loie – -Translation – Keybot Dictionary

  47 Hits www.silvernimbus.lt  

Show textShow cached sourceOpen source URL	Loie Hollowell
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  www.artnouveau.eu  

Show textShow cached sourceOpen source URL	Loïe Fuller, Dancer and Muse of the Arts
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  www.coupdefouet.eu  

Show textShow cached sourceOpen source URL	Loïe Fuller, Dancer and Muse of the Arts
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  cybermuse.gallery.ca  

Show textShow cached sourceOpen source URL	Miss Loie Fuller
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  12 Hits www.androidpit.de  

Show textShow cached sourceOpen source URL	Loie's Wrong: Keep is an Evernote-KILLER
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  www.cacole.ca  

Show textShow cached sourceOpen source URL	Loïe Fuller, Dancer and Muse of the Arts
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Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine artnouveau.eu as primary domain	Loïe Fuller, bailarina y musa de las artes
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  www.vivavda.it  

Show textShow cached sourceOpen source URL	Excursion: Lillaz (1,611 m) - Valley of Bardoney (2,215 m) - Lake Loie (2,354 m) - Lillaz (1,611m)
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  2 Hits utkino.com  

Show textShow cached sourceOpen source URL	” Gently-almost religiously- I set the silk in motion, and I saw that I had obtained undulations of a character heretofore unknown. I had created a new dance!” Loie Fuller, My life and Dance 1908.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine blog.artsper.com as primary domain	« Doucement – presque religieusement – j’agitai la soie, et je vis que j’obtenais tout un monde d’ondulations que l’on ne connaissait pas encore. J’allais créer une danse ! », Loïe Fuller, Ma vie et la danse, 1908.

  2 Hits agropolisfondation.optimytool.com  

Show textShow cached sourceOpen source URL	Including works by Fikret Atay | Becky Beasley | Simon Bedwell | Claire Makhlouf Carter Edward Onslow Ford | Loie Fuller and The Lumiére Brothers | Henry Fuseli Richard Hamilton | Gustav Metzger | Katrina Palmer | Gavin Turk | Giulio Paolini Bridget Riley | Jo Spence | Carolee Schneeman | Francesca Woodman 27 Apr 2017
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arts.wales as primary domain	Gyda gwaith gan Fikret Atay | Becky Beasley | Simon Bedwell | Claire Makhlouf Carter Edward Onslow Ford | Loie Fuller a'r Brodyr Lumiére | Henry Fuseli Richard Hamilton | Gustav Metzger | Katrina Palmer | Gavin Turk | Giulio Paolini Bridget Riley | Jo Spence | Carolee Schneeman | Francesca Woodman 27 Ebr 2017

  www.tofifest.pl  

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Other films worthy of your attention during Tofifest are certainly ”Clash” by Mohammed Diab or “The Dancer / La Danseuse” by Stephanie Di Giusto that brings back the memory of Loie Fuller, the originator of modern dance.

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Najważniejszym pasmem filmowym jest konkurs główny On Air dla fabularnych debiutów i drugich filmów. W tym roku zgłoszono do niego blisko 1000 tytułów z kilkudziesięciu krajów. Ostatecznie w stawce znajdzie się 11 filmów. Wśród nich należy wymienić film „Toni Erdmann” Maren Ade, który jest uznawany za faworyta do Oscara 2017 dla filmu nieanglojęzycznego. Warty uwagi jest też pierwszy egipski obraz w konkursie Tofifest — „Clash” Mohammeda Diaba czy „The Dancer / Tancerka” Stephanie Di Giusto opowiadający o twórczyni zasad tańca współczesnego, Loie Fuller.

  www.hotel-santalucia.it  

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Rich in wildlife and historically the hunting ground of Italian Kings, here, you are certain to bump into many different animals including the park’s emblem, the steinbock (mountain goat), that roams free everywhere in the park. Also discover chamois, eagles and lammergeyer vultures not to mention thousands of flowers and plants. Visit the Loie Lake or Lillaz waterfalls by staying close by in an atmospheric local B&B.

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Gran Paradiso is een uniek natuurpark en één van de oudste nationale parken van Italië. Het voormalig jachtgebied van Italiaans koningen beschikt over een ongeëvenaard natuurschoon waar nog oude tradities bestaan. In het indrukwekkende berggebied komt iedere natuurliefhebber aan zijn trekken en je kunt er geweldig fietsen en wandelen. Je vind er duizenden bijzondere soorten bloemen en planten en de kans is groot dat je Steenbokken, gemzen, arenden of lammergieren treft. Bezoek het bergmeer van Loie, wandel naar de watervallen van Lillaz en geniet van een authentiek verblijf in één van de sfeervolle B&B’s die in de regio te vinden zijn.

  www.tksoft.com  

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In this part, among others, the work of three choreographic personalities, which have been variously recorded in the history of dance (Loie Fuller, Pina Bausch and William Forsythe), are also briefly shown.

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Publikace Tanec, prostor a světlo má za cíl upozornit na některé tendence současné teatrologie v německy mluvících zemích, zejména na zkoumání intermediálních přesahů a využití nových technologií v tanci/performance. Představuje určitý výsek teatrologického výzkumu a s ním i význačné osobnosti současné německojazyčné taneční vědy (Tanzwissenschaft), jako jsou autorky jednotlivých studií – Gabriele Brandstetter, Kerstin Evert, Nicole Haitzinger, Christina Thurner a Birgit Wiens . Tendencemi v myšlení o vztahu tance a médií, o jejich vzájemných vlivech a proměnách se zabývají teoretické texty uvedené v první části publikace. Ve druhé části jsou prezentovány konkrétní analýzy tanečních představení/performance, ve kterých jsou velmi specificky využita různá média. V této části je mimo jiné rovněž krátce ukázáno dílo tří choreografických osobností, které se rozličným způsobem zapsaly do dějin tance (Loie Fuller, Pina Bausch a William Forsythe).

  3 Hits cm.careerservice.polimi.it  

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Dusk to dawnLong film night with Pash Buzari, Eric Ellingsen & Christina Werner Time perception experiments: “La Sortie de l’Usine Lumière à Lyon” (The first commercial movie, 1895); and “Vue Lumière No 765 – Loie Fuller’s Serpentine Dance” (1896) by The Lumière Brothers “Jean Taris, Swimming Champion” (1931) by Jean Vigo “Koyaanisqatsi: Life Out of Balance” (scenes) & Bonus Features Interview with the director and composer, by Godfrey Reggio, music by Phillip Glass “Claim Excerpts” (1971) by Vito Acconci “Rhythm 10” (“The Star”, 1999); “Art Must Be Beautiful” (1975); and “Rhythm 0” (1974), by Marina Abramovic “Zen for Film” (1962-1964) by Nam June Paik Two films by Pash Buzari “Cinematographer Style” (2006) by Jon Fauer “For All Mankind” (1989) by Al Reinert “La Jetée” (1962) by Chris Marker “The Wild Blue Yonder” (director’s commentary), by Werner Herzog “The Blue Planet: Seas of Life” (Episode 4: “The Deep” 2001) by BBC & Discovery Channel Making-of Documentary “Truffaut: A View from the Inside” and “An Appreciation with Bob Balaban and Biographer Annette Insdorf”, both from the DVD for “Day for Night” (1973) by Francois Truffaut Research and Skype interview with Jonathan Fox Dusk to dawnLange Filmnacht mit Pash Buzari, Eric Ellingsen & Christina Werner Vorgestellte Filme: “La Sortie de l’Usine Lumière à Lyon” (Der erste kommerzielle Film, 1895); und “Vue Lumière No 765 – Loie Fuller’s Serpentine Dance” (1896) von The Lumière Brothers “Jean Taris, Swimming Champion” (1931) von Jean Vigo “Koyaanisqatsi: Life Out of Balance” (Szenen) & Bonus Features Interview mit dem Regisseur und Komponist, von Godfrey Reggio, Musik von Phillip Glass “Claim Excerpts” (1971) von Vito Acconci “Rhythm 10″ (“The Star”, 1999); “Art Must Be Beautiful” (1975); und “Rhythm 0” (1974), von Marina Abramovic “Zen for Film” (1962-1964) von Nam June Paik Zwei Filme von Pash Buzari “Cinematographer Style” (2006) von Jon Fauer “For All Mankind” (1989) von Al Reinert “La Jetée” (1962) von Chris Marker “The Wild Blue Yonder” (Kommentar des Regisseurs), von Werner Herzog “The Blue Planet: Seas of Life” (Episode 4: “The Deep” 2001) von BBC & Discovery Channel Making-of Dokumentarfilme “Truffaut: A View from the Inside” und “An Appreciation with Bob Balaban und Biographer Annette Insdorf”, von der DVD “Day for Night” (1973) von Francois Truffaut Research und Skype-Interview mit Jonathan Fox

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Dusk to dawnLong film night with Pash Buzari, Eric Ellingsen & Christina Werner Time perception experiments: „La Sortie de l’Usine Lumière à Lyon“ (The first commercial movie, 1895); and „Vue Lumière No 765 – Loie Fuller’s Serpentine Dance“ (1896) by The Lumière Brothers „Jean Taris, Swimming Champion“ (1931) by Jean Vigo „Koyaanisqatsi: Life Out of Balance“ (scenes) & Bonus Features Interview with the director and composer, by Godfrey Reggio, music by Phillip Glass „Claim Excerpts“ (1971) by Vito Acconci „Rhythm 10“ („The Star“, 1999); „Art Must Be Beautiful“ (1975); and „Rhythm 0“ (1974), by Marina Abramovic „Zen for Film“ (1962-1964) by Nam June Paik Two films by Pash Buzari „Cinematographer Style“ (2006) by Jon Fauer „For All Mankind“ (1989) by Al Reinert „La Jetée“ (1962) by Chris Marker „The Wild Blue Yonder“ (director’s commentary), by Werner Herzog „The Blue Planet: Seas of Life“ (Episode 4: „The Deep“ 2001) by BBC & Discovery Channel Making-of Documentary „Truffaut: A View from the Inside“ and „An Appreciation with Bob Balaban and Biographer Annette Insdorf“, both from the DVD for „Day for Night“ (1973) by Francois Truffaut Research and Skype interview with Jonathan Fox Dusk to dawnLange Filmnacht mit Pash Buzari, Eric Ellingsen & Christina Werner Vorgestellte Filme: „La Sortie de l’Usine Lumière à Lyon“ (Der erste kommerzielle Film, 1895); und „Vue Lumière No 765 – Loie Fuller’s Serpentine Dance“ (1896) von The Lumière Brothers „Jean Taris, Swimming Champion“ (1931) von Jean Vigo „Koyaanisqatsi: Life Out of Balance“ (Szenen) & Bonus Features Interview mit dem Regisseur und Komponist, von Godfrey Reggio, Musik von Phillip Glass „Claim Excerpts“ (1971) von Vito Acconci „Rhythm 10″ („The Star“, 1999); „Art Must Be Beautiful“ (1975); und „Rhythm 0“ (1974), von Marina Abramovic „Zen for Film“ (1962-1964) von Nam June Paik Zwei Filme von Pash Buzari „Cinematographer Style“ (2006) von Jon Fauer „For All Mankind“ (1989) von Al Reinert „La Jetée“ (1962) von Chris Marker „The Wild Blue Yonder“ (Kommentar des Regisseurs), von Werner Herzog „The Blue Planet: Seas of Life“ (Episode 4: „The Deep“ 2001) von BBC & Discovery Channel Making-of Dokumentarfilme „Truffaut: A View from the Inside“ und „An Appreciation with Bob Balaban und Biographer Annette Insdorf“, von der DVD „Day for Night“ (1973) von Francois Truffaut Research und Skype-Interview mit Jonathan Fox