conlon – -Translation – Keybot Dictionary

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Show textShow cached sourceOpen source URL	The bust was presented by Consul General Perrone in a ceremony held before the opening. Accepting the gift on behalf of the Los Angeles Opera was its musical director, James Conlon.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine conslosangeles.esteri.it as primary domain	La statua e’ stata presentata nel corso di una cerimonia dal Console Generale d’Italia Giuseppe Perrone, al maestro James Conlon, direttore musical della L.A. Opera.

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Show textShow cached sourceOpen source URL	[4] See also Viscount Simon’s judgment in Atlantic Smoke Shops Ld. v. Conlon, [1943] AC. 550, where he said (at p. 568):
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine csc.lexum.org as primary domain	[4] Voir également le jugement du Vicomte Simon dans Atlantic Smoke Shops Lt. v. Conlon, [1943] A.C. 550, où il dit (à p. 568): (traduction)

  crtc.gc.ca  

Show textShow cached sourceOpen source URL	ESCO0453.pdf - 209KB - TIF67_Mandy Conlon - Transfer of T9-1-1 from Initial Answering of Call to a Downstream Emergency Services Provider
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Show textShow cached sourceOpen source URL	Script : Terry George, Jim Sheridan by Gerry Conlon
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine fifdh.org as primary domain	Scénario : Terry George, Jim Sheridan d'après Gerry Conlon

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Show textShow cached sourceOpen source URL	Conlon Nancarrow tribute to the centenary of his birth
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Show textShow cached sourceOpen source URL	Ronan Conlon
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Show textShow cached sourceOpen source URL	David Good, Gerald Brown, Robert Best, Mark Kissel, Judy Stymest, David Robinson, Michael Conlon, Brad Wuetherick, Tom Lumsden, Paul Kitchin and Frank Smith made a statement and with the other witness answered questions.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine parl.gc.ca as primary domain	David Good, Gerald Brown, Robert Best, Mark Kissel, Judy Stymest, David Robinson, Michael Conlon, Brad Wuetherick, Tom Lumsden, Paul Kitchin et Frank Smith font une déclaration et, avec l'autre témoin, répondent aux questions.

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Show textShow cached sourceOpen source URL	Any questions regarding the Beef & Veal TRQ may be directed to Guy Giroux at 613-944-1742 or email: guy.giroux@international.gc.ca or Eric Conlon at 613-944-0777 or email: eric.conlon@international.gc.ca.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine milgram.com as primary domain	Pour toute question concernant le CT de bœuf et de veau, s’adresser à Guy Giroux, tél. : 613-944-1742, courriel : guy.giroux@international.gc.ca, à M. Eric Conlon, tél. : 613-944-0777, courriel : eric.conlon@international.gc.ca.

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Show textShow cached sourceOpen source URL	Cite as: Comis, J., Conlon, J. An Annotated Bibliography of the Costs and Benefits of Prenatal Screening Programs. Ottawa: Canadian Coordinating Office for Health Technology Assessment (CCOHTA); 1991.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cadth.ca as primary domain	Bibliographie annotée des coûts et avantages des programmes de dépistage prénatal. Ottawa: Office canadien de coordination de l'évaluation des technologies de la santé (OCCETS); 1991.

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A former student of Pierre Boulez and Peter Eötvös, Patrick Davin has given many world premieres by composers such as Philippe Boesmans, Luc Brewaeys, Bruno Mantovani, Jacqueline Fontyn, Charles Chaynes, Vinko Globokar, Murray Schafer, Conlon Nancarrow, Michael Levinas, Henri et Denis Pousseur, Xavier Dayer, James Dillon, Jean-Luc Hervé, Jean-Yves Bosseur, Kris Defoort and Marco Stroppa.

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Ancien élève de Pierre Boulez et de Peter Eötvös, Patrick Davin a assuré la création mondiale d’'une liste importante d’œuvres de compositeurs parmi lesquels Philippe Boesmans, Luc Brewaeys, Bruno Mantovani, Jacqueline Fontyn, Charles Chaynes, Vinko Globokar, Murray Schafer, Conlon Nancarrow, Michael Levinas, Henri et Denis Pousseur, Xavier Dayer, James Dillon, Jean-Luc Hervé, Jean-Yves Bosseur, Kris Defoort et Marco Stroppa.

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After earning a diploma in conducting, he began working as a vocal coach in Braunschweig under the artistic direction of Brigitte Fassbaender, before moving to Cologne in that same capacity, where he was named assistant to GMD James Conlon.

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Mit dem Dirigierdiplom begann er als Solorepetitor in Braunschweig unter der Intendanz von Brigitte Fassbaender und wechselte dann als Solorepetitor nach Köln, wo ihn GMD James Conlon zu seinem Assistenten machte. Er war neben dem Opernbetrieb für die Einstudierung zahlreicher konzertanter Opernaufführungen (u.a. Ring des Nibelungen, Parsifal, Wozzeck) und CD-Produktionen (u.a. Zemlinskys "Traumgörge") zuständig.

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Show textShow cached sourceOpen source URL	Barbara Conlon - 5/7/2010 3:07:54 PM
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Show textShow cached sourceOpen source URL	St. Conlon's Road,
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Show textShow cached sourceOpen source URL	Real Estate mogul, Sean Conlon, host of
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Show textShow cached sourceOpen source URL	ORCHESTRA SINFONICA NAZIONALE DELLA RAI Direttore JAMES CONLON
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Show textShow cached sourceOpen source URL	Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
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Lecture by: Maestro Ignazio Terrasi James Conlon Music Conductor Assistant Musical Accompaniment by: Maestro Douglas Sumi, pianist Screening of: Simon Boccanegra production by Royal Opera House (London)

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Introduzione e guida all’ascolto del Simon Boccanegra di Giuseppe Verdi a pochi giorni dalla prima losangelina con Placido Domingo e la direzione musicale di James Conlon. Il Mº Ignazio Terrasi della LA Opera inquadra nel suo contesto storico l’opera identificandone temi musicali, arie e momenti scenici piu’ importanti. Fra le meno convenzionali del repertorio verdiano, il Simon Boccanegra è modernissima nel suo messaggio senza tempo ed incredibilmente vera nel disegnare le incertezze, le incoerenze, le emozioni e i fallimenti umani.

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Show textShow cached sourceOpen source URL	"In principle, the shaft floats on an air film similar to an air hockey table," says Dr. Conlon. "The only difference is that there is no need to pump air to the bearing itself. The spinning shaft supplies its own air."
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nrc-cnrc.gc.ca as primary domain	« En principe, l'arbre flotte sur une fine couche d'air, un peu comme un jeu de hockey sur coussin d'air, explique M. Conlon. La différence est qu'aucune pompe n'est nécessaire pour acheminer l'air au roulement. C'est l'arbre qui fournit cet air en tournant. »

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Show textShow cached sourceOpen source URL	- Barbara Conlon
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Show textShow cached sourceOpen source URL	Phantom childhoods, Japanese ghosts, frogs, Judson Church, Impossibility, General Motor Corporation, Pina Bausch, Conlon Nancarrow, St. Vitus Dance, poor soil, air raids, John Cage, Scott Carey in The Incredible Shrinking Man, Godard, The Little Bear.
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Show textShow cached sourceOpen source URL	With his ensemble, he has performed on the most prestigious international music stages and festivals, and collaborated with artists such as Yehudi Menuhin, Christopher Hogwood, François-Xavier Roth, Charles Dutoit, James Conlon, Ruth Ziesak, Emmanuel Pahud, Wolfgang Holzmair, François Leleu….
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Show textShow cached sourceOpen source URL	All persons Caitlín Ní Bhurca (2) Caitlín Ní Bhúrca (5) Kathleen Burke (23) Kathleen M. Burke (1) Nora Clancy (32) Padraic Ó Conláin (1) Patrick Conlon (7) Seosamh Ó Floinn (10) Nora Mc Goldrick (27) Lily Mc Goldrick (14) John O' Hara (3) Pat Kelly (1) Josie Meehan (1) Tresa Mc Morrough (1) Denis Mulvaney (1) Nan Quigley (2) John Sweeney (2) Martin Torsney (1)
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under the baton of Pierre Boulez, Monostatos and Basilio with the Opéra national de Paris (Bastille/ Garnier), Pedrillo with the Ensemble Orchestral de Paris, Dr Cajus with Los Angeles Opera under Kent Nagano, Monostatos with the Los Angeles Philharmonic at the Hollywood Bowl under Leonard Slatkin, Pang with Santa Fe Opera under Alan Gilbert, Goro at the Ravinia Festival under James Conlon, Noctambulist/ Pape des Fous in Charpentier’s

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mit dem Cleveland Orchestra unter der Leitung von Pierre Boulez, Monostatos und Basilio mit der Opéra national de Paris (Bastille/ Garnier), Pedrillo mit dem Ensemble Orchestral de Paris, Dr. Cajus mit der Los Angeles Opera unter Kent Nagano, Monostatos mit dem Los Angeles Philharmonic Orchestra in der Hollywood Bowl unter Leonard Slatkin, Pang mit Santa Fe Opera unter Alan Gilbert, Goro beim Ravinia Festival unter James Conlon, Noctambulist/ Pape des Fous in Charpentiers

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The title refers to "honky- tonk", not so much in the harmonic or melodic material of the style, but rather in the character and the rhythmic approach to the music. This character and approach is placed in the broader context of 20th- century new music, with a wink to the polymelodic and polyrythmic master Conlon Nancarrow.

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Le titre de cette pièce réfère au "honky-tonk" non pas au niveau de l'approche harmonique ou mélodique mais plutôt au niveau du rythme et de l'attitude. Cette pièce se veut également un clin d'oeil au travail polymélodique et polyrythmique de Conlon Nancarrow. Ceci révèle les axes dominant de cette pièce, soit la polymélodie, la polyrythmie et l'énergie. Cette pièce est constituée d'une alternance de moments virtuoses martelés et de moments répétitifs sereins.

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Show textShow cached sourceOpen source URL	di Roma, with conductors such as Prệtre, Conlon and others. In 2006, he joined the Accademia di Santa Cecilia’s youth orchestra, “Juniorchestra!”, performing as the Princpal Clarinet in both this orchestra and Orchestra Internazionale di Roma (OIR).
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine romechamberfestival.org as primary domain	di Roma diretto da personalità del calibro di Prệtre, Conlon e altri. Nel 2006 è entrato a fare parte dell’orchestra giovanile di Santa Cecilia, la “Juniorchestra!”. Come clarinetto principale di tale orchestra e dell’OIR, Orchestra Internazionale di Roma, ha preso parte a numerose rassegne. Tra le altre si citano: due volte il

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Although most piano rolls contained versions of popular songs, the instrument has also been used to facilitate original compositions in which the piano plays more notes, and faster, than would be possible for human players. The best known composer to use the player piano in this way is Conlon Nancarrow.

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Le piano mécanique (820394)* et le piano mélographe (690699) étaient populaires dans les maisons et les lieux de divertissement. Ils utilisaient des moteurs électriques et des rouleaux de papier perforé pour actionner les touches du clavier. Lorsqu’une perforation du rouleau passait devant le mécanisme de détection, la touche de piano correspondante s’enfonçait. Chaque rouleau comptait suffisamment de perforations pour restituer un morceau de musique. Des musiciens bien connus faisaient enregistrer leurs œuvres sur ces instruments et le public pouvait acheter les rouleaux. Ces instruments figurent donc parmi les premiers appareils d’enregistrement. La plupart des cylindres reproduisaient des chansons populaires, mais l’instrument a aussi servi à créer des compositions originales dont le nombre de notes et la vitesse dépassaient la capacité d’un être humain. Le compositeur le mieux connu pour avoir utilisé le piano mécanique à cette fin est Conlon Nancarrow.

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Show textShow cached sourceOpen source URL	Feature Film (1999) is a projection of Gordon's own film of James Conlon conducting Bernard Herrmann's score to Vertigo, thus drawing attention to the film score and the emotional responses it creates in the viewer.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine artdiscover.com as primary domain	Este método, el juego de ralentizar el tiempo se convirtió en el distintivo del artista escocés. Le siguieron más iconos del celuloide desvirtuados, como el del film clásico “Centauros del desierto” de John Ford cuya adaptación tiene una duración de presentación extendida a aproximadamente cinco años.

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She collaborates with conductors such as Riccardo Chailly, Antonio Pappano, Yannick Nézet-Séguin, Fabio Luisi, Gianandrea Noseda, James Conlon, Emmanuel Krivine, Jun Märkl, Trevor Pinnock, Mirga Grazinyte-Tyla, Lahav Shani, Andrés Orozco-Estrada, Susanna Mälkki, Yuri Temirkanov and Zubin Mehta.

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Ospite frequente di diverse orchestre internazionali, Beatrice Rana si è esibita con la Los Angeles Philharmonic, la Detroit Symphony Orchestra, la London Philharmonic, la City of Birmingham Symphony Orchestra, la BBC Philharmonic, l’Orchestre National de France, la Sinfonica di Lucerna, l’Orchestra dell’Accademia Nazionale di Santa Cecilia di Roma, l’Orchestra di Philadelphia, l’Orchestra Sinfonica Nazionale RAI di Torino, la Filarmonica di Helsinki, la Dresdner Philharmonie, la Deutsche Radio Philharmonie, la Düsseldorfer Symphoniker, la NHK di Tokyo, la Filarmonica di Seoul, la Filarmonica della Scala di Milano e il Maggio Musicale Fiorentino con direttori del calibro di Riccardo Chailly, Antonio Pappano, Yannick Nézet-Séguin, Fabio Luisi, Gianandrea Noseda, James Conlon, Emmanuel Krivine, Jun Märkl, Trevor Pinnock, Mirga Grazinyte-Tyla, Lahav Shani, Andrés Orozco-Estrada, Susanna Mälkki, Yuri Temirkanov and Zubin Mehta.

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Artist: Derrick Adams, Abbas Akhavan, Louis Armstrong, John Akomfrah, Michael Armitage, Njideka Akunyili Crosby, Rebecca Belmore, Kader Attia, Sonia Boyce, Margarita Cabrera, Rina Banerjee, Radcliffe Bailey, Katherine Bradford, Maria Berrio, Alfredo Jaar, Mark Dion, María Magdalena Campos-Pons, Minerva Cuevas, Brad Kahlhamer, Wayne Gonzales, Barkley L. Hendricks, Satch Hoyt, Rashid Johnson, Alexis Esquivel, Andrea Chung, Kahlil Joseph, Donna Conlon & Jonathan Harker, Wilson Díaz, Genevieve Gaignard, Evan Ifekoya, Yoko Ono, Ellen Gallagher, Rivane Neuenschwander, Dave Muller, Dario Robleto, Edgar Cleijne, Taiyo Kimura, Runo Lagomarsino, Maider López, Beatriz Santiago Muñoz, Odili Donald Odita, Zineb Sedira, Xaviera Simmons, Hank Willis Thomas, Naama Tsabar, Kara Walker, Peter Williams, Cauleen Smith, James Webb, Penny Siopis, Dawit L. Petros, Kiluanji Kia Henda, Paulo Nazareth, Jillian Mayer, Hong-An Truong, Lavar Munroe, Pedro Lasch, Jeff Whetstone, Zak Ové, John T. Scott, Zina Saro-Wiwa, Tita Salina, Gauri Gill

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Künstler: Derrick Adams, Abbas Akhavan, Louis Armstrong, John Akomfrah, Michael Armitage, Njideka Akunyili Crosby, Rebecca Belmore, Kader Attia, Sonia Boyce, Margarita Cabrera, Rina Banerjee, Radcliffe Bailey, Katherine Bradford, Maria Berrio, Alfredo Jaar, Mark Dion, María Magdalena Campos-Pons, Minerva Cuevas, Brad Kahlhamer, Wayne Gonzales, Barkley L. Hendricks, Satch Hoyt, Rashid Johnson, Alexis Esquivel, Andrea Chung, Kahlil Joseph, Donna Conlon & Jonathan Harker, Wilson Díaz, Genevieve Gaignard, Evan Ifekoya, Yoko Ono, Ellen Gallagher, Rivane Neuenschwander, Dave Muller, Dario Robleto, Edgar Cleijne, Taiyo Kimura, Runo Lagomarsino, Maider López, Beatriz Santiago Muñoz, Odili Donald Odita, Zineb Sedira, Xaviera Simmons, Hank Willis Thomas, Naama Tsabar, Kara Walker, Peter Williams, Cauleen Smith, James Webb, Penny Siopis, Dawit L. Petros, Kiluanji Kia Henda, Paulo Nazareth, Jillian Mayer, Hong-An Truong, Lavar Munroe, Pedro Lasch, Jeff Whetstone, Zak Ové, John T. Scott, Zina Saro-Wiwa, Tita Salina, Gauri Gill

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Show textShow cached sourceOpen source URL	Richard Conlon, Managing Director
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Show textShow cached sourceOpen source URL	Debra Conlon, Managing Director, Chemistry
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Show textShow cached sourceOpen source URL	Debra Conlon, Managing Director, Chemistry
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Each piece presents a different musical world, referencing McCoy Tyner, Don Pullen, Erik Satie, Conlon Nancarrow, Horace Silver, Lennie Tristano, Bill Evans, Bach, Bud Powell, Richard Twardzik, Debussy and many others.

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16 Masada-Kompositionen, interpretiert von einem rasanten Trio, bestehend aus Brian Marsella, dem erstaunlichen und leidenschaftlichen Pianisten von Banquet of the Spirits, Zion80 und The Flail sowie der klassischen Masada-Rhythm Section, Trevor Dunn und Kenny Wollesen – eine eindringliche, konzentrierte und vielgestaltige Performance. Jedes Stück steht für eine andere musikalische Welt, die Anspielungen reichen von McCoy Tyner, Don Pullen, Erik Satie, Conlon Nancarrow, Horace Silver, Lennie Tristano, Bill Evans, Bud Powell und Richard Twardzik bis zu Bach und Debussy. Die Auftritte des Brian Marsella Trios gehören wahrscheinlich zu den aufregendsten Piano-Trio-Performances, die es derzeit gibt!

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He has collaborated with some of the 20th century’s most eminent conductors, including Svetlanov, Kondrashin, Temirkanov, Rostropovich, Bernstein, Leinsdorf, Ozawa, Maazel, Giulini, Masur, Chailly, Conlon and Abbado.

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В 1960–1970-е годы Владимир Спиваков стал лауреатом престижных международных конкурсов имени М. Лонг и Ж. Тибо в Париже, имени Н. Паганини в Генуе, конкурса в Монреале и конкурса имени П.И. Чайковского в Москве. В 1979 году с группой музыкантов-единомышленников создал камерный оркестр «Виртуозы Москвы» и стал его бессменным художественным руководителем, дирижером и солистом. Дирижерскому мастерству Спиваков обучался у профессора Израиля Гусмана в России, брал уроки у Леонарда Бернстайна и Лорина Маазеля в США. Бернстайн в знак дружбы и веры в будущее Спивакова-дирижера подарил ему свою дирижерскую палочку, с которой маэстро не расстается по сей день.

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Show textShow cached sourceOpen source URL	Ali El-Jaby, Kelly Conlon, Wade Grant, and Michel Couture
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When asked to talk about her three years with the MSO, she’s voluble – about other people, the big names she worked with who taught her so much: Kent Nagano foremost, but also guest conductors and soloists who made an impression on her, such as Sir Roger Norrington, Zubin Mehta, James Conlon, and pianist Yefim Bronfman.

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En trois ans, elle a eu l’occasion d’étudier en profondeur près d’une centaine d’œuvres par année et dirigé plus de quarante concerts en tout. Elle a également suivi l’orchestre en tournée. À tout moment, elle devait se tenir prête à remplacer au pied levé au cas où un chef tomberait malade ou raterait un vol. Les plus gros défis de direction musicale ont été Carmina Burana avec 1500 choristes au Parc olympique, et sa participation, comme deuxième chef, à la monumentale Symphonie no 4 de Charles Ives, en novembre 2015, une première à Montréal.

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Show textShow cached sourceOpen source URL	Colquitt, J. A., Conlon, D. E., Wesson, M. J., Porter, C. O. L. H., & Ng, K. Y. (2001). Justice at the millennium: A meta-analytic review of 25 years of organizational justice research. Journal of Applied Psychology, 86, 425–445.
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Show textShow cached sourceOpen source URL	Luisa Conlon, Daryl Freimark, Keith Miller
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