bienale – -Translation – Keybot Dictionary

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  www.medici.tv  
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Adrian Ghenie has recently shown in "Expanded Painting", Prague Bienale, in group shows at David Nolan Gallery, New York, the Hudson Center for Contemporary Art, Peekskill/New York, Galerie Rüdiger Schöttle, Munich, Kontainer Gallery, Los Angeles and Galerie Hussenot, Paris and a solo show at Haunch of Venison, Zürich and Plan B Gallery,Cluj
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Adrian Ghenie exposeerde onlangs in "Expanded Painting", op de biënnale van Praag, in collectieve tentoonstellingen in de David Nolan Gallery (New York), het Hudson Center for Contemporary Art (Peekskill/New York), Galerie Rüdiger Schöttle (München), Kontainer Gallery (Los Angeles) en Galerie Hussenot (Parijs) en in een solo show in Haunch of Venison (Zürich) en Plan B Gallery,Cluj
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The artist has exhibited nationally and internationally including the National Gallery of Canada, Ottawa; the Drawing Center, New York; Museum of Art and Design, New York; Centro Nacional é las Artes, Mexico City; the Goethe Institute, Berlin; Middlesbrough Art Gallery, UK; W139, Amsterdam; Contemporary Art Gallery, Vancouver; The Contemporary Art Museum in Monterrey, Mexico; Bluecoat, Liverpool; Art Gallery of Ontario, Toronto and La Biennale de Montreal 2000 and 2002 and recently at the Moscow Bienale (2013), Sydney Biennale (2012) and in the Oh, Canada exhibition at MASS MoCA.
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Ed Pien est un artiste multidisciplinaire qui vit et travaille à Toronto. Ed Pien s’inspire de mythes asiatiques et de contes occidentaux pour créer des dessins d’univers fantastiques et par moments inquiétants, rappelant certaines oeuvres de Jérôme Bosch et de Francisco Goya. Le traitement du dessin est très expressif, et le processus de création découle d’une grande spontanéité. L’artiste a exposé tant au Canada qu’à l’étranger, notamment au Musée des beaux-arts du Canada ; au Drawing Center de New York ; au Museum of Art and Design de New York ; au Centro Nacional de las Artes de Mexico City ; au Goethe Institute de Berlin ; à la Middlesbrough Art Gallery au Royaume-Uni ; au W139 d’Amsterdam ; à la Contemporary Art Gallery de Vancouver ; au Contemporary Art Museum de Monterrey, au Mexique ; au Bluecoat de Liverpool ; au Musée des beaux-arts de l’Ontario, à Toronto ; à la Biennale de Montréal (2000, 2002) ; au Musée des beaux-arts de Montréal ; et récemment à la Biennale de Moscou (2013), à la Biennale de Sydney (2012) et dans l’exposition Oh, Canada au MASS MoCA. Ses installations de tailles monumentales, ses dessins et papiers découpés figurent dans plusieurs collections permanentes de musées canadiens, notamment à Toronto, Ottawa et Montréal. Son travail a été exposé dans deux éditions de la Biennale canadienne du Musée des beaux-arts du Canada, en 2011 et 2015.
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Award Purchase of Zagreb Gallery: 15 Mednarodni Grafićini Bienale, Ljubljana
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Grand Prix Norske Internasjonale Grafikk Triennale, Fredrikstad
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They received Typo Design Club Award (2013), The Most Beautiful Czech Book Award (2010, 2012, 2013, 2014) or the Main Award in the category under 35 years at 24th Graphic Design Bienale in Brno (2010)
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Petr Bosák a Robert Jansa vystudovali UMPRUM v Ateliérech tvorby písma a typografie, grafický design a nová média. Založili projekt Advancedesign.org. Získali ceny Typo Design Clubu (2013), Nejkrásnější česká kniha (2010, 2012, 2013, 2014) nebo hlavní cenu v kategorii do 35 let na 24. bienále grafického designu Brno (2010).
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They received Typo Design Club Award (2013), The Most Beautiful Czech Book Award (2010, 2012, 2013, 2014) or the Main Award in the category under 35 years at 24th Graphic Design Bienale in Brno (2010)
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Petr Bosák a Robert Jansa vystudovali UMPRUM v Ateliérech tvorby písma a typografie, grafický design a nová média. Založili projekt Advancedesign.org. Získali ceny Typo Design Clubu (2013), Nejkrásnější česká kniha (2010, 2012, 2013, 2014) nebo hlavní cenu v kategorii do 35 let na 24. bienále grafického designu Brno (2010).
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2. CAFFE BIENALE (Tivoli park)
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1. LOLITA SINFULLY SWEETS (Three bridges)
  cietac.org  
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Place: Bienale Venice – Italy
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Partenaire: Fondazione La Biennale di Venezia
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A concert of the author’s blues, rock, country, funk, folk and ethno music performed by Tilen Stepišnik (guitar) and Miha Erič (harmonica and slide guitar). Free admission. VI. Bienale Slovenske Neodvisne Ilustracije From 16 October to
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Роботи 10 словенських митців з 7 по 10 грудня будуть представлені у виставковій залі під пірамідою в Луврі. До Парижа картини привезли в рамках Міжнародного салону Французької національної асоціації витончених мистецтв. Свої роботи презентують Богдан Чобан, Віктор Шест, Отто Рімелє, Франці Скербінек, Радо Еріч, Бранімір Ритонья, Мар’ян Мірт, Велько Томан, Здравко Лукетіч та Ігор Орешич.
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Find more information about the Bienale 2017 – and 2018!
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Leia mais sobre a Bienale de Veneza de 2017 e 2018.
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At the Sao Paulo Bienale 2006 (2006)
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En la Bienal de San Pablo 2006 (2006)
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In recent years he has exhibited widely in the context of visual arts, participating in biennales Manifesta 7 (2008) in Rovereto, Italy, Art Sheffield 2008, Göteborg Bienale (2009), October Salon Belgrade (2010), Aichi Trienale, Japan 2010, with Vlatka Horvat and Manifesta 9 (Parallel Projects) 2012.
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L’œuvre du plasticien et auteur Tim Etchells (°1962) se situe entre la performance, les arts plastiques et la fiction. S’il a travaillé dans des contextes très divers, il est surtout connu en tant que directeur artistique du groupe de performance à renommée mondiale Forced Entertainment. Au cours des dernières années, Etchells a abondamment exposé ses œuvres dans différentes manifestations artistiques, dont les biennales Manifesta 7 (2008) à Rovereto en Italie, Art Sheffield (2008), Göteborg Bienale (2009), October Salon Belgrade (2010), Aichi Trienale au Japon (2010 – avec Vlatka Horvat) et Manifesta 9 – Parallel Projects (2012 – en Belgique). Il a également présenté des expositions individuelles à Gasworks and Sketch (Londres), Bunkier Sztuki (Cracovie), Galerije Jakopič (Ljubljana) et à la Künstlerhaus Bremen. Le premier roman de Tim Etchell,
  debellefeuille.com  
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Demolition Group appeared in numerous well-known European festivals, such as San Remo rock, Barcelona Bienale, Berlin Independence days, Druga godba Ljubljana, Carrot Budapest, MTV Calgari, Arezzo wave, Festival Iberoamericano de Teatro de Bogota-Colombia, and many more.
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Trotz vieler Dilemmas und Änderungen behielt die Demolition Group ihre kreative Aufladung und bereitete ein neues Album vor, das im Mai im Kino Šiška veröffentlicht wurde.
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Friets Gierstberg is the director of the Nederlands Fotomuseum in Rótterdam and the curator of Rotterdam 's Foto Bienale
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Frits Gierstberg es director del Nederlands Fotomuseum de Rotterdam y comisario de la Foto Biënale de Rotterdam.
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Frits Gierstberg és director del Nederlands Fotomuseum de Rotterdam i comissari de la Foto Biënale de Rotterdam
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Exhibition / Parallel Cases Architectural Bienale Rotterdam
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Ausstellung / Parallel Cases Architectural Bienale Rotterdam
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Bedwyr recently represented Wales at the Venice Bienale 2013 in which he explored themes of the microscopic and the astronomic.
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Yn ddiweddar, roedd Bedwyr yn gynrychioli Cymru yn y Biennale 2013 Fenis, lle edrychodd ar themâu’r microsgopig a’r anferthol.
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He has participated in numerous exhibitions such as Manifesta 2 (1998, Luxembourg), the 9th Istanbul Biennial (2005), the 52nd La Bienale di Venezia (2007, Venice), the 16th Sydney Biennial (2008), etc.
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Дан Пержовски (р. 1961 в Сибиу, Румъния) завършва живопис в Университета George Enescu в Румъния. През втората половина на 1980-те прави акции, пърформанси и рисунки; в началото на 1990-те сътрудничи на първия независим седмичник в страната в-к „22”. Участва в множество международни изложби, в „Манифеста 2” (1998, Люксембург), в Истанбулското биенале (2005), във Венецианското биенале (2007), в Биеналето в Сидни (2008) и др. Правил е самостоятелни изложби в Музея Лудвиг в Кьолн, в Тейт Модерн в Лондон, в Кунстхале – Базел, в МоМА – Ню Йорк и др. Носител е на наградата George Maciunas през 2004. Живее и работи в Букурещ. www.perjovschi.ro
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He has participated in numerous exhibitions such as Manifesta 2 (1998, Luxembourg), the 9th Istanbul Biennial (2005), the 52nd La Bienale di Venezia (2007, Venice), the 16th Sydney Biennial (2008), etc.
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Дан Пержовски (р. 1961 в Сибиу, Румъния) завършва живопис в Университета George Enescu в Румъния. През втората половина на 1980-те прави акции, пърформанси и рисунки; в началото на 1990-те сътрудничи на първия независим седмичник в страната в-к „22”. Участва в множество международни изложби, в „Манифеста 2” (1998, Люксембург), в Истанбулското биенале (2005), във Венецианското биенале (2007), в Биеналето в Сидни (2008) и др. Правил е самостоятелни изложби в Музея Лудвиг в Кьолн, в Тейт Модерн в Лондон, в Кунстхале – Базел, в МоМА – Ню Йорк и др. Носител е на наградата George Maciunas през 2004. Живее и работи в Букурещ. www.perjovschi.ro
  palaisdetokyo.com  
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He has also taken part in many group exhibitions, such as: “Soft Power. Arte Brasil”, Kunsthal KAdE (Amersfoort, Netherlands, 2016); “Cruzamentos: Contemporary Brazilian Art”, Wexner Center for The Arts (Columbus, USA, 2014); “Expo: New York”, MoMA PS1 Cinema (New York, 2013); 30th São Paulo Bienale, “The Imminence of Poetics” (São Paulo, Brazil, 2012); “From the Margin to the Edge”, Somerset House (London, England, 2012); “Mythologies”, Cité Internationale des Arts (Paris, France, 2011); “Generation 00: The New Brazilian Photography”, Sesc Belenzinho (São Paulo, 2011); “Autour de l’extrême”, Maison Européenne de la Photographie (Paris, 2010).
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Rodrigo Braga est né à Manaus (Brésil) en 1976, il vit à Rio de Janeiro. Son travail a fait l’objet de plusieurs expositions personnelles, dont « Dead Horse Bay » à Residency Unlimited (New York, Etats-Unis, 2013) ; « Altered Cycles » au Modern Art Museum Aloisio Magalhães (Recife, Brésil, 2011) et « More Force Than Necessary » au In Flanders Fields Museum (Ypres, Belgique, 2010). On a également pu voir son travail dans le cadre de plusieurs expositions collectives, parmi lesquelles : « Soft Power. Arte Brasil » au Kunsthal KAdE (Amersfoort, Pays-Bas, 2016) ; « Cruzamentos: Contemporary Brazilian Art » au Wexner Center for The Arts (Columbus, Etats-Unis, 2014) ; « Expo: New York », au MoMA PS1 Cinema (New York, 2013) ; « From the Margin to the Edge », à la Somerset House (Londres, Angleterre, 2012); « The Imminence of Poetics », 30e Biennale de São Paulo (2012) ; « Mythologies », à la Cité Internationale des Arts (Paris, France, 2011) ; « Generation 00: The New Brazilian Photography », au Sesc Belenzinho (São Paulo, 2011); « Autour de l’extrême », à la Maison Européene de la Photographie (Paris, 2010). Il a reçu le Pipa Prize - Modern Art Museum of Rio de Janeiro en 2012, et l’Emerging Talent Prize du São Paulo Art Museum en 2013. Ses œuvres figurent dans plusieurs collections privées et publiques, dont celle de la Maison Européene de la Photographie (Paris) et du Modern Art Museum of São Paulo. Il est représenté par la Vermelho Gallery (São Paulo) et la Amparo 60 Galeria (Recife).
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He has also taken part in many group exhibitions, such as: “Soft Power. Arte Brasil”, Kunsthal KAdE (Amersfoort, Netherlands, 2016); “Cruzamentos: Contemporary Brazilian Art”, Wexner Center for The Arts (Columbus, USA, 2014); “Expo: New York”, MoMA PS1 Cinema (New York, 2013); 30th São Paulo Bienale, “The Imminence of Poetics” (São Paulo, Brazil, 2012); “From the Margin to the Edge”, Somerset House (London, England, 2012); “Mythologies”, Cité Internationale des Arts (Paris, France, 2011); “Generation 00: The New Brazilian Photography”, Sesc Belenzinho (São Paulo, 2011); “Autour de l’extrême”, Maison Européenne de la Photographie (Paris, 2010).
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Rodrigo Braga est né à Manaus (Brésil) en 1976, il vit à Rio de Janeiro. Son travail a fait l’objet de plusieurs expositions personnelles, dont « Dead Horse Bay » à Residency Unlimited (New York, Etats-Unis, 2013) ; « Altered Cycles » au Modern Art Museum Aloisio Magalhães (Recife, Brésil, 2011) et « More Force Than Necessary » au In Flanders Fields Museum (Ypres, Belgique, 2010). On a également pu voir son travail dans le cadre de plusieurs expositions collectives, parmi lesquelles : « Soft Power. Arte Brasil » au Kunsthal KAdE (Amersfoort, Pays-Bas, 2016) ; « Cruzamentos: Contemporary Brazilian Art » au Wexner Center for The Arts (Columbus, Etats-Unis, 2014) ; « Expo: New York », au MoMA PS1 Cinema (New York, 2013) ; « From the Margin to the Edge », à la Somerset House (Londres, Angleterre, 2012); « The Imminence of Poetics », 30e Biennale de São Paulo (2012) ; « Mythologies », à la Cité Internationale des Arts (Paris, France, 2011) ; « Generation 00: The New Brazilian Photography », au Sesc Belenzinho (São Paulo, 2011); « Autour de l’extrême », à la Maison Européene de la Photographie (Paris, 2010). Il a reçu le Pipa Prize - Modern Art Museum of Rio de Janeiro en 2012, et l’Emerging Talent Prize du São Paulo Art Museum en 2013. Ses œuvres figurent dans plusieurs collections privées et publiques, dont celle de la Maison Européene de la Photographie (Paris) et du Modern Art Museum of São Paulo. Il est représenté par la Vermelho Gallery (São Paulo) et la Amparo 60 Galeria (Recife).
  www.chaleteoemarianna.it  
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Bienale Barbara Capocchin. Padova Italia.
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Bienal Barbara Capocchin. Padova Italia.
  www.mediamatic.net  
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Untill Sunday 3 January 2010 the 37 pavilions of the Amsterdam Biennale 2009 are on show. The first ‘user generated’ bienale is only closed on Christmas day and New Year and will be open on all other days from 13:00 to 19:00 hrs (6 p.m. in the weekend).
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Nog t/m zondag 3 januari 2010 zijn de 37 paviljoens van de Amsterdam Biënnale geopend. De eerste 'user generated' biennale is alleen op 1e kerstdag en nieuwjaarsdag dicht, alle andere dagen zijn we geopend van 13.00 uur tot 19.00 uur, en 18.00 uur op za + zo.
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The exhibition also featured Mariann Imre, who showed his embroidered floors. He and Attila Csörgö both represented Hungary at last year’s Venice Bienale. The ”stars” of the project were Peter Land and Hajnal Neméth who made the video In My Garden in which both artists chopped up various symbols of their respective countries, boiled them in a kettle and did a ritual dance around the fire.
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Výběr účastníků se z pohledu zvenčí zdá téměř náhodný, z konceptu vylézá jen pocitová stránka z kolektivní činnosti. Najdou se tu díla velmi slabá a diskutabilní (folklórní chaloupka s předzahrádkou ze žlutých gumových rukavic Qiu Pinga) vedle stoprocentně fungujících sofistikovaných prací (kinetické proměňující se objekty Attily Csörgö), také mnoho běžného, průměrného, chytrého, více či méně srozumitelného umění. I my z periferie jsme mohli zaznamenat známé věci: sugestivní koncept maďarské umělkyně Kriszty Nagy Jsem intersexuální dívka, pracující s vlastní podobiznou a ironií na téma gender art nebo fotografie Antala Laknera zpracovávající kapitalistickosocialistické rozpory v pojetí volného času a práce. Kromě zmíněného Attily Csörgö se výstavy účastnil i Mariann Imre se svými vyšívanými podlahami; oba hrdě zastupovali na loňském benátském bienále Maďarsko. K „hvězdnému“ nebi projektu se může počítat i Peter Land, který asistoval Hajnal Neméth ve videu V mé zahradě, kde oba autoři porcovali nejrůznější symboly svých zemí, vařili je v kotlíku a v převlečení kolem ohně tančili rituální tance. Umění v rámci globalizace? Ano, takové přece bylo od doby jeskynních kreseb. V Berlíně je snad jen citlivěji vnímána rozdílná historie a zkušenost „ostu“ a „westu“. (Návštěvník to možná tak nevnímá, ale bývalý východní Němec a my o tom víme své.)
  capitalculture.ca  
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"Amirani” originated in 1978. From the beginning it started out as a "Bienale”. From the time of its establishment, "Amirani” was considered in film circles as one of the most independent festivals of the Soviet Union.
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"ამირანი”-ს იდეა 1978 წლიდან იღებს სათავეს . თავიდან იგი დაიწყო როგორც "ბიენალე”. მისი დაარსებიდანვე,კინემატოგრაფიულ წრეებში "საბჭოთაკავშირის” ყველაზე თავისუფალ ფესტივალად იყო მიჩნეული.სხვა და სხვა წლებში, მისიჟიურის წევრები იყვნენ ისეთი ცნობილი კინოხელოვანნი, როგორებიც არიან : ოთარ იოსელიანი, მერაბ კოკოჩაშვილი, რეზო ესაძე, ლეონიდ გაიდაი, მესჩენკო, იზრაელიანი და სხვანი.