druga – -Translation – Keybot Dictionary

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Rat protiv Druga
Sansara: Loving eyes
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Ovo je priča o sijamskim blizancima koji se bore unutar i izvan boksačkog ringa. Zbog svog hendikepa prisiljeni su dijeliti profesionalni i privatni život, ali obojica vide stvari iz drugačije perspektive.
The story is about Siamese twins who fight each other inside but also outside the boxing ring. Because of their disability, they have to share both professional and private lives, but each one of them sees things from a different perspective. Twinsis an animated film about brotherly love and its limits.
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Svladala je mnoge animacijske tehnike (rotoskopiju, 3D kompjutersku animaciju, stop-animaciju itd). Na završnoj je godini poželjela više eksperimentirati i osmisliti nove ili drugačije metode animacije, što je rezultiralo filmom Bilježnica.
Evelien Lohbeck (1983) started her studies in animation in 2004 at the Art Academy St. Joost in Breda. She choose animation for its numerous possibilities of visualisation. She has learned a lot of different animation techniques (rothoscope, 3D computer animation, stop-motion etc). In her final year she wanted to work more experimentally and find new/other ways to animate, which resulted in her film Notebook.
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Prošlo je već mnogo vremena od uzbudljivog događaja kad je dobri lovac spasio baku i Crvenkapu iz stomaka proždrljivog vuka. Danas... danas su druga vremena, danas vukovi više nisu problem, uostalom Crvenkapa je već udana gospa, a muž joj je ugledni građanin... ali on, muž njezin, je jedna obična svinja.
A long time has passed since the exciting event when the good hunter saved Granny and Little Red Riding Hood from the belly of the greedy wolf. Today... today, times are different, today wolves are no longer a problem, in any case Little Red Riding Hood is already a married lady and her husband is a respectable citizen... but he, her husband, is an ordinary pig. Mrs Little Red Riding Hood is suffering badly... A popular story with a twist!
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U životu su ga iskvarili nasilni postupci, no donio je čvrstu odluku da će kada se vrati kući živjeti sretno do kraja života. Nažalost, Majčini su planovi drugačiji i njegov put završava tragično. Radnja se odvija kroz niz dvodimenzionalnih animacija u jednom kadru.
The Black Dog, unwanted by his owner, is thrown out into an unwelcoming neighbourhood. On his journey he’s corrupted by acts of violence and grows determined to live happily ever after back home. Unfortunately Mother has different plans and his story ends in tragedy. The film is told within a single shot using a series of flipbook animations.
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Pogled na život na sredozemnim granicama Europe, gdje se turisti žele opustiti, a "ilegalni" useljenici zgrabiti priliku za bolji život. Kada prijeđu granice strogo turističke zone, dvoje malih Švicaraca ubrzo uviđaju da stvarnost izgleda mnogo drugačije od otmjenog života u njihovu kampu.
A look at the life on the Mediterranean borders of Europe, where tourists try to relax while "illegal" immigrants struggle for a chance of a better life. Breaking out of a strictly confined tourist zone, two Swiss children experience quickly that reality here has very little to do with the posh life in their camping site. A storm hits the shore and washes away almost all distinctions between the rich and the poor.
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Sve što su smislili, prilično je odudaralo od tradicionalnih bajki na kakve smo navikli. Kod kuće bi zapisivali svoje priče, nesvjesni svojih mana, sve dok jednu od posljednjih priča nisu čuli odglumljenu u susjedstvu, ali prilično drugačije nego što su je bili napisali.
Once upon a time there were seven brothers who wandered through the streets of their village, looking for inspiration for fairy tales. The ideas they came up with, however, didn't look much like the traditional fairy tales we are used to. At home, the brothers wrote their stories down, unaware of their shortcomings. But then they heard their last tale being acted out next door, quite differently from the way they had written it. The brother's wanderings are shown in live action; the fairy tales are animated.
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Njihov prvi film, Germans in the Woods (2008), proizveden je u suradnji s radijskim producentom Daveom Isayem, dobitnikom nagrade Peabody, a osvojio je 2. mjesto na festivalu nezavisnog filma u New Yorku. Intervju je njihova druga suradnja s Isayem. Trenutačno rade na pokretanju animirane serije sa StoryCorpsom.
Directors Mike and Tim Rauch produce character-based animation. Their first film, Germans in the Woods (2008), was a collaboration with Peabody Award-winning radio producer Dave Isay and won 2nd Place in Independent Film at its New York City premiere. Q&A is their second collaboration with Isay. They are currently working to launch an animated series with StoryCorps.
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U dramatičnoj i slikovitoj priči isprepliću se dvije legende. Jedna o ocu i sinu, a druga o mladoj djevojci Srni koja je snažno pogođena grubošću svijeta i odlučuje proći ispod duge kako bi postala dječak.
This film tells us the story about the hidden war, a war between generations, war in which always children lose. Through dramatic and picturesque tale, we discover two legends interweaving. One is about a father and a son, and the other of a young girl Srna (Doe) who is profoundly affected by the harshness of the world around and decides to take a walk beneath the rainbow to transform into a boy. This film try to tell parents: Talk to your children before it is too late!
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"Biti ili ne biti 'dobar' useljenik, odnosno živjeti u skladnoj zajednici ili ne, to je glavna tema ovoga filma. Druga se odnosi na srednjovjekovnu islamsku civilizaciju: impresivnu, suosjećajnu, otvorenu. Spoznaju o tome želim prenijeti svima koji su ukorijenjeni u toj civilizaciji i onima koji nisu (iako su veze jače nego što misle…). Pitanje je samo kako je iskoristiti i u njoj uživati."
“To be or not to be a ‘good’ immigrant, to live or not to live in a harmonious community is the core subject of this film. The other one deals with Medieval Islamic civilisation: impressive, compassionate, open. I wish to transfer this knowledge to all those rooted in this civilisation and all those who are not (although the ties are stronger than they think...). The only question is how to make use of it and how to enjoy it.” Michel Ocelot
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Aaron Hughes živi u Brooklynu. On je REDatelj u drugačijem smislu riječi. REDovno je smušen i slučajno je postao REDatelj najnovijeg kratkog filma Unatraške potpuno pogrešnim REDoslijedom! Prije toga radio je kao animator, ilustrator, crtač stripova i profesor animacije na NYU i Institutu Pratt.
Aaron Hughes lives in Brooklyn and is a "director" in a different sense. He's directionally challenged and accidentally directed his latest short Backwards completely in the wrong direction! Before that he continued to work as animator, illustrator, cartoonist, and professor of animation at NYU and the Pratt institute. Before that, he struggled to find work after graduating. Way before that, he was born down in Texas, near the border of Mexico. He made shorts Fred’s Box (2003), Petunia (2002) and many commissioned works.
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Dan i Mary Rutherford, u braku 26 godina, žalosno sjede na grupnoj seansi za parove. Angela, druga nesretna sudionica, pita se zašto im je brak postao tako nesimetričan, tako iskrivljen. Međutim, kada Mary ostavi Dana, on proživi prekrasnu preobrazbu.
The Spineis a poignant story of redemption that takes us into a relationship between a man and a woman trapped in a spiral of mutual destruction. Dan and Mary Rutherford, married 26 years, sit unhappily in a couples’ group counselling session. Angela, another troubled participant in this group, wonders why their marriage has become so lopsided, so twisted. But when Mary leaves Dan, he undergoes a beautiful transformation. What will happen when she returns?
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Djevojčica Koralina prolazi kroz tajna vrata u novom domu i otkriva alternativnu verziju svog života. Ta je druga realnost naoko slična njenom sadašnjem životu, ali je puno bolja. U trenutku kad njezina avantura postaje opasna, Koralina mora skupiti svu snagu i hrabrost da se vrati kući.
A girl named Coraline and her parents have recently moved. While bored, but needing to pass the time away, Coraline explores her new house. There she walks through a secret door and emerges into an alternative version of her life - a better version, wonderful and thrilling, and less dull. But when this fantastical adventure turns dangerous, Coraline must count on her determination and bravery to get her back home. Coraline is not just a fairy-tale, but a nightmare steeped in classic storytelling, craftsmanship, and the old-fashioned art of moviemaking magic.
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Razmišlja o svijetu u kojem živi - od evolucije života i atomskih čestica koje čine tvar do tajne pamćenja i enigme smrti. Omeđen zidom, ujedno je jedinstven i nimalo drugačiji od drugih koji su uzaludno tražili ključ velikog onostranstva.
Lost in a reverie, a man reels with sudden, piercing awareness of his own state of being. He ponders the world in which he lives—from the evolution of life and the atomic particles that constitute matter, to the mystery of memory and the enigma of death. Bounded by a walled enclosure, he is both unique and no different than anyone else who has searched in vain for the key to the great beyond. Through four tableaux that explore her character’s thoughts, filmmaker Michèle Lemieux takes a mischievous look at the profound reflections of this everyman, whose questions are part of humanity’s eternal quest for meaning.
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Neki su gotovo tri desetljeća pokušavali imitirati Disneyevu formulu, ali trebali su doći The Beatles da se dogodi nešto sasvim drugačije. Yellow Submarine (1968) film je s Beatlesima u glavnoj ulozi u kojem su motivi nekih njihovih pjesama povezani u priču o jednom šašavom psihodeličnom putovanju.
For almost three decades there were attempts at imitating Disney’s formula, but something completely different happened only with The Beatles. Yellow Submarine (1968) is the film starring The Beatles that connected motifs from their songs into a crazy psychedelic journey. The film has always been attributed to The Beatles; had it not been for their commercial success (fame and money), it would never have probably been made. Many people couldn’t say who directed, drew and animated it. Only recently I found out that one of Animafest’s favourite filmmakers, Paul Driessen, worked on the film.
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Godine 2004. pokrenuo je produkcijsku kuću One Thousand and One Images (Mille et une Images) sa sjedištem u Tunisu, koja producira brojne reklame i druga animirana djela. Trenutačno živi u Tunisu i radi na autorskim kratkim animiranim filmovima.
Lotfi Mahfoudh (1974) studied general arts at the Tunisia National Institute of Fine Arts and later graduated in Image and Animation at the Ecole Nationale Superieure des Arts Decoratifs de Paris (ENSAD). In 2004 he started the Tunis-based production company One Thousand and One Images (Mille et une Images) which produced numerous commercials and other animated works. He currently resides in Tunis and is working on original animated short films.
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Djeca nevoljko grabe žlicom i traže način da pobjegnu od stola. Kada se otvore vrata i jarka svjetlost obasja sobu, djeca bježe van i nađu se u posve drugačijoj stvarnosti. Primjenom čvrstih žanrovskih struktura i motiva Prewencki priča modernu priču o zločinu i kazni.
Two siblings watched by their grandfather sit at the table and struggle to finish their soup. The children scoop the soup up reluctantly, looking for a possible way to break free from the table. When the door opens and the bright light hits the room, the children run out and find themselves in a completely different reality. With the application of solid genre structures and motives Prewencki tells a modern story of crime and punishment.
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Jung ulazi u niz "tajnih" soba: prva je zoološki laboratorij u kojem njegov otac provodi razne eksperimente. Druga je spavaća soba u kojoj njegova majka pokušava uhvatiti duhove. Treća je velika hotelska Dvorana, preludij tisućama drugih prostorija, u kojoj svira orkestar.
There are Spirits is a free visual interpretation of a Carl Gustav Jung’s dream. The dream starts off with a quite common archetype: one's own home, the most familiar place for each of us, as an unexplored entity. Jung finds himself entering a series of "secret" rooms: the first room is a zoological laboratory where his father carries out several experiments. The second is a bedroom where his mother attempts to capture spirits. The third is a big hotel's Hall, prelude to thousands of other rooms, where an orchestra is playing.
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Tri redateljice prikazuju tri lika i njihove perspektive na tri ekrana. Ako se nečija stvarnost nalazi u posve drugačijoj dimenziji od tuđe, mogu li se te stvarnosti ikada susresti? Film je nadahnut obiteljskim terapijama iz jedne londonske bolnice te knjigom
A session between a psychiatrist, a schizophrenic patient and his mother. Three animation directors depict the three characters and their perspectives across three screens. When one person's reality is in a different dimension from the others, can these realities ever meet? The film is inspired by family therapy sessions witnessed at a London hospital, and by the book
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Film je rađen na temu kratkih slavonskih distiha, koji se i danas pjevaju na području većem od Slavonije. Dvije djevojke, jedna bogata, druga siromašna i ljepša, vole istog momka. Momak je malo u dvoumici, ali ipak se odlučuje za siromašnu djevojku.
The film is given its theme by Slavonian distichs, which are even now sung in area larger than Slavonia. Two girls, one rich and the other poor, and more beautiful, love the same boy. The boy is undecided, but finally settles for the poor girl. Although the rich girl is insulted, she quickly comforts herself with another, moustached bridegroom.
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Pastirica vodi stado na planinu na ispašu. Dok Katalena preobražava motive narodne pjesme u suvremenu glazbu, animacija prosijava tradicionalnom alpskom ikonografijom s drugačijim viđenjem krava i životnog ciklusa.
A herdswoman takes her cattle to highland pastures. As Katalena translates folksong motifs into contemporary music, the animation tweaks traditional Alpine iconography by taking a peculiar perspective on cows and the circle of life.a
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Koreja 1960. godine. Petogodišnja djevojčica živi u javnoj kući i zamišlja drugačiju svakodnevicu.
Korea, 1960. A five year old girl living in a brothel imagines a different day-to-day existence.
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Nije lako biti drugačiji među sličnim crvenim zmajevima. Zmaj je izopćen iz svoje zajednice jer umjesto vatre riga – sapunicu. No i to može ponekad biti prednost.
It is not easy being different among similar red dragons. A dragon is expelled from his community because instead of fire he spits soap suds. However, this can sometimes turn into his advantage.
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Gusztáv i druga strana
Gustavus and the Other Side
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Drugačija priča
Different story
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Me, the Other  / Ja, druga
Me, the Other  / Me, the Other
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ZUPELNIE INNA HISTORIA / Drugačija priča
ZUPELNIE INNA HISTORIA / Different story
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njegova je druga animacija dugog metra, a režirao je i kratki film kao dio projekta
is his second feature, and he also directed a short film portion of
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Priča o djevojčici koja putem knjige proživljava jedan potpuno drugačiji, morski svijet.
A story about a girl who reads a book and experiences a completely different, marine world.
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Ja, druga
Me, the Other
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