kriti – -Translation – Keybot Dictionary

Spacer TTN Translation Network TTN TTN Login Deutsch Français Spacer Help
Source Languages Target Languages
Keybot 12 Results  www.polandtraveltours.com
  Otvorena Kritička retro...  
Show textShow cached sourceOpen source URL
Otvorena Kritička retrospektiva Dalibora Jelavića
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
Contact Hrvatski Public procurement
  Događanja | Događanja |...  
Show textShow cached sourceOpen source URL
Sinoć, 26. travnja u Modernoj galeriji otvorena je izložba slikara Dalibora Jelavića – Kritička retrospektiva. …
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
On Friday, November 27, as part of the Late Night Friday event on the Lenuci …
  Retrospektiva slikara Đ...  
Show textShow cached sourceOpen source URL
retrospektive postavljene u deset dvorana naše Galerije, sadržana je upravo u kritičkom  izboru djela iz njegova golema opusa; u kontekstualizaciji nikad izlaganih slika i crteža iz 70 – ih godina te u sublimaciji tematskih segmenata njegova stvaralaštva koje nezaustavljivo raste na brazdi tradicionalnih slikarskih vrijednosti i pritom cvjeta kao plod slikarova divljenja prema onom što je iskonsko ljudsko i prema apsolutu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
the painting and the New Image (1981); works from his lesser known but very perspicuous Magrittean paintings; the seldom-seen drawings of Sederian geometry; and Seder’s personal talks with God – the relationship of the individual with something that he lives, that he creates and feels as divine – that determined the spiritual and artistic maturation of the artist; all the way down to the Sederian Expressionism broached in the 1990s, as well as the self-ironical and healthily humorous, sometimes joyous, self-portraits of the
  Hommage olovci – Josip ...  
Show textShow cached sourceOpen source URL
Kako navodi autor izložbe i kataloga, povjesničar umjetnosti i likovni kritičar Feđa Gavrilović, „Josipa Vaništu ćemo tako povezati s minimalizmom koji poništava formu, s određenom geometrijskom strogošću kojom konstruira prostore, objekte i lica […] kako bi ih sveo na njihove vlastite obrise, na sjene onog tvarnoga“.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
Three generations (Vaništa born in 1924, Vrankić in 1965 and Medić in 1986) provide three different individual approaches, as well as many similarities, within the drawing that will be presented in this exhibition.  Art historian and critic Feđa Gavrilović, who devised the exhibition and wrote the catalogue, says: “So we will connect Josip Vaništa with minimalism that cancels out form, with a certain geometrical strictness with which he constructs spaces, objects and faces, to reduce them to his own outlines, the shadows of the substantial”.
  Dalibor Parać – donacij...  
Show textShow cached sourceOpen source URL
Donacija obuhvaća niz antologijskih umjetnikovih djela, kojima je fundus Moderne galerije trajno obogaćen za opus jednog od najvećih hrvatskih slikara mediteranskog pejzaža, Juga, ali i teme ženskog akta u pejzažu. U kritički prezentiranoj selekciji opsežne donacije, kustosice Iva Körbler (slike) i Tatijana Gareljić (medalje) odabrale su 94 uljane slike i 42 medalje.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
The exhibition “Dalibor Parać – the Modern Gallery Donation” is the first big exhibition of the artist’s work of a retrospective type since the show put on in the Art Pavilion in Zagreb in 1999. In December 2015, the Modern Gallery entered into a deed of donation agreement with the artist’s son, Dr Zoran Parać, in which 154 oils on canvas, drawings, watercolours and gouaches were placed in the permanent holdings of the Modern Gallery as well as 213 bronze medals and plaster medal prototypes. The donation covers a series of classic works of the artist, the Modern Gallery being lastingly enriched by the oeuvre of one of greatest Croatian painters of the South, of the Mediterranean landscape, as well as of the theme of the female nude in a landscape. In a critically presented selection of the extensive donation, curators Iva Körbler (paintings) and Tatijana Garjelić (medals) included 94 oil paintings and gouaches and 43 medals.
  U Požeškoj biskupiji pr...  
Show textShow cached sourceOpen source URL
Autor monografije,istaknuti povjesničar umjetnosti i likovni kritičar Igor Zidić strukturirao ju je u deset poglavlja od kojih se svako od njih može čitati kao zasebna studija, no tek u cjelini monografija pruža uvid u pravu dimenziju slikarovog djela i prepoznaje vrhunski značaj njegovog sakralnog opusa za hrvatsko slikarstvo 20.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
On August 3, in the Blessed Alojzije Stepinac Room, the Požega Diocese presented a monograph about the Croatian painter Ivo Dulčić. The monograph, which is hard-bound, numbering 640 pages with more than 500 reproductions of Dulčić’s paintings, drawings, signatures and comparative archival material related to the painter’s life, exhibition activity and work in Croatia, Bosnia and Herzegovina and Germany and Italy, was published jointly by the Požega Diocese, Matica Hrvatska and the Modern Gallery of Zagreb. The author of the monograph, the leading art historian and critic Igor Zidić, has structured the work in ten chapters, each of which can be read as a separate study. Only as a whole, however, will the monograph give a full insight into the real dimensions of the painter’s work and identify the supreme importance of his religious oeuvre for Croatian 20th century painting. On the occasion, the invited guests were addressed by Bishop of Požega Antun Škorčević and Igor Zidić, author of the monograph,and the monograph was presented by Biserka Rauter Plančić, director of the Modern Gallery.
  U Požeškoj biskupiji pr...  
Show textShow cached sourceOpen source URL
Autor monografije,istaknuti povjesničar umjetnosti i likovni kritičar Igor Zidić strukturirao ju je u deset poglavlja od kojih se svako od njih može čitati kao zasebna studija, no tek u cjelini monografija pruža uvid u pravu dimenziju slikarovog djela i prepoznaje vrhunski značaj njegovog sakralnog opusa za hrvatsko slikarstvo 20.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
On August 3, in the Blessed Alojzije Stepinac Room, the Požega Diocese presented a monograph about the Croatian painter Ivo Dulčić. The monograph, which is hard-bound, numbering 640 pages with more than 500 reproductions of Dulčić’s paintings, drawings, signatures and comparative archival material related to the painter’s life, exhibition activity and work in Croatia, Bosnia and Herzegovina and Germany and Italy, was published jointly by the Požega Diocese, Matica Hrvatska and the Modern Gallery of Zagreb. The author of the monograph, the leading art historian and critic Igor Zidić, has structured the work in ten chapters, each of which can be read as a separate study. Only as a whole, however, will the monograph give a full insight into the real dimensions of the painter’s work and identify the supreme importance of his religious oeuvre for Croatian 20th century painting. On the occasion, the invited guests were addressed by Bishop of Požega Antun Škorčević and Igor Zidić, author of the monograph,and the monograph was presented by Biserka Rauter Plančić, director of the Modern Gallery.
  Demon moderniteta, Slik...  
Show textShow cached sourceOpen source URL
lipnja 2015. u Rovigu oduševila internacionalnu publiku i talijanske likovne kritičare. U Palazzo Roverella, jednoj od najatraktivnijih izložbenih palača regije Veneto, tada je među više desetaka umjetnina europskih slikara s prijeloma
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine moderna-galerija.hr as primary domain
The exhibition is the outcome of a collaborative effort by the Pinacotheca of the Accademia dei Concordi of Rovigo, Fondazione Cassa di Risparmio di Padova, Italian Institute for the Culture in Zagreb and the Modern Gallery, which, in its first presentation from February 14 to June 14, 2015, in Rovigo greatly impressed the international public and Italian art critics. In the Palazzo Roverella, one of the most attractive exhibition palaces of the Veneto region, among several dozen artworks by European painters of the turn of the 19th and 20thcentury, 17 masterpieces of Croatian artists were also presented, mainly from the holdings of the MG. Worth pointing out is that in this curatorial project of Giandomenico Romanelli, distinguished Italian fine arts theoretician, the paintings of Vlaho Bukovac, Bela Čikoš Sesija, Mirko Rački, Gabrijel Jurkić and Ignjat Job, as well as of other Croatian artists, were for the first time placed within the general context of European art and that their work was appreciated and presented at the exhibition as a first-rate contribution to the Central European segment of Symbolism.