cri – -Translation – Keybot Dictionary

  Wapawekka | Festival Pr...  

Show textShow cached sourceOpen source URL	V.O. anglaise, cri
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	English, Cree OV

  Wapawekka | Festival Pr...  

Show textShow cached sourceOpen source URL	/ ST cri, anglais
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	/ Cree, English ST

  Terres en Vues / Six ci...  

Show textShow cached sourceOpen source URL	Les réalisateurs de films ont un rôle important à jouer auprès des communautés. Si Paul fait un film en anglais, il le fera traduire en cri ou dans la langue autochtone des sujets de ses films.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	Film directors have an important role to play in the communities. If Paul makes a film in English, he'll have it translated into Cree or whatever Aboriginal language his film subjects speak.

  Terres en Vues / Arts v...  

Show textShow cached sourceOpen source URL	Une peinture de 1994-95 nous montre un dortoir de ces lieux sinistres où l'on s'acharnait à détruire les liens vitaux qui reliaient les jeunes Indiens à leur culture originaire. L'image est crue comme un cri de douleur mais la toile par sa facture même est une manifestation d'espoir.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	Matoush has always shown concern for others. A 1994-95 painting shows us a dormitory in one of those sinister places where they undertook to destroy the vital links connecting young Indians to their cultural heritage. The image is as raw as a cry of pain but the artist's craft in the canvas is an example of hope.

  Wapawekka | Festival Pr...  

Show textShow cached sourceOpen source URL	Josh, un jeune Cri artiste de hip hop, ne goûte pas vraiment le voyage qu’il effectue sur le territoire traditionnel de chasse de sa famille avec son père. À vrai dire il s’ennuie carrément. Cependant …
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	Josh, a hip hop artist, would rather be anywhere than with his dad on a final trip to their isolated cabin on their familyʼs traditional Cree territory in northern Saskatchewan. As the intergenerational gap between them becomes more apparent, so does the pull of a much greater force.

  Terres en Vues / Six ci...  

Show textShow cached sourceOpen source URL

Ce fut une expérience des plus significatives. Pour commencer, étant Mohawk, elle connaissait à peu près rien de la culture crie, alors elle a du apprendre sur le terrain. Par contre le co-réalisateur était cri, ce qui lui a facilité la tâche.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain

She co-directed the film "One More River – the Deal that Split the Cree". This was an important step in her life. To start off, since she was Mohawk, she knew practically nothing about Cree culture, which she had to learn on the ground. However, the co-director was a Cree, which made this task easier. Making a film about the culture of another First Nations people is very different from making one about your own.

  Terres en Vues / Six ci...  

Show textShow cached sourceOpen source URL

Le président de Mushkeg Media, Paul M. Rickard, est un Cri Omuskego originaire de Moose Factory dans le nord de l'Ontario. Depuis dix ans, il est producteur, réalisateur et cameraman en collaboration avec des maisons de production indépendantes et des organismes dont Nutaaq Media Inc.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain

Mushkeg Media's president Paul M. Rickard is an Omuskego Cree from Moose Factory in Northern Ontario. For the past ten years, he has been working as a producer, director and cameraman in collaboration with independent production companies and organizations such as Nutaaq Media Inc. Wildheart Productions, Wawatay, CBC North and the National Film Board of Canada. Now Paul is venturing into the area of independent production.

  Terres en Vues / Arts v...  

Show textShow cached sourceOpen source URL

« Quand j'ai fréquenté l'université à la fin des années 1990 et au début des années 2000, un changement s'est produit en moi qui a modifié ma façon de voir mon peuple, les Cris. Depuis longtemps, je savais que les Cris s'adaptaient à un nouveau mode de vie depuis la signature de la Convention de la Baie James en 1975.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain

When I attended University in the late 1990s and early 2000s, something happened within me that changed the way I saw my people, the Crees. I have known for a long time that the Crees were adapting to a new lifestyle since the signing of the James Bay Agreement in 1975. It was during my studies that I realized that I had the power within me to inform people about the state of the Crees and the hardships they are living through. This awakening I experienced challenged my art making and myself as a Cree person.

  Terres en Vues / Six ci...  

Show textShow cached sourceOpen source URL	À son retour à Moose Factory, il a travaillé dans le tout nouveau centre de communication de la communauté. C'était les années 80 et ils produisaient des émissions de télévision en cri pour la Baie James et les environs.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	At University of Western Ontario, Paul studied journalism, not film. When he went home to Moose Factory, he worked in the community's brand new communications centre. This was in the 1980s and they were producing TV programs in Cree for James Bay and the surrounding area. He stayed on for three years, interviewing elders, covering events and conferences in Cree, his mother tongue.

  Terres en Vues / Arts v...  

Show textShow cached sourceOpen source URL	Une autre question qui me tient à cour est l'éducation en territoire cri. Avec tous les accords signés et nos efforts de nous adapter à ce nouveau mode de vie, je crois que nous avons mis l'éducation en sourdine depuis plusieurs années.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	Another issue that is important to me is education in Cree territory. With all the signings of agreements and our attempts to adapt to this new way of life, I believe we have put education on the back burner the last several years. The youth in our communities are not learning, as they should.

  Terres en Vues / Six ci...  

Show textShow cached sourceOpen source URL

En 1997, il a réalisé Okimah à l'Office national du film. Ce film a pour objet le savoir qu'ont transmis les maîtres-chasseurs chez les Cri, les Okimah, et met l'accent sur l'importance de la chasse à l'oie dans la survie de la culture traditionnelle crie.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain

In 1997, he directed Okimah at the National Film Board. This film focuses on the knowledge handed down by Cree hunting leaders, the okimah, and stresses the importance of the annual goose hunt to the survival of traditional Cree culture. Released in 35 mm, it premiered at the Vancouver Film Festival in 1998. In 1999, he directed and CO-produced Finding My Talk, a pilot for the 13 part series; Finding Our Talk, on APTN, now in its second season.

  Terres en Vues / Six ci...  

Show textShow cached sourceOpen source URL	À son retour à Moose Factory, il a travaillé dans le tout nouveau centre de communication de la communauté. C'était les années 80 et ils produisaient des émissions de télévision en cri pour la Baie James et les environs.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain	At University of Western Ontario, Paul studied journalism, not film. When he went home to Moose Factory, he worked in the community's brand new communications centre. This was in the 1980s and they were producing TV programs in Cree for James Bay and the surrounding area. He stayed on for three years, interviewing elders, covering events and conferences in Cree, his mother tongue.

  Terres en Vues / Arts v...  

Show textShow cached sourceOpen source URL

« Le thème de ce tableau/collage est mon identité, ou la découverte de mon identité. J'ai mis plusieurs années à découvrir qui je suis. Est-ce que j'étais un Cri, un Blanc ou un entre-deux ? J'ai découvert que j'étais vraiment Métis au coeur.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain

"This painting/collage is about my identity or the discovery of my identity.It took me many years to figure out who I am. Was I cree, white, or something in between. I found out that I was truly "metis" in my heart. This painting is a representation of who I am. The painting can be divided into 3 parts vertically: The left side shows that I am not a Native (represented by the 3 native dancers with an x painted over them) The word "Nimwii" (which means no ) written over a red rectangle states that I am not a native. The only thing that identifies me as a native is the depiction of a goose on the upper left corner with 3 vertical strips that stand for the number 3 shows the number of geese I have killed at the time the painting was done.

  Columbus Day Legacy | F...  

Show textShow cached sourceOpen source URL

Les Italo-Américains du Colorado célèbrent le Columbus Day par un défilé qui parcourt les rues de Denver, une tradition ancienne qui est ressorti de l’oubli en 1992. Le chapitre local de l’American Indian Movement dénonce à cor et à cri l’événement.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nativelynx.qc.ca as primary domain

Columbus Day Legacy explores the quintessential American issues of free speech and ethnic pride against the backdrop of the ongoing Columbus Day parade controversy in Denver, Colorado. Navajo filmmaker Bennie Klain takes viewers into this very personal yet very public conflict, asking tough questions about identity and history in America. Since 1992, the Denver Italian-American community has proudly and publicly celebrated Columbus Day with a revived parade—long a part of the city’s history—much to the dismay of the local American Indian Movement chapter who are equally determined to vilify the man credited with “discovering” America. The history of this annual parade is peppered with both verbal and physical violence, challenging ideas of political correctness and freedom of assembly. Both the Italian- and Native Americans are strong, vibrant, tight-knit communities—a point conveyed by the film as it uncovers conflicting notions of the freedom of speech, the interpretation of history and what it means to be an “American.”