caballera – -Translation – Keybot Dictionary
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www.hess.eu
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"El Circo" II: La gran
caballera
, 1980
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circulodelarte.com
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La gran caballera (El circo II), 1980
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www.usc.es
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1.2 Axonometría oblícua: Perspectiva
Caballera
. Perspectiva
Caballera
Normalizada y Perspectiva Militar o Planimétrica.
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1.1 Axonometría orthogonal. Types of axonometría orthogonal. Axonometric scales.
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www.unavarra.es
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07 Perspectiva
Caballera
. Intersecciones.
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unavarra.es
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05 Gaia Perspektiba Axonometrikoa. Elkarguneak.
djangogirls.org
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Femenino:
caballera
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wordmagicsoft.com
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Feminine: caballera
www.risingbrand.lv
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picarana, pies descalzos, marañones, peña
caballera
, labros, 30.000 maravedies, darío, beltrán. Una familia en la que conviven en equilibrio el suelo y el clima de cada paraje, con una crianza natural en grandes depósitos de roble francés.
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bodegamaranones.com
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The expertise of wine and soil. The use of organic and biodynamic agriculture. A pure from the heart dedication to our vineyard. The expression of the landscape in our wine.
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www.prepyr365.com
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El Prepirineo es una sucesión de sierras de media montaña que separa el valle del Ebro de los Pirineos. De este a oeste, sus nombres son la Sierra de Guara (2077 m), la Sierra de Gratal (1581 m), la Sierra
Caballera
(1563 m), la Sierra de Loarre (1597 m) y la Sierra de Santo Domingo (1520 m).
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Le Piémont Pyrénéen est une succession de sierras de moyenne montagne qui sépare la vallée de l’Ebro des Pyrénées. D’est en ouest, on découvre la Sierra de Guara (2077 m), la Sierra de Gratal (1581 m) , la Sierra Caballera (1563 m), la Sierra de Loarre (1597 m) et la Sierra de Santo Domingo (1520 m).
www.publicspace.org
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El famoso "plano en perspectiva" de Jácopo de Barbari (1500), que muestra Venecia desde el sudeste: una imagen resultante de un collage de alzados parciales desde puntos de observación elevados (los campanarios), cuyas imágenes se conjuntan y se coordinan con la ayuda de una especie de perspectiva
caballera
.
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In less than two centuries, towns and cities in the Western world, and metropolises in the Third world have totally changed in character whilst their mental depiction has hardly varied. For almost all their inhabitants, effectively, the town is above all a centre or, in other words, a highly individualised unit with a great deal of architectural consistency which opposes rural areas yet exercises territorial functions. Thus, a true town is one that possesses a historical depth; it is defined by high density, contiguous buildings of uniform shape, with some public buildings being the only exceptions. This concept is supported by the aesthetics of harmony which comes from ancient times via the Renaissance period (which gave the large axes and triumphal symmetry of an ideal of order) or the Middle Ages via Romanticism (which, on the contrary, gave curves, irregularity and a diversity of surprising effects).
publicspace.org
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El famoso "plano en perspectiva" de Jácopo de Barbari (1500), que muestra Venecia desde el sudeste: una imagen resultante de un collage de alzados parciales desde puntos de observación elevados (los campanarios), cuyas imágenes se conjuntan y se coordinan con la ayuda de una especie de perspectiva
caballera
.
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publicspace.org
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In less than two centuries, towns and cities in the Western world, and metropolises in the Third world have totally changed in character whilst their mental depiction has hardly varied. For almost all their inhabitants, effectively, the town is above all a centre or, in other words, a highly individualised unit with a great deal of architectural consistency which opposes rural areas yet exercises territorial functions. Thus, a true town is one that possesses a historical depth; it is defined by high density, contiguous buildings of uniform shape, with some public buildings being the only exceptions. This concept is supported by the aesthetics of harmony which comes from ancient times via the Renaissance period (which gave the large axes and triumphal symmetry of an ideal of order) or the Middle Ages via Romanticism (which, on the contrary, gave curves, irregularity and a diversity of surprising effects).