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Keybot 2 Results  www.folkworld.de
  FolkWorld CD-Besprechun...  
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Setz di afoch hin und horch ma zua, dann sind das ungewohnte Töne. Auch die Musik ist regelrecht entspannt, und weiter heisst es: i möcht a Billasackerl voll mit Busserl von dir. Wie Kollege Danzer hat Hirsch das Sexuelle entdeckt (-> FW#20): Der Sepp und ich am Herrenklosett.
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The German group Triskilian has just released their cd Triskilian. For me this cd is a first meeting with the group and a very pleasant one. Triskilian brings music which most people would link to the middle ages. Instruments such as hurdy-gurdy, bagpipe, schalmei, whistles, nyckelharpa mixed with percussion and beautiful vocals make this an almost mystic cd. I like both the ballad and the dance side of the cd. Beautiful is the ballad An lauretten which has lyrics by Chr.Hofmann put on music by one of the bandmembers in a convincing way. What finishes this song is the sober instrumentation and the strong vocals by Jule Bauer. On the opposite of the ballads the group plays tunes like andro in which they make good use of the drone instruments. Funny is that in this French piece they seem to use rhythms that I somehow more connect with the Arabic part of the world than with France. From the fourteen songs only the NV rue mit sorgen is a song that really doesn't do anything to me. I cant explain why but it's just to....happy? No that's not the right way to describe it. Who cares anyway, what is left are thirteen good songs and tunes. Very nice!
  FolkWorld #58: CD Reviews  
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Der Luzerner Hansruedi Willisegger hat „Du frogsch, was i möcht singe“ geschrieben, Sonja startet das romantische dreistimmige Lied mit einem Jodel und dem Dudey bevor Marc und Gabriel einstimmen. Es folgen das französische Trinklied „Mes amis de la table ronde“ mit Mandoline und Kontrabass-Balalaika, eine tolle Version des Schaffhauser Liedes „Die stolze Mülleri“ vom Akkordeon und Trümpi begleitet oder die wunderschöne Ballade aus der Lombardei „Bell üselin del bosch“ mit bezauberndem Gesang und Flötenspiel von Sonja.
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Fred Wesley (trombone) made the horn arrangements for the Charlotte, NC, sessions, 8 songs, starting off with “Nothin’ but the Blues” featuring Capathia Jenkins’ powerful backing vocals. Whelan has a hoarse voice perfectly fit to sing the Blues and is supported by the brilliant vocal ensemble like on the title track. Wesley’s great horn arrangements and the backing vocals on “Ice water” are awesome and Michael Lee Breaux adds his virtuoso tenor saxophone solo, brilliant Soul music. Jazzy horns, driving bass lines and cool singing are topped with another tenor sax solo by Breaux on “The rainmaker” and Robbi Hall Kumalo sings a beautiful duet with Whelan on the jazzy “Steak for two”, crowned by a stunning guitar solo. Ron Horton’s (trumpet) New York horn section accompanies the slow Blues “Lighten up” and Michael Blake plays a superb solo on tenor saxophone. Finally Randy Weinstein gives a splendid guest performance on harmonica on the stomping “Too cold Ohio Blues”.