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  Igor Omulecki | Fotofes...  
Wkroczenie na skraj ogrodu natury dopełnia tytuł pierwszej serii. Lucy to imię szczególne dla historii człowieka. Nosiła je „pramatka ludzkości”, której szkielet odnaleziono w Etiopii. Odwołanie do dalekiego przodka określa czas jaki panuje w tej nowej przestrzeni.
The arrival at the garden’s edge is underscored by the title of the first series. Lucy is a special name in the history (and ‘herstory’) of mankind: the name given to a 3.2-million-year-old hominid skeleton discovered in Ethiopia in 1974, known as the ‘mother of man’. A reference to an ancestor so distant defines the time of this new space. It is not rationalistically divided into the past, present and future, but into remaining, lasting and passing down. As the folk wisdom goes: nothing gets lost in nature. Lucy remains present in our instincts, dreams and anxieties. Omulecki explores also such areas: our fears are hidden in thickets, flashes and masks.[…] (Jakub Śwircz)
  Inge Hondebrink « Foto...  
Odczytywany w różnych kontekstach uwidacznia coraz to nowe treści i problemy. Portret nosi w sobie tajemniczą, niedającą się do końca odkryć, relację człowieka z otoczeniem. Ukazuje go nie tylko takim, jakim jest, ale też takim, jakim chciałby być postrzegany.
This portrait is an intriguing issue. Interpreted in various contexts, it displays more and more content and problems. This portrait carries a mysterious relation between man and his surroundings which cannot be fully uncovered. Ukazuje nam go nie tylko takim, jakim jest, ale też takim, jakim chciałby być postrzegany. This portrait places the human being in the context of time and place, in the context of a historical event. Not only does it tell the story of the portrayed, but also depicts the entire background of the portrait, the place where the portrayed has found himself. The background of the portrait is at the same time a historical background, a certain narrative about the “here and now” of the portrayed.