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  www.thegreenpark.com  
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Das Pilotprojekt wurde 2012 vom Bundesamt für Kultur BAK ausgezeichnet und konnte dank der finanziellen Unterstützung des BAKs, der Loterie Romande und der Stanley Thomas Johnson Stiftung realisiert werden.
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Le projet pilote a été distingué en 2012 par l’Office fédéral de la culture OFC et a pu être réalisé grâce au soutien financier de l’OFC, la Loterie Romande et la fondation Stanley Thomas Johnson.
  events.akram-vignan.de  
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CORE, das Auswärtige Amt und die Bundesakademie für Sicherheitspolitik (BAKS) veranstalteten gemeinsam dieses Brainstorming zur Zukunft der konventionellen Rüstungskontrolle in Europa. Der Workshop brachte mehr als 60 Regierungs- und Nichtregierungsvertreter aus über zwei Dutzend Ländern zusammen.
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CORE, the Federal Foreign Office, and the Federal Academy for Security Policy (BAKS) jointly convened a workshop on “The Future of Conventional Arms Control in Europe: Goals, Ways and Means”. The workshop brought together more than 60 participants from about two doze countries, two thirds government representatives and one third from think tanks and academic institutions.
  3 Hits www.tlaxcala.es  
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q=cache:bzC3UbQM_lkJ:www.baks.bundeswehr.de/portal/PA_1_0_P3/PortalFiles/02DB040000000001/W27GDKGN204INFODE/Rede%2Bdes%2BSeminarsprechers%2B_2_.pdf%3Fyw_repository%3Dyouatweb+eugen+wollfarth+rede+abschlu%C3%9F+seminars+2008&hl=de&ct=clnk&cd=1
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48 Cf. the scandalous statements of a State Department diplomat on the occasion of a presentation of seminar findings at the Federal Academy for Security Policy on the topic of “Energy Security 2050” in June 2008, http://209.85.135.104/search?q=cache:bzC3UbQM_lkJ:www.baks.bundeswehr.de/portal/PA_1_0_P3/PortalFiles/02DB040000000001/W27GDKGN204INFODE/Rede%2Bdes%2BSeminarsprechers%2B_2_.pdf%3Fyw_repository%3Dyouatweb+eugen+wollfarth+rede+abschlu%C3%9F+seminars+2008&hl=de&ct=clnk&cd=1 , also «Bär und Drache», www.german-foreign-policy.com/de/fulltext/57316
  www.interline-muenchen.de  
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Bertille Baks (*1983) Arbeiten entstehen oft in Zusammenarbeit mit Einzelpersonen oder Gruppen. In ihren Videos, aber auch in ihren Zeichnungen, Objekten und Installationen, beschäftigt sich die französische Künstlerin insbesondere mit gesellschaftlichen Minderheiten und deren sozialer Realität.
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Bertille Bak’s (*1983) works often come about in collaboration with individuals or with communities. The French artist’s videos, but also her drawings, objects and installations are particularly concerned with minorities and with their reality in society. As a rule, she spends several months with the respective groups, in the course of which she involves them in her films. She is not so much interested in observing or documenting the reality of their lives specifically, but initiates group-dynamic communicative processes and social changes through the collaborative way she creates art. In her current work, »Transport à dos d’homme« (Being carried on a Man’s Back, 2012), the artist reflects the everyday life and the community of the Sinti and Roma (travellers) on the edge of Paris. For her »Safeguard Emergency Light System« (2010), she worked with the inhabitants of a condemned block of flats in Thailand to translate a revolutionary-utopian song into a score composed of light signals.
  www.tanzarchiv.ch  
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Das Pilotprojekt wurde 2012 vom Bundesamt für Kultur BAK ausgezeichnet und konnte dank der finanziellen Unterstützung des BAKs, der Loterie Romande und der Stanley Thomas Johnson Stiftung realisiert werden.
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Le projet pilote a été distingué en 2012 par l’Office fédéral de la culture OFC et a pu être réalisé grâce au soutien financier de l’OFC, la Loterie Romande et la fondation Stanley Thomas Johnson.
  2 Hits www.schirn.de  
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Bertille Baks Lieblingsfilm für den Abend heißt „La Cabale des Oursins" (1991) und stammt vom französischen Filmemacher und Kritiker Luc Moullet. Mit gerade mal 18 Jahren schrieb Moullet schon für das sagenumwobene Filmmagazin "Cahiers du cinéma", aus dessen Dunstkreis zahlreiche Regisseure der Französchen Nouvelle Vague hervorgingen, so beispielsweise Jean-Luc Godard, François Truffaut, Eric Rohmer und Claude Chabrol.
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Bertille Bak's favorite film for the evening is "La Cabale des Oursins" (1991) and stems from the French filmmaker and critic Luc Moullet. Moullet was only eighteen when he began writing for the legendary film magazine "Cahiers du cinéma," from whose sphere emerged numerous exponents of the French nouvelle vague, such as directors Jean-Luc Godard, François Truffaut, Eric Rohmer, and Claude Chabrol. From 1960 onward, Moullet made primarily short films and documentaries; however, he continued to work as a critic, as his works were not granted the success of those by his fellow filmmakers. "La Cabale des Oursins" (literally: The Intrigue of the Sea Urchins) is a good fifteen-minute documentary film about the coal tips in France and Belgium in which the director circles around the impressive, manmade black colossus with his camera and humorously considers possible new uses. The coal tips on the landscape maps repeatedly shown in the film, which exhibit similarities with sea urchins, can then also be interpreted in analogy to village residents presented by Bertille Bak: as losers and seemingly anachronistic remains in the postindustrial age.
  3 Hits hotel-berlin.su  
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Baks, K., Kramer, C. (1999), Global Liquidity and Asset Prices. Measurement, implications, and Spillovers, IMF Working Paper, 99/168.
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Engle, R. F., Hendry, D. F., & Richard, J.-F. (1983). Exogeneity. Econometrica, 51, 277–304. CrossRef