte in München und Hamburg. Schreiber war zuvor Kurator an den Kunstsammlungen Böttcherstraße in Bremen, am Museum Frieder Burda in Baden-Baden sowie am Arp Museum Rolandseck und künstlerischer Leiter der Kunsthalle Tübingen. Schreiber kuratierte zahlreiche Ausstellungen zur Kunst der klassischen Moderne und der Gegenwart.

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Show textShow cached sourceOpen source URL	Arp 273
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It was monophonic in the beginning but became polyphonic later. In the 70s it would be followed by ARP synthesizers and then the modular synthesizer EMS VCS3. The latter was widely used until the middle of the 80s and led to sounds found in numerous electroacoustic works and many other genres.

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Après les Telharmonium, Choralcello , Theremin, ondes Martenot et autres ancêtres, l’un des premiers synthétiseurs, le synthétiseur Moog, a été construit par Robert Moog en 1964 en lien avec Max Mathews, ingénieur et musicien aux Laboratoires Bell. Il se présente, comme la plupart des synthétiseurs qui suivront, sous la forme d’un clavier agrémenté de diverses touches et potentiomètres. Il permet de créer, de filtrer et de transformer des sons électroniques. Il est au départ monophonique, mais devient par la suite polyphonique. Il sera suivi dans les années 70 des synthétiseurs ARP, du synthétiseur modulaire EMS VCS3, très utilisé jusqu’au milieu des années 80, qui engendra les sons de nombreuses œuvres électroacoustiques, et de bien d’autres.

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Show textShow cached sourceOpen source URL	JEAN (HANS) ARP - KURT SCHWITTERS , CURVES AND STRAIGHT LINES DRAWN WITH LYRICISM
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  13 Hits parl.gc.ca  

Show textShow cached sourceOpen source URL	MGen Jan Arp: There is no policy in that respect.
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  www.maison-objet.com  

Show textShow cached sourceOpen source URL	Dorothée Meilichzon, designer and founder, CHZON – Marie Carcassonne, Dynamo _ Simon Rawlings, creative director, David Collins Studio – Arnaud Ferrand, well-being project manager, ARP-Astrance – Moderated by Guy Dittrich
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine maison-objet.com as primary domain	Dorothée Meilichzon, designer et fondatrice, CHZON – Marie Carcassonne, Dynamo – Simon Rawlings, directeur de création, David Collins Studio – Arnaud Ferrand, chef de projet santé & confort, ARP-Astrance – Modéré par Guy Dittrich.

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This response, the adoption of Anglo-Slavic names, represents both a protest against German nationalism: both would joined the Communist Party of Germany in 1918. Their repulsion towards the catastrophe of war, to the madness of war, is represented in the arts through other madness: it is the road that the Dadaists choose to contest the system. Jean Arp wrote:

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Alcuni dei dadaisti vissero in prima persona la follia della guerra: nel novembre del 1914 il tedesco Georg Ehrenfried Groß entra nell'esercito, che lascia sei mesi più tardi per motivi di salute e nel 1916 cambia il nome in George Grosz; un altro dadaista tedesco, Helmut Franz Josef Herzfeld, cambia il proprio nome in John Heartfield. Questa risposta, l'adozione di nomi anglo-slavi, rappresenta per entrambi una protesta contro il nazionalismo tedesco; ne è la conferma l'iscrizione di entrambi al Partito Comunista di Germania nel 1918. La loro repulsione verso la catastrofe bellica, verso la follia della guerra, viene rappresentata in ambito artistico tramite altra follia: è la strada che i dadaisti scelgono per contestare il sistema. Scrisse Jean Arp:

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Show textShow cached sourceOpen source URL	Amongst several Surrealist and Post War artists work’s, amongst them Arp, Magritte, Oldenburg, and Cesar, Dali’s
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine thedaliuniverse.com as primary domain	Entre varias obras de artistas surrealistas y posguerra, entre ellas Arp, Magritte, Oldenburg y Cesar, se exhibe el
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine thedaliuniverse.com as primary domain	Tra i diversi lavori di artisti surrealisti e del Dopoguerra presenti, tra cui opere di Arp, Magritte, Oldenburg e Cesar, è in mostra anche il

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In New Forms-New Media (Martha Jackson Gallery, New York), his works are hung alongside those of Arp, Burri, Calder, Chamberlain, Cornell, Jim Dine, Dubuffet, Dan Flavin, Jasper Johns, Kaprow, Yves Klein, Nevelson, Oldenburg and Rauschenberg.

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Juan Eduardo Cirlot publica la monografía Tàpies, y la revista Papeles de Son Armadans (Palma de Mallorca), dirigida por Camilo José Cela, le dedica un número monográfico con colaboraciones de Giulio Carlo Argan, Umbro Apollonio, Jacques Dupin, Pierre Restany y Herbert Read, entre otros muchos. En New Forms-New Media (Martha Jackson Gallery, Nueva York), sus obras se confrontan a las de Arp, Burri, Calder, Chamberlain, Cornell, Dine, Dubuffet, Flavin, Johns, Kaprow, Klein, Nevelson, Oldenburg y Rauschenberg. Participa en las exposiciones colectivas New Spanish Painting and Sculpture (The Museum of Modern Art, Nueva York), Before Picasso, after Miró (The Solomon R. Guggenheim Museum, Nueva York) y Neue Malerei. Form, Struktur, Bedeutung (Städtische Galerie, Múnich). En la Bienal de Tokio recibe el Premio del Ministerio de Asuntos Exteriores. Exposiciones individuales en Barcelona, Nueva York, Milán, Bilbao y Estocolmo.

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** ==== Failover IP Xen ==== Change the file xend-config.sxp for the usage of the "route" scripts of Xen (network-script network-route) (vif-script vif-route) add to the script echo 'echo 1 > /proc/sys/net/ipv4/conf/eth0/proxy_arp' >> /etc/xen/scripts/network-route in the XEN configuration of the VM: vif = [ 'ip=my_ip_failover' ] netmask = "255.255.255.0" gateway = "ADDR_IP_MACHINE_HOST" in the configuration of the VM auto eth0 iface eth0 inet static address my_ip_failover netmask 255.255.255.255 post-up /sbin/ip route add ADDR_IP_MACHINE_HOST/32 dev eth0 post-up /sbin/ip route add default via ADDR_IP_MACHINE_HOST

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===== Virtualisation Xen ===== ** Important : Ne jamais faire de bridge sur votre carte réseau Dedibox. Vous risquez de diffuser sur le réseau une adresse MAC virtuelle, ce qui provoquerait la mise en sécurité de votre port réseau et la suspension de votre serveur. Faites uniquement du NAT ou du mode routé ! ** ==== Ip failover Xen ==== Modifier xend-config.sxp en pour utiliser les scripts "route" de Xen (network-script network-route) (vif-script vif-route) petit ajout dans le script echo 'echo 1 > /proc/sys/net/ipv4/conf/eth0/proxy_arp' >> /etc/xen/scripts/network-route dans la configuration Xen du virtuel : vif = [ 'ip=mon_adresse_ip_failover' ] netmask = "255.255.255.0" gateway = "ADDR_IP_MACHINE_HOTE" config dans la virtuel auto eth0 iface eth0 inet static address mon_adresse_ip_failover netmask 255.255.255.255 post-up /sbin/ip route add ADDR_IP_MACHINE_HOTE/32 dev eth0 post-up /sbin/ip route add default via ADDR_IP_MACHINE_HOTE

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It was monophonic in the beginning but became polyphonic later. In the 70s it would be followed by ARP synthesizers and then the modular synthesizer EMS VCS3. The latter was widely used until the middle of the 80s and led to sounds found in numerous electroacoustic works and many other genres.

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Après les Telharmonium, Choralcello , Theremin, ondes Martenot et autres ancêtres, l’un des premiers synthétiseurs, le synthétiseur Moog, a été construit par Robert Moog en 1964 en lien avec Max Mathews, ingénieur et musicien aux Laboratoires Bell. Il se présente, comme la plupart des synthétiseurs qui suivront, sous la forme d’un clavier agrémenté de diverses touches et potentiomètres. Il permet de créer, de filtrer et de transformer des sons électroniques. Il est au départ monophonique, mais devient par la suite polyphonique. Il sera suivi dans les années 70 des synthétiseurs ARP, du synthétiseur modulaire EMS VCS3, très utilisé jusqu’au milieu des années 80, qui engendra les sons de nombreuses œuvres électroacoustiques, et de bien d’autres.

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The yellow flower sculpture from the collection commemorates the abstract works of Hans Arp from a technical standpoint, though here, Bertrand Lavier enters the sphere of pop culture in that he challenges the understanding of sculpture that has been handed down.

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Bernard Lavier, Walt Disney Productions, n. 13, 1996, Polyester, 320 x 210 x 100 cm © bei Künstler Foto: Achim Kukulies Der in Frankreich lebende Künstler Bertrand Lavier (*1949 in Châtillon-sur-Seine, Frankreich) beleuchtet und verwischt die Grenzen zwischen den Medien, zwischen Realität und Fiktion, Zwei- und Dreidimensionalität. Die zur Sammlung gehörende Skulptur von Lavier stammt aus seiner Werkserie der „Walt Disney Production“. 1984 begann er die Geschichte, bei der Mickey und Minnie, in Bilder, Skulpturen und Installationen zu überführen. Die Skulptur aus der Sammlung erinnert an die abstrakten Werke Hans Arps, wobei Bertrand Lavier hier die Sphäre der Popkultur betritt und die tradierte Grenze der Bildhauerei feinsinnig in Frage stellt.

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His solo exhibitions include "Grey as Colour. Photographs until 2009," Haus der Kunst, Münich (2010); Galerie Nordenhake Berlin (2009); "Irgendwo," co-organized by the Kunstverein Heilbronn, Oldenburger Kunstverien, Arp Museum Rolandseck, Remagen (2005); "Frauen - EIN-HEIT - Menschenbilder," at the Kunstverein in der Kunsthalle Düsseldorf (2000); and "U-NI-TY," at the Museum of Modern Art, New York and Sprengel Museum, Hannover (1996).

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Michael Schmidt nació en 1945 en Berlín, donde actualmente vive y trabaja. Sus exposiciones individuales incluyen "gris como el color. Fotografías hasta 2009,"Haus der Kunst, Münich (2010); Galerie Nordenhake Berlín (2009); "Irgendwo", organizado conjuntamente por el Kunstverein Heilbronn, Oldenburger Kunstverien, Rolandseck del Museo de Arp, Remagen (2005); "Frauen-EIN HEIT - Menschenbilder," en el Kunstverein in der Kunsthalle Düsseldorf (2000); y "U-NI-TY," en el Museo de arte moderno, Nueva York y el Museo Sprengel, Hannover (1996). Ha participado en numerosas exposiciones colectivas, incluyendo "Wildnis wird Garten wird Wilniss," una exposición especial en la Fundación de colección/SK Photographische en Art Cologne (2009); "Frente a la historia - fotógrafos europeos en el siglo XX," entre Barbican, London (2006); "De ratones y hombres," Berlín Bienal de arte contemporáneo, Berlín (2006); "Zwischen Wirklichkeit und Bild: Positionen deutscher Fotografie der Gegenwart," el Museo Nacional de arte moderno, Tokio, el Museo Nacional de arte moderno, Kyoto y la Marugame Genichiro Inokuma Museo de arte contemporáneo, Shikoku (2005); "Cruel + tierna,"Tate Modern, Londres y Museo Ludwig, Köln (2003); "Openends, contra-monumentos y la memoria," el Museo de arte moderno, Nueva York (2001); y "Das Versprechen der Fotografie," Akademie der Künste, Berlín (2000). Obras de su serie "Frauen" se instalaron recientemente públicamente como carteles de la Bienal de Berlín 6 de arte contemporáneo (2010).

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All the evaluated clones suffered frost damage. However, the North American genotype ‘Arp’ clearly distinguished from the others by its better frost resistance and its ability to survive in the field at temperatures reaching –10 °C.

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In Svizzera, la coltivazione commerciale di rosmarino per la produzione di erbe aromatiche, spezie e oli essenziali è marginale, soprattutto a causa del rischio molto elevato di perdite dovute al gelo invernale. Situato nel sud del paese, solo il Canton Ticino offre prospettive di successo. Durante i due inverni del 2011–2013, cinque genotipi noti per la loro robustezza sono stati testati in Ticino e Vallese. Tutti i cloni valutati hanno subito danni da gelo. Tuttavia, il clone nordamericano ‘Arp’ si è chiaramente distinto dagli altri quattro con la sua migliore resistenza al gelo e la sua capacità di sopravvivere in campo a temperature fino a –10 °C. È caratterizzato da una crescita eretta, un potenziale di produzione elevato in olio essenziale e da un profilo aromatico 1 ,8-cineolo-canfora. In Svizzera, la protezione dei campi di rosmarino con un velo geotessile o sotto un tunnel di plastica rimane altamente raccomandata, anche nelle zone meridionali.

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One of the outstanding representatives of the European trend of concrete and visual poetry. He started his creative literary and artistic endeavour in 1944, in 1953 he commenced correspondence with H. Arp, in the midst 50s created his first visual poetry pieces, poetic compositions.

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Карлфридрих Клаус (1930 – 1998, Аннаберг, Германия) – поэт, художник, эссеист. Один из ярких представителей европейского направления конкрет- и визуальной поэзии. Литературно-художественной деятельностью занимается с 1944 года, в 1953 году вступает в переписку с Хансом Арпом, в середине 50-х создает первые визуально-поэтические произведения, поэтические композиции. Переписка с Раулем Хаусманном подвигает К. Клауса на создание первой серии двусторонних визуально-поэтических произведений “Schreibakt”. С 1961 года – автор более трех десятков персональных выставок графики и визуальной поэзии в Германии и за рубежом, в т.ч. в Kunsthalle (Баден-Баден, 1964), Klub O.V. Guericke (Магдебург, 1968), Galerie Akumulatory 2 (Познань, 1974), Kupferstichkabinett (Дрезден, 1980), Stadtisches Museum (Цвикау, 1989), персонального выставочного тура по музеям Германии: Мюнстер – Франкфурт-на-Майне – Билефельд – Мюнхен – Гамбург – Вейден – Берлин (1990-91), Buch Julius (Штутгарт, 1991), Museum van Hedendaagse Kunst (Гент, 1992), Stadtisches Kunstmuseum (Ретлинген, 1993), Lindenau-Museum (Альтенбург, 1993) и мн. др. Участник более сотни коллективных выставок экспериментальной поэзии в различных странах мира, среди них в Stedelijk Museum (Амстердам, 1963), Haags Gemeente Museum (Гаага, 1965), Akademie der Kunste (Западный Берлин, 1966), Institut fur Moderne Kunst (Нюрнберг, 1968), Centre national d’art dramatique (Ницца, 1973), Musee d’art moderne (Брюссель, 1977), Musee d’art moderne (Париж, 1981), Museum der bildenden Kunste (Лейпциг, 1983), Museum of Modern Art (Оксфорд, 1984), Gutenberg-Museum (Майнц, 1987), Akademie der Kunste (Берлин, 1993) и мн. др. Лауреат ряда призов, премий, наград, в т.ч. обладатель Grafikpreisder Griffelkunst-Vereinigung Hamburg (1991), Jorg Ratgeb-Preis (1992), Graf-Kessler-Preis des Deutschen Kunstlerbundes (1992). Член Академии искусств Берлина, Академии искусств Лейпцига и почетный профессор Академии изящных искусств Дрездена, почетный житель Аннаберг-Буххольца. Автор многочисленных публикаций визуальной поэзии, эссе, заметок и теоретических статей в Германии и за рубежом, в т.ч. в Nota 3 (Мюнхен, 1959), LesLettres 33 (Париж, 1965), TangenteReport (Гейдельберг, 1965), Modulo 1 (Генуя, 1966), DeTafelronde 4 (Амстердам, 1967), Sinnund Forum 6 (Вена, 1985) и мн. др. С 80-х годов активизировал свои lautexerzitien – саунд-фонетические занятия, которыми занимался с 50-х годов. Интерес к заумному языку Крученых и Хлебникова инициировал появление серии

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Show textShow cached sourceOpen source URL	ethernet-interface, 10 – 100 Mbps, TCP, UDP, IP, ARP, ICMP, Ethernet Mac protocols
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine henkmaas.nl as primary domain	Ethernet-Schnittstelle, 10 – 100 Mbit/s, TCP, UDP, IP, ARP, ICMP, Ethernet Mac-Protokolle

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Show textShow cached sourceOpen source URL	The following were the founding parties: CDU and CSU/Germany, PSC and CVP/Belgium, CDS/France, Fine Gael/Ireland, DC/Italy, CSV/Luxembourg, KPV und CHU and ARP/Netherlands.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Les partis fondateurs sont la CDU et la CSU (Allemagne), le PSC et le CVP (Belgique), le CDS (France), le Fine Gael (Irlande), le DC (Italie), le CSV (Luxembourg), le KPV, le CHU et l'ARP (Pays-Bas).
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Die Gründungsparteien sind: CDU und CSU/Deutschland, PSC und CVP/Belgien, CDS/Frankreich, Fine Gael/Irland, DC/Italien, CSV/Luxemburg, KPV und CHU und ARP/Niederlande.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Los partidos fundadores fueron: CDU y CSU/Alemania, PSC y CVP/Bélgica, CDS/Francia, Fine Gael/Irlanda, DC/Italia, CSV/Luxemburgo, KPV und CHU y ARP/Países Bajos.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	I partiti fondatori sono: CDU e CSU/Germania, PSC e CVP/Belgio, CDS/Francia, Fine Gael/Irlanda, DC/Italia, CSV/Lussemburgo, KPV, CHU e ARP/Paesi Bassi.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Os partidos fundadores foram os seguintes: CDU e CSU/Alemanha, PSC e CVP/Bélgica, CDS/França, Fine Gael/Irlanda, DC/Itália, CSV/Luxemburgo, KPV, CHU e ARP/Países Baixos.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Τα ιδρυτικά κόμματα είναι τα ακόλουθα: CDU και CSU/Γερμανία, PSC και CVP/Βέλγιο, CDS/Γαλλία, Fine Gael/Ιρλανδία, DC/Ιταλία, CSV/Λουξεμβρούργο, KPV και CHU και ARP/Ολλανδία.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	De stichtende partijen waren de CDU en CSU/Duitsland, PSC en CVP/ België, CDS/Frankrijk, Fine Gael/Ierland, DC/Italië, CSV/Luxemburg, KPV en CHU en ARP/Nederland.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Zakládajícími stranami jsou: CDU a CSU / Německo, PSC a CVP / Belgie, CDS/Francie, Fine Gael / Irsko, DC/Itálie, CSV/Lucembursko, KPV a CHU a ARP / Nizozemsko.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	De grundlæggende partier var følgende: CDU og CSU/Tyskland, PSC og CVP/Belgien, CDS/Frankrig, Fine Gael/Irland, DC/Italien, CSV/Luxembourg, KPV og CHU og ARP/Nederlandene.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Euroopa Rahvapartei asutajaerakonnad olid järgmised: CDU ja CSU (Saksamaa), PSC ja CVP (Belgia), CDS (Prantsusmaa), Fine Gael (Iirimaa), DC (Itaalia), CSV (Luksemburg), KPV und CHU ja ARP (Madalmaad).
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Perustajapuolueita olivat Saksan CDU ja CSU, Belgian PSC ja CVP, Ranskan CDS, Irlannin Fine Gael, Italian DC, Luxemburgin CSV ja Alankomaiden KPV, CHU ja ARP.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	A következő pártok tartoztak az alapítók közé: CDU és CSU, Németország; PSC és CVP, Belgium; CDS, Franciaország; Fine Gael, Írország; DC, Olaszország; CSV, Luxemburg; KPV und CHU és ARP, Hollandia.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Europos liaudies partiją įsteigia šios partijos: Vokietijos CDU ir CSU, Belgijos PSC ir CVP, Prancūzijos CDS, Airijos „Fine Gael“, Italijos DC, Liuksemburgo CSV bei Nyderlandų KPV, CHU ir ARP.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Partiami założycielskimi były: CDU i CSU/Niemcy, PSC i CVP/Belgia, CDS/Francja, Fine Gael/Irlandia, DC/Włochy, CSV/Luksemburg, KPV oraz CHU i ARP/Holandia.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Partidele fondatoare au fost următoarele: CDU și CSU/Germania, PSC și CVP/Belgia, CDS/Franța, Fine Gael/Irlanda, DC/Italia, CSV/Luxemburg, KPV und CHU și ARP/Țările de Jos.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Zakladajúcimi stranami boli: CDU a CSU/Nemecko, PSC a CVP/Belgicko, CDS/Francúzsko, Fine Gael/Írsko, DC/Taliansko, CSV/Luxembursko, KPV, CHU a ARP/Holandsko.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Ustanovitvene so bile naslednje stranke: CDU in CSU/Nemčija, PSC in CVP/Belgija, CDS/Francija, Fine Gael/Irska, DC/Italija, CSV/Luksemburg, KPV, CHU in ARP/Nizozemska.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Dibināšanā piedalījās šādi dalībnieki: CDU un CSU/Vācija, PSC un CVP/Beļģija, CDS/Francija, Fine Gael/Īrija, DC/Itālija, CSV/Luksemburga, KPV, CHU un ARP/Nīderlande.