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Keybot 5 Ergebnisse  dbartmag.com
  Deutsche Bank - ArtMag ...  
Auf dem Parkplatz davor ein weißer Pickup in der unbarmherzigen Mittagssonne. Eine einsame Palme und ein Flaggenmast mit schlaff herabhängendem Sternenbanner ragen in die Höhe. Es ist ein typisch amerikanisches Motiv, das Ralph Goings auf seinem 1970 entstandenen Gemälde McDonalds Pickup festgehalten hat.
A McDonalds branch on a highway somewhere in the American South; in a parking lot out front, a white pickup truck in the merciless noon sun. Projecting vertically are a lonely palm tree and a flagpole with the Stars and Stripes hanging limp. It's a typical American motif that Ralph Goings depicted in his painting from 1970 titled McDonalds Pickup. Yet despite this, his hyperrealist work seems strangely ambiguous: not a single person can be seen, either in the parking lot or in the fast-food restaurant. Not a single car on the street, not even a discarded hamburger wrapping. The square format shows a purified, nearly clinical version of reality and offers up the McDonald's branch as a symbol for a thoroughly homogenized American society.
  Deutsche Bank - ArtMag ...  
Bekannt wurden sie mit erstklassig ausgeführten Glasfaser- und Kunstharzskulpturen von nackten Kindern in Nike-Turnschuhen, die an den unwahrscheinlichsten Stellen mit einander verwachsen sind und denen an noch unwahrscheinlicheren Stellen Geschlechtsteile aus dem Körper ragen.
The pillars of their work are shock effects and corny jokes, and their most important aesthetic strategy is to simply lower the boom. They made a name for themselves with first-rate fiberglass and resin sculptures of naked children wearing Nike tennis shoes who are joined together in the most improbable places and from whose bodies genitals jut out in even more improbable places. These sculptures bear titles such as Fuck Face (1994) and Two-faced Cunt (1995). Other works depict decomposing skeletons covered with flies, worms, and snakes, inspired by Goya's drawing cycle Los desastres de la Guerra (1810-1820). That the Chapman's additionally auctioned off two volumes from 1937 with original editions of these etchings and adorned them with Mickey Mouse faces, insect antennae, and swastikas, caused an outrage. The list of affronts, obscenities, and cynicisms in the Chapmans' extensive work goes on and on.
  Deutsche Bank - ArtMag ...  
Ein surreales Szenario auf dem Londoner Trafalgar Square: rund um die Nelson-Säule liegen riesige Baumstümpfe. Wie Nervenenden ragen ihre weit verzweigten Wurzeln in die Luft. Ob man sie nun als Skulpturen betrachtet oder als Symbole für die rasant fortschreitende Zerstörung der Natur – kaum ein Passant kann sich dieser Installation entziehen.
A surreal scenario on Trafalgar Square in London: large tree stumps are spread out around Nelson’s Column. Like nerve endings, their widely ramified roots protrude into the air. Whether they are viewed as sculptures or as symbols for the rapidly progressing destruction of nature – passersby are compelled to take note of the installation. Angela Palmer called her project Ghost Forest. The British artist couldn’t have found a more apt title for her project, whose main sponsor is Deutsche Bank. The ten tree stumps, which stem from a rainforest in Ghana, indeed look like ghosts, like the spirits of giant trees that once rose as high as Nelson’s Column only to end up as raw material for cabinets, flooring or coffins.