istom – -Translation – Keybot Dictionary

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Show textShow cached sourceOpen source URL	Cvrčak se brine o smirenom i čistom ozračju u šumi uvjeravajući ježa da mora popraviti svoj bučni, zadimljeni parni stroj.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	The cricket takes care of the calm and clean atmosphere in the forest by convincing the hedgehog to fix his noisy, smoky steam engine.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Nakon njega, u 12 sati na istom mjestu, o tajnama oskarovskih animiranih filmova govorit će i Olivier Cotte, povjesničar animacije, redatelj i autor grafičkih novela. Za primjer će se poslužiti filmom
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	After him, at 12.00, Olivier Cotte, animation historian, director and graphic novelist will be speaking about the secrets of Oscar-winning animation, on the example of

  Animafest.hr  

Show textShow cached sourceOpen source URL	na Bijenalu animacije u Teheranu 2013. Dvije godine poslije osvojio je počasno priznanje na istom festivalu za film
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	. In 2015, he won an honorary diploma from the same festival for his

  Animafest.hr  

Show textShow cached sourceOpen source URL	U SLUČAJU KIŠE, UMJESTO U LJETNOM KINU BAČVICE, PROJEKCIJE ĆE BITI ODRŽANE U KINOTECI ZLATNA VRATA U ISTOM TERMINU.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	IN CASE OF RAIN, FILMS WILL BE SCREENED AT THE ZLATNA VRATA CINEMATHEQUE INSTEAD OF THE BAČVICE OPEN CINEMA, ACCORDING TO THE SCHEDULE.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Sve ostale možete detaljno proučiti na animafest.hr, a na istom mjestu pronaći ćete i sve informacije o festivalskim ulaznicama, od kojih su one najpovoljnije u prodaji do 22. svibnja, a nude vam ulaz na sve festivalske projekcije i više od 300 filmova za samo 150 kn.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	All the sections are available online at animafest.hr for your consideration, along with all the relevant information on festival tickets. Early-bird tickets are available for sale by 22 May, providing admission to all the festival screenings and over 300 films for only 150 kuna.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Jedna beskrajna kolona putuje neprekidno i neumitno prema grobu: Pogreb čovječanstva. Sahranjujemo jedan drugoga i pritom živimo ipak. U istom času netko postaje sretan, u istom času netko biva mrtav. Dok prinesemo čašu k usnama... udes je tu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	One endless line of people journeys incessantly and inevitably to their grave: the funeral of mankind. We bury one another but live nevertheless. As one person is happy, the other dies. No sooner than we draw a cup to our lips… fate has come. This film is an attempt at portraying a man, a participant in an eternally living funeral procession.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Jedna beskrajna kolona putuje neprekidno i neumitno prema grobu: Pogreb čovječanstva. Sahranjujemo jedan drugoga i pritom živimo ipak. U istom času netko postaje sretan, u istom času netko biva mrtav. Dok prinesemo čašu k usnama... udes je tu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	One endless line of people journeys incessantly and inevitably to their grave: the funeral of mankind. We bury one another but live nevertheless. As one person is happy, the other dies. No sooner than we draw a cup to our lips… fate has come. This film is an attempt at portraying a man, a participant in an eternally living funeral procession.

  Animafest.hr  

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Ona je mjerljiva i u prosjeku iznosi 16 Hz, što znači da vidimo 16 sličica u sekundi. Možemo zamisliti da je naše oko poput fotoaparata koji svake sekunde „snimi“ 16 sličica, koje zatim naš mozak tom istom brzinom „vrti“ te tako vidimo i doživljavamo pokret ali i svijet oko sebe.

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Thanks to the inertness and imperfection of the human eye, we enjoy the illusion of motion. Eye inertia is the eye’s inability to perceive all the individual stages of movement due to its great speed. It is measurable and on average amounts to 16Hz, which means we can see 16 frames per second. We can imagine our eye to be like a camera that captures 16 frames in one second, which are then spun by our brain at the same speed and that is how we see and perceive movement, but also the world surrounding us. Aside from seeing and perceiving the surroundings, we can also enjoy watching films, television, animation, internet, video games. In the 19th century a real explosion of innovations and inventions in the field of optics, photography and animation occurred, making this truly a golden age of optical devices, whose improvement affected the development of film and animation. Zoetrope, thaumatrope and flip book are some of the devices the workshop facilitator Snježana Gabelić from Sedmi kontinent will help the participants make.

  Animafest.hr  

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djeluje u sklopu umjetničke grupe Kolektiv Variete Radikale u čijim publikacijama objavljuje niz ilustracija i stripova. U istom razdoblju objavljuje autorske stripove u tiskovinama Novi List, Modra Lasta, Kult, Arkzin, Homo Volans.

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Illustrations and comics: In the 1995-1997 period he took part in the activities of the artists group Kolektiv Variete Radikale, publishing a series of illustrations and comics in their editions. His works from that period were also published in Novi List, Modra Lasta, Kult, Arkzin, Homo Volans. In the years to come, he published comics and illustrations in children’s magazines Šalji dalje and Modra Lasta, often collaborating with Krešimir Zimonić. Together, they created a comic book serial Vatrene ulice. In the 1999-2004 period he drew the Svebor i Plamena comic for Modra Lasta, based on Darko Macan’s script, and worked as illustrator on a number of books published by Egmont, Herceg Press, Abc naklada, Alfa and Znanje. His works regularly appear in Jutarnji list and OK! magazine, and he often collaborates with Q magazine. In 2007 and 2009 he was one of the associates of the Animafest management, designing posters for the world festival of animated film in Zagreb. He participated in numerous illustration and comic exhibitions in Croatia and internationally.

  Animafest.hr  

Show textShow cached sourceOpen source URL	U istom prostoru od 21:30 na programu je demonstracija rezultata druge tehnološke radionice ovogodišnjeg Animafesta – one projekcijskog mapiranja, koju su tijekom festivala vodili animatorica i autorica festivalske špice i vizuala, Tea Stražičić, i programer i vizualni umjetnik Goran Goldin.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	At 9.30pm, the same space is hosting a presentation of the results of the second this year’s tech workshop – the projection mapping workshop, mentored during the festival by the author of this year’s festival trailer and visual materials Tea Stražičić and programmer and visual artist Goran Goldin.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Kako bi pod okriljem buke nesmetano iskopali vreću s plijenom, dva provalnika puste na ulicu na desetke mačaka, koje natjeraju sve okolne pse u lavež. No istom se nenadano pokreće čitav niz događaja koji polako prerastaju u najgoru noć u životu naših provalnika.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Two burglars release dozens of cats into a neighbourhood and start the dogs barking. They use the din to their advantage and dig up a bag of loot. However, the situation snowballs and turns into the worst night the burglars ever spent.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Animacija i glazba u istom ritmu na Animafestu
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Animafest and TED-Ed reward your ideas

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Filmski veliki hadronski sudarač koji uzrokuje eksploziju slika u gledateljevoj glavi. Mikro- i makrokozmos, seks i religija, stari Egipat i svemirsko doba susreću se u ovom čistom filmskom 35-milimetarskom uratku.

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Decaying, festering, decomposing, weathering: Thomas Draschan’s work, which premiered in Rotterdam, is a visual feast, a popular-cultural tempest of images, a masterwork exploding on the screen. This is pure film – in form, rhythm and editing. Digitized high resolution images form a rapid flow of visual associations. A filmic Large Hadron Collider that lets images explode in the viewer’s head. Micro and macrocosm, sex and religion, old Egypt and the Space age are juxtaposed in this purely cinematic 35mm piece. A “theory of everything” way before modern physics could come up with one.

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osvojili su nagradu za iznimno postignuće na Međunarodnom filmskom festivalu u Singapuru 2007. te posebno priznanje na istom festivalu 2009. godine. Wei Keong dobitnik je stipendije za medijsko obrazovanje singapurskog Ureda za razvoj medija 2007, a diplomirao je likovnu umjetnost i digitalnu animaciju na Tehnološkom sveučilištu Nanyang u Singapuru.

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received the Special Achievement and Special Mention awards respectively at the Singapore International Film Festival in 2007 and 2009. Granted a Media Education Scholarship by the Media Development Authority of Singapore in 2007, Wei Keong holds a Bachelor of Fine Arts in Digital Animation from Nanyang Technological University, Singapore. He was the Chair of the Student Volunteer Program for SIGGRAPH Asia 2010 in Seoul and was a committee member for the SIGGRAPH Asia conferences in Yokohama (2009) and Singapore (2008).

  Animafest.hr  

Show textShow cached sourceOpen source URL	Lassnig, ili točnije njezina flomasterom nacrtana glava, pjeva na engleskom s dirljivim austrijskim naglaskom o životu, snovima, vječnoj potrazi za partnerom: „Tražiti bolju polovicu“. No kada god se pojavi netko tko odgovara bojom i oblikom, nazove je „slabom“ i „ženom“ u istom stihu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Lassnig, or more precisely her head, drawn with felt-tip pen, sings in English with a heart-rending Austrian accent about her life, her dreams, her eternal search for a male partner: "To look for the better half." But whenever one, which is suitable with regard to color and shape appears, he calls her "weak" and "woman" in the same verse. (Maya McKechneay)

  Animafest.hr  

Show textShow cached sourceOpen source URL	Katarína Kerekesová (1974, Žilina) studirala je na Odsjeku za animirani film Fakulteta za film i televiziju pri Akademiji za glazbu i scensku umjetnost u Bratislavi od 1993. do 1999. godine. Upisala je doktorski studij na istom odsjeku i utemeljila svoju produkcijsku tvrtku Fool Moon 2009. godine.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Katarína Kerekesová (1974, Žilina) studied at the Animation Film Department of the Academy of Music and Performing Arts, Faculty of Film and Television in Bratislava from 1993 to 1999. She took postgraduate studies at the same department and established her production company Fool Moon in 2009.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Evelyn Buri (1984, Burgdorf, Švicarska) 2007. je završila izučavanje za krojačicu. 2009. godine polazi pripremni tečaj na Hochschule Luzern, Design & Kunst, a od 2010. pohađa studij na istom mjestu na Odsjeku za 3D-animaciju.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	Evelyn Buri (1984, Burgdorf, Switzerland) in 2005 finished her apprenticeship as seamstress and 2007 as tailor. In 2009 she attends preparatory course at HSLU (Hochschule Luzern, Design & Kunst). Since 2010 she attends HSLU, 3D Animation Department.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Film prikazuje odnos između ljudi koji su bliski, ali se ustvari ne razumiju. Koristeći format stripa, film donosi dvije situacije u jednom prizoru. Lijeva i desna stranica prikazuju različita mjesta i postupke na istom mjestu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	This movie portrays the relationship between people who stay very close but do not understand each other. It borrowed the format of a comicbook to show two situations in one scene. The left and right page depict different places and different actions in one place.

  Animafest.hr  

Show textShow cached sourceOpen source URL	je spoj rukom crtane animacije i digitalnih boja. Linije su animirane na istom listu papira, a pigmenti se razmještaju pod okom kamere. Stoga tragovi prethodnih crteža ostaju vidljivi: sjećanje na pokret.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	, a merging of handmade animation and digital colouring happens. The lines have been animated on the same sheet of paper and the pigments have been moved around under the eye of the camera. Thereby, trace of the previous drawings remains: a memory of the movement.

  Animafest.hr  

Show textShow cached sourceOpen source URL	Ovo je parodija na latinoameričke sapunice. Migel, Paloma i ostali akteri rade spačke jedni drugima, no na kraju svi završe na istom mjestu – u bolnici.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	A parody to Latin American soap operas. Migel, Paloma and other protagonists pull pranks on each other and finally they all end up in the same place – a hospital.

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Show textShow cached sourceOpen source URL	Ubrzano snimljen niz crno-bijelih portreta ljudi koji sjede na istom stolcu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain	A series of black and white portraits showing various people sitting on the same chair, and shot on accelerated speed.

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The Drawer and the Crow ušao je u službenu konkurenciju festivala u Hirošimi i osvojio nagradu za najbolji kanadski film na festivalu u Ottawi 2009, a film Bijele jagode osvojio je nagradu za najbolji kratki igrani film na istom festivalu 2011.

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Frédérick Tremblay directs and produces his own independent animated films since 2001. In 2004 he directed Remote Paradise, a cartoon animation short film produced by the National Film Board of Canada. Since 2008, back to independent production, Frederick has been working on a series of stop motion short films: The Little Abyss (2008), The Drawer and the Crow (2009), Princesse (2010) and Blanche Fraise (2011). The Drawer and the Crow entered official competition in Hiroshima and won the Best Canadian Film Award in Ottawa, 2009. Blanche Fraise received the award for Best Narrative Short Film in the 2011 Ottawa edition.

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Cecilia Traslaviña radi kao profesorica na Odsjeku za vizualne umjetnosti na fakultetu Javeriana u Bogoti (Kolumbija). Trenutačno pohađa magistarski studij književnosti na istom fakultetu. Kao članica žirija već je sudjelovala na pojedinim domaćim i međunarodnim festivalima animiranog filma, uključujući ljubljanski festival Animateka 2015.

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Cecilia Traslaviña works as a professor at the Department of Visual Arts at the Javeriana University in Bogotá, Colombia. She is currently pursuing a Master’s degree in Literature at the same university. She has been member of the jury at some national and international animation film festivals including Animateka festival in Ljubljana in 2015 and Etiuda&Anima, festival in Cracow. She recently finished