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Stejnojmenná instalace v Nyonu z roku 1993 promítá paralelně tiskový obraz demonstrujících mas a pozdější zabrání prázdného dějiště v konfrontaci s archivními snímky a vzpomínkami lidí, kteří trauma onoho dne zažili jako očití svědkové či je viděli v televizi. Dokumentace zde není zkoumáním důkazů skutečnosti, ale filtrem kolektivních vzpomínek.
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Methods of participation, sale, video workshops or service (as far as giving up authorship in favor of open social structures) are possible ways of approaching a resolute reality in the media. Comparable strategies one finds, for example, in the works of Stephen Willats or Nasrin Tabatabai.7 From time to time the artistic works, above all in the conceptual decision, involve exhibiting found film material or film produced under someone else‘s direction in artistic context. In this connection also noteworthy is the work of American-Palestinian artist Emily Jacir, who with her privilege of possessing two passports and therefore unrestricted freedom of movement takes up the cause of the people of Palestine, for whom unhindered travel is not possible. Where We Come From (2001-2003) is based on the simple question, “What can I do for you in Palestine, where can you not go, where I however can?” The work involves the documentation of the realization of extremely varied, part banal-pragmatic, part symbolic or intimate-personal actions. Or else, all the more urgent, in the documentation of failure by managing a simpler way.
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Methods of participation, sale, video workshops or service (as far as giving up authorship in favor of open social structures) are possible ways of approaching a resolute reality in the media. Comparable strategies one finds, for example, in the works of Stephen Willats or Nasrin Tabatabai.7 From time to time the artistic works, above all in the conceptual decision, involve exhibiting found film material or film produced under someone else‘s direction in artistic context. In this connection also noteworthy is the work of American-Palestinian artist Emily Jacir, who with her privilege of possessing two passports and therefore unrestricted freedom of movement takes up the cause of the people of Palestine, for whom unhindered travel is not possible. Where We Come From (2001-2003) is based on the simple question, “What can I do for you in Palestine, where can you not go, where I however can?” The work involves the documentation of the realization of extremely varied, part banal-pragmatic, part symbolic or intimate-personal actions. Or else, all the more urgent, in the documentation of failure by managing a simpler way.
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