rhim – -Translation – Keybot Dictionary

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  www.gruene-zitadelle.de  
Conseil des ressources humaines de l’industrie minière (RHiM)
Mining and Industry Human Resources Council (MiHR)
  4 Hits www.varkaus.fi  
Toutefois, selon RHiM, l’industrie pourrait voir une hausse de 11 650 emplois disponibles pour les personnes dans les métiers de la construction.
However, according to MiHR, the industry could have upwards of 11,650 jobs available for people in the construction trades.
  56 Hits www.cim.org  
Ryan Montpellier, directeur général du Conseil des ressources humaines de l'industrie minière (RHiM), est un expert reconnu et conférencier recherché qui traite des enjeux actuels des RH dans le secteur minier au Canada.
While it is challenging to make the shift away from short-term or reactionary strategies, creative and long-term approaches to ensuring our talent pool does not shrink will be essential for the sustainability of the industry over the next decade as we look to the next economic phase in the cycle and prepare to say goodbye to our many retiring workers.
  2 Hits www.jobillico.com  
D’après les résultats de recherches sur le marché du travail, le RHiM prévoit que l’industrie minière dans son ensemble devra engager environ 100 000 nouveaux travailleurs au cours des 10 prochaines années, explique Ms.
Through labour market research, MiHR predicts the mining industry as a whole will need to hire about 100,000 new workers within the next 10 years, Sturk says.
  4 Hits www.nrcan.gc.ca  
Au cours de la prochaine décennie, les secteurs de l’exploitation minière et de la transformation des minéraux pourraient engager de 75 000 à 142 000 nouveaux employés! (Source : Conseil des ressources humaines de l’industrie minière (RHIM),
) Mining is also an industry that offers exciting opportunities for employment. Over the next decade, the mining and mineral processing industries could potentially hire between 75 000 and 142 000 new employees!
  4 Hits www.rncan.gc.ca  
Au cours de la prochaine décennie, les secteurs de l’exploitation minière et de la transformation des minéraux pourraient engager de 75 000 à 142 000 nouveaux employés! (Source : Conseil des ressources humaines de l’industrie minière (RHIM),
) Mining is also an industry that offers exciting opportunities for employment. Over the next decade, the mining and mineral processing industries could potentially hire between 75 000 and 142 000 new employees!
  parl.gc.ca  
Je me permets d'ajouter que nous avons constaté que les jeunes s'intéressent déjà bien plus aux géosciences. Il s'agit d'une hausse assez importante, obtenue en très peu de temps. C'est ce que nous ont permis de voir les statistiques récentes et les travaux du RHiM en ce qui concerne l'exploration.
I would just add that, in a very short time—through MiHR, for instance, and their work in the exploration side on statistics—we have seen a nice increase actually in youth who are interested and engaged in the geosciences, quite a nice bump actually, and that's just recent data.
  94 Hits branches.cim.org  
Ryan Montpellier, directeur général du Conseil des ressources humaines de l'industrie minière (RHiM), est un expert reconnu et conférencier recherché qui traite des enjeux actuels des RH dans le secteur minier au Canada.
While it is challenging to make the shift away from short-term or reactionary strategies, creative and long-term approaches to ensuring our talent pool does not shrink will be essential for the sustainability of the industry over the next decade as we look to the next economic phase in the cycle and prepare to say goodbye to our many retiring workers.
  gvlnifollonica.it  
La musique contemporaine tient une place de choix dans son répertoire et l’orchestre collabore avec des compositeurs comme Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim, Benoît Mernier.
In 1772, the Austrian composer and conductor Ignace Vitzthumb officially founded the La Monnaie Orchestra. The ensemble, always closely involved in the opera house’s productions, developed over the years as it worked with great composers such as Wagner, Rimsky-Korsakov, Leoncavallo, d’Indy, Messager, and Berg. It took part in the first performances of a number of operas, including Massenet’s Hérodiade, Chabrier’s Gwendolyne, Chausson’s Le Roi Arthus, and Prokofiev’s The Gambler. In the course of the 20th century, the orchestra was regularly conducted by world-famous conductors such as Pierre Monteux, André Cluytens, Josef Krips, Richard Kraus, Giuseppe Patane, Hermann Scherchen, Wolfgang Sawallisch and, more recently, Sir John Pritchard, Christoph von Dohnányi, Kent Nagano, and Marcello Viotti. Under Gerard Mortier, the La Monnaie Symphony Orchestra was thoroughly revitalised in 1981 and Sylvain Cambreling (1981-1991) was appointed Music Director. He was succeeded by Sir Antonio Pappano (1992-2002) and Kazushi Ono (2002-2008). Equally at home in the symphonic and operatic repertoires, the orchestra performs for the most part in Brussels at La Monnaie, in the Henry Le Boeuf Hall at Bozar, and in Flagey, as well as on tour in Europe, the United States, and Japan.  Contemporary music figures prominently in the orchestra’s repertoire and it has collaborated with many composers, including Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim, and Benoît Mernier. The orchestra’s dynamism and versatility have made a huge contribution to La Monnaie’s artistic identity. Their impact has grown as broadcasts of opera productions on television and radio, as well as Internet streaming, have increasingly brought the orchestra to the attention of music-lovers all over the world. Its prestige is reflected in an extensive and ever-growing discography. Alain Altinoglu has been Music Director of the La Monnaie Symphony Orchestra since January 2016.
  www.hotel-dolcevita.it  
La musique contemporaine tient une place de choix dans son répertoire et l’orchestre collabore avec des compositeurs comme Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim, Benoît Mernier.
In 1772, the Austrian composer and conductor Ignace Vitzthumb officially founded the La Monnaie Orchestra. The ensemble, always closely involved in the opera house’s productions, developed over the years as it worked with great composers such as Wagner, Rimsky-Korsakov, Leoncavallo, d’Indy, Messager, and Berg. It took part in the first performances of a number of operas, including Massenet’s Hérodiade, Chabrier’s Gwendolyne, Chausson’s Le Roi Arthus, and Prokofiev’s The Gambler. In the course of the 20th century, the orchestra was regularly conducted by world-famous conductors such as Pierre Monteux, André Cluytens, Josef Krips, Richard Kraus, Giuseppe Patane, Hermann Scherchen, Wolfgang Sawallisch and, more recently, Sir John Pritchard, Christoph von Dohnányi, Kent Nagano, and Marcello Viotti. Under Gerard Mortier, the La Monnaie Symphony Orchestra was thoroughly revitalised in 1981 and Sylvain Cambreling (1981-1991) was appointed Music Director. He was succeeded by Sir Antonio Pappano (1992-2002) and Kazushi Ono (2002-2008). Equally at home in the symphonic and operatic repertoires, the orchestra performs for the most part in Brussels at La Monnaie, in the Henry Le Boeuf Hall at Bozar, and in Flagey, as well as on tour in Europe, the United States, and Japan.  Contemporary music figures prominently in the orchestra’s repertoire and it has collaborated with many composers, including Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim, and Benoît Mernier. The orchestra’s dynamism and versatility have made a huge contribution to La Monnaie’s artistic identity. Their impact has grown as broadcasts of opera productions on television and radio, as well as Internet streaming, have increasingly brought the orchestra to the attention of music-lovers all over the world. Its prestige is reflected in an extensive and ever-growing discography. Alain Altinoglu has been Music Director of the La Monnaie Symphony Orchestra since January 2016.
In 1772 richtte de Oostenrijkse componist en dirigent Ignace Vitzthumb officieel het Symfonieorkest van de Munt op. Dit ensemble, nauw verbonden met de producties van de Muntschouwburg, kon in de loop van de tijd groeien dankzij de samenwerking met grote componisten als Wagner, Rimski-Korsakov, Leoncavallo, d’Indy, Messager en Berg. Het bracht de creatie van vele opera’s: Hérodiade van Massenet, Gwendolyne van Chabrier, Le Roi Arthus van Chausson en Le Joueur van Prokofiev. In de twintigste eeuw speelde het orkest regelmatig onder de leiding van internationaal gerenommeerde dirigenten: Pierre Monteux, André Cluytens, Josef Krips, Richard Kraus, Giuseppe Patane, Hermann Scherchen, Wolfgang Sawallisch en, meer recent, met Sir John Pritchard, Christoph von Dohnányi, Kent Nagano en Marcello Viotti. Na een grondige vernieuwing in 1981 onder het mandaat van Gerard Mortier, kwam het Symfonieorkest van de Munt onder de muzikale leiding van Sylvain Cambreling (1981-1991). Zijn opvolgers zijn Sir Antonio Pappano (1992-2002) en Kazushi Ono (2002-2008). Het orkest treedt op met opera- en symfonisch repertoire, voornamelijk in Brussel (de Muntschouwburg, de Henry Le Bœuf-zaal van het Paleis voor Schone Kunsten, en Flagey) en op tournee in Europa, de Verenigde Staten en Japan. Een bijzondere plaats in het repertoire heeft de hedendaagse muziek. Het orkest werkte samen met componisten als Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim en Benoît Mernier. Dit dynamisme en eclecticisme dragen sterk bij tot de artistieke identiteit van de Munt. Deze aspecten zijn des te belangrijker omdat de vele televisie- en radio-uitzendingen en de streaming op internet van de operaproducties de aanwezigheid van het orkest voor muziekliefhebbers over de hele wereld sterk vergroten. Getuige van deze uitstraling: een ruime discografie die door de jaren heen is blijven groeien. Sinds januari 2016 is Alain Altinoglu chef-dirigent van het Symfonieorkest van de Munt.
  www.paris-brest-paris.org  
La musique contemporaine tient une place de choix dans son répertoire et l’orchestre collabore avec des compositeurs comme Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim, Benoît Mernier.
In 1772, the Austrian composer and conductor Ignace Vitzthumb officially founded the La Monnaie Orchestra. The ensemble, always closely involved in the opera house’s productions, developed over the years as it worked with great composers such as Wagner, Rimsky-Korsakov, Leoncavallo, d’Indy, Messager, and Berg. It took part in the first performances of a number of operas, including Massenet’s Hérodiade, Chabrier’s Gwendolyne, Chausson’s Le Roi Arthus, and Prokofiev’s The Gambler. In the course of the 20th century, the orchestra was regularly conducted by world-famous conductors such as Pierre Monteux, André Cluytens, Josef Krips, Richard Kraus, Giuseppe Patane, Hermann Scherchen, Wolfgang Sawallisch and, more recently, Sir John Pritchard, Christoph von Dohnányi, Kent Nagano, and Marcello Viotti. Under Gerard Mortier, the La Monnaie Symphony Orchestra was thoroughly revitalised in 1981 and Sylvain Cambreling (1981-1991) was appointed Music Director. He was succeeded by Sir Antonio Pappano (1992-2002) and Kazushi Ono (2002-2008). Equally at home in the symphonic and operatic repertoires, the orchestra performs for the most part in Brussels at La Monnaie, in the Henry Le Boeuf Hall at Bozar, and in Flagey, as well as on tour in Europe, the United States, and Japan.  Contemporary music figures prominently in the orchestra’s repertoire and it has collaborated with many composers, including Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim, and Benoît Mernier. The orchestra’s dynamism and versatility have made a huge contribution to La Monnaie’s artistic identity. Their impact has grown as broadcasts of opera productions on television and radio, as well as Internet streaming, have increasingly brought the orchestra to the attention of music-lovers all over the world. Its prestige is reflected in an extensive and ever-growing discography. Alain Altinoglu has been Music Director of the La Monnaie Symphony Orchestra since January 2016.
In 1772 richtte de Oostenrijkse componist en dirigent Ignace Vitzthumb officieel het Symfonieorkest van de Munt op. Dit ensemble, nauw verbonden met de producties van de Muntschouwburg, kon in de loop van de tijd groeien dankzij de samenwerking met grote componisten als Wagner, Rimski-Korsakov, Leoncavallo, d’Indy, Messager en Berg. Het bracht de creatie van vele opera’s: Hérodiade van Massenet, Gwendolyne van Chabrier, Le Roi Arthus van Chausson en Le Joueur van Prokofiev. In de twintigste eeuw speelde het orkest regelmatig onder de leiding van internationaal gerenommeerde dirigenten: Pierre Monteux, André Cluytens, Josef Krips, Richard Kraus, Giuseppe Patane, Hermann Scherchen, Wolfgang Sawallisch en, meer recent, met Sir John Pritchard, Christoph von Dohnányi, Kent Nagano en Marcello Viotti. Na een grondige vernieuwing in 1981 onder het mandaat van Gerard Mortier, kwam het Symfonieorkest van de Munt onder de muzikale leiding van Sylvain Cambreling (1981-1991). Zijn opvolgers zijn Sir Antonio Pappano (1992-2002) en Kazushi Ono (2002-2008). Het orkest treedt op met opera- en symfonisch repertoire, voornamelijk in Brussel (de Muntschouwburg, de Henry Le Bœuf-zaal van het Paleis voor Schone Kunsten, en Flagey) en op tournee in Europa, de Verenigde Staten en Japan. Een bijzondere plaats in het repertoire heeft de hedendaagse muziek. Het orkest werkte samen met componisten als Frank Martin, Bruno Maderna, Philippe Boesmans, Pascal Dusapin, Salvatore Sciarrino, Wolfgang Rhim en Benoît Mernier. Dit dynamisme en eclecticisme dragen sterk bij tot de artistieke identiteit van de Munt. Deze aspecten zijn des te belangrijker omdat de vele televisie- en radio-uitzendingen en de streaming op internet van de operaproducties de aanwezigheid van het orkest voor muziekliefhebbers over de hele wereld sterk vergroten. Getuige van deze uitstraling: een ruime discografie die door de jaren heen is blijven groeien. Sinds januari 2016 is Alain Altinoglu chef-dirigent van het Symfonieorkest van de Munt.