junger – -Translation – Keybot Dictionary

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  Kids for Kids | Fantoche  
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Manche Erwachsene wünschten sich den Fantasiereichtum junger Menschen. In selbstgemachten Filmen zeigen Kinder und Jugendliche aber nicht nur Ideenreichtum und Erzähltalent, sondern auch handwerkliches Geschick.
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Beaucoup d’adultes envient les enfants pour la richesse de leur imagination. Dans quelques films auto-produits, des enfants et des jeunes ne démontrent pas seulement une abondance d’idées et un certain talent pour la narration, mais aussi une maîtrise générale de l’artisanat.
  Féroce | Fantoche  
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Ein junger Betriebsleiter wird aus seiner Wohnung entführt. Er wacht mitten in einem Wald auf, wo er von einem mysteriösen Scharfschützen gejagt wird. Dieser blutige, packende Thriller ist eine französisch-schweizerische Co-Produktion.
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A young corporate executive is kidnapped from his apartment. He wakes up in the middle of a forest only to be chased by a mysterious sniper. A bloody and haunting thriller co-production from France and Switzerland.
  Entre chien et loup | F...  
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Ein junger iranischer Soldat begibt sich zum Einsatz gegen Demonstrierende. Die Situation eskaliert – er reagiert entschlossen, wie von ihm erwartet. Doch als er in den Tränengasschwaden ein Mädchen erblickt, welches ihn an seine kleine Schwester erinnert, erschrickt er über seine Gewaltbereitschaft.
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A young Iranian soldier joins a group deployed to contain some demonstrators. The situation escalates. He follows his training, reacting quickly and decisively. But when he spies a girl through the clouds of tear gas – a girl who reminds him of his younger sister – he is suddenly appalled by his willingness to commit violence.
  Old Fangs | Fantoche  
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Ein junger Wolf entschliesst sich, seinen Vater zur Rede zu stellen, den er seit er Kind war nicht mehr gesehen hat. Im Stillen wird er von zwei Freunden zum Wald geführt, wo die Begegnung stattfindet.
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A young wolf decides to confront his father, whom he had not seen since he was a child. In silence, he is brought by his two friends to the forest where the mysterious rencounter takes place. Gradually, we understand it is not only difficult for the son to confront the old scary wolf: the father is also struggling with having to face his lost son.
  Kai | Fantoche  
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Ihre Wölfe streifen durch das Land und verbreiten Angst und Schrecken. Der mutige Kai – mittlerweile ein junger Mann – will sein Volk retten und Hattan ein für alle Mal vernichten. Er begibt sich auf eine abenteuerliche Reise und wähnt sich mit der Hilfe des Wassergottes siegessicher.
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When his little sister Shamui accidently gets lost in the snow and is declared dead, the world comes crashing down on Kai and his mother. They barely manage to cope with everyday life in the village. What they don’t know, however, is that the Snow Queen Hattan found Shamui and carried her off to the ice palace. Years later Hattan threatens to freeze the grasslands, Kai’s homeland. As her wolves roam the countryside, spreading fear and terror, Kai – by now a courageous young man – is determined to save his folk and defeat Hattan once and for all. Wrongly certain of success, he confidently embarks on an adventurous journey with the help of the Water God. While his memories of Shamui constantly accompany him, Hattan’s wolves are closing in on him. Suddenly, he comes across a shy girl wandering in the forest, apparently lost. He fails to bring the woeful girl out of her shell. Kai doesn’t realise that the girl is actually Shamui, mistakenly believed to be dead. She bears a grudge against her family, because she feels they have forsaken her. Furthermore, her perception is marred by the magic of the Snow Queen, who raised Shamui as her own daughter. As Hattan and her pack of wolves seem to be winning, the Water God is weakened, Kai and his friends become dispirited, help unexpectedly appears. The visually stunning film was screened at the renowned Annecy International Festival of Animation Film in 2016. This is the third animation film by the South Korean director Lee Sung-gang, who had already won the Cristal in Annecy with “My Beautiful Girl, Mari” in 2002. (km) https://vimeo.com/207235368
  Die Häschenschule – Jag...  
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Eine Klasse junger Häschen bereitet sich für das Osterfest vor und übt sich fleissig im Hüpfen und Eiermalen, als plötzlich ein aufgewecktes Häschen aus der Stadt mit dem Flugzeug in ihre Schule stürzt.
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Hidden in a forest and surrounded by an insurmountable hedge lies the fabled Easter Bunny school, an idyllic place. A class of young bunnies is preparing for Easter, studiously hopping about and painting Easter eggs when a sprightly bunny from the city suddenly crashes into their school with his plane. The newcomer’s name is Max. He cannot return to the distant city because his plane is broken, which means Max also has to attend the Easter Bunny school. This does not bode well with the bunny from the city, who would rather be testing his courage with a street gang in the city. The bunny school is too old-fashioned for him, too strict and regulated. Instead of carrot juice and a bath in the pond every morning he would rather have a cola and deodorant. Max believes he is too cool to become an Easter Bunny. Nevertheless, the other bunnies receive Max whole-heartedly in their group. Although they have to bail him out repeatedly, they eventually become friends. But the cheerful atmosphere is threatened as a band of foxes lies in wait, aiming to steal the golden egg. This egg protects the bunnies at Easter and gives them courage. If it is stolen, they lose their power as Easter bunnies and all festivities are cancelled. In order to save the Easter celebration, the bunnies all have to stick together. “Die Häschenschule” has already delighted over 2 million readers as a book since 1924. As an animation film, the story celebrated its world premiere at the Berlinale in 2017 and was nominated for an award. Director Ute von Münchow-Pohl puts complex subjects playfully into practise: for example, trust and solidarity or freedom and rules. Even though the new interpretation of the story and action-packed scenes lend the tale a modern touch, the film in 3D- animation remains faithful to the picture book, while creating its own unique suspense between modernity and tradition. (sh)
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Hidden in a forest and surrounded by an insurmountable hedge lies the fabled Easter Bunny school, an idyllic place. A class of young bunnies is preparing for Easter, studiously hopping about and painting Easter eggs when a sprightly bunny from the city suddenly crashes into their school with his plane. The newcomer’s name is Max. He cannot return to the distant city because his plane is broken, which means Max also has to attend the Easter Bunny school. This does not bode well with the bunny from the city, who would rather be testing his courage with a street gang in the city. The bunny school is too old-fashioned for him, too strict and regulated. Instead of carrot juice and a bath in the pond every morning he would rather have a cola and deodorant. Max believes he is too cool to become an Easter Bunny. Nevertheless, the other bunnies receive Max whole-heartedly in their group. Although they have to bail him out repeatedly, they eventually become friends. But the cheerful atmosphere is threatened as a band of foxes lies in wait, aiming to steal the golden egg. This egg protects the bunnies at Easter and gives them courage. If it is stolen, they lose their power as Easter bunnies and all festivities are cancelled. In order to save the Easter celebration, the bunnies all have to stick together. “Die Häschenschule” has already delighted over 2 million readers as a book since 1924. As an animation film, the story celebrated its world premiere at the Berlinale in 2017 and was nominated for an award. Director Ute von Münchow-Pohl puts complex subjects playfully into practise: for example, trust and solidarity or freedom and rules. Even though the new interpretation of the story and action-packed scenes lend the tale a modern touch, the film in 3D- animation remains faithful to the picture book, while creating its own unique suspense between modernity and tradition. (sh)