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Keybot 5 Résultats  agroconf.org
  Mamen Domingo | Ernest ...  
El concurso preveia 27290,31m2 de techo sobre rasante en una parcela municipal, haciendo fachada con el rio Segre y con el futuro edficio del "Pala...
The competition expects 27290,31m2 of roofing above gradient in a municipal plot, the facade faces Segre river and the future "Palau de Congre...
El concurs preveia 27.290,31m2 de sostre sobre rasant a una parcel•la municipal, fent façana amb el Riu Segre i amb el futur edifici del Palau de C...
  CNC residential Mamen ...  
El concurso preveia 27290,31m2 de techo sobre rasante en una parcela municipal, haciendo fachada con el rio Segre y con el futuro edficio del "Palau de Congressos de la Llotja". El anteproyecto se adecua a la variante de dos torres, una de PB+15
The competition expects 27290,31m2 of roofing above gradient in a municipal plot, the facade faces Segre river and the future "Palau de Congressos de la Llotja"'s building. The draft is adapted to two tower versions, one of ground floor + 15 (A) and another of ground floor + 21 (B), anticipated as an regulation alternative to the modification of Lleida's "General Plan"
The competition expects 27290,31m2 of roofing above gradient in a municipal plot, the facade faces Segre river and the future "Palau de Congressos de la Llotja"'s building. The draft is adapted to two tower versions, one of ground floor + 15 (A) and another of ground floor + 21 (B), anticipated as an regulation alternative to the modification of Lleida's "General Plan"
The competition expects 27290,31m2 of roofing above gradient in a municipal plot, the facade faces Segre river and the future "Palau de Congressos de la Llotja"'s building. The draft is adapted to two tower versions, one of ground floor + 15 (A) and another of ground floor + 21 (B), anticipated as an regulation alternative to the modification of Lleida's "General Plan"
The competition expects 27290,31m2 of roofing above gradient in a municipal plot, the facade faces Segre river and the future "Palau de Congressos de la Llotja"'s building. The draft is adapted to two tower versions, one of ground floor + 15 (A) and another of ground floor + 21 (B), anticipated as an regulation alternative to the modification of Lleida's "General Plan"
  Mamen Domingo | Ernest ...  
Conjuntamente han construido un gran número de edificios repartidos sobre todo por Cataluña, desde casas unifamiliares en el Baix Camp, hasta obras de escala urbana y territorial, como el Puente del Río Segre en Lleida, el Puente del Fórum en Barcelona o el proyecto finalista del concurso para la remodelación del estadio del Camp Nou del Futbol Club Barcelona.
Mamen Domingo and Ernest Ferré architectural office was founded in 1992. Since then, they have built numerous projects, mainly in Catalonia, from family houses situated in Baix Camp to huge urban and territorial scale projects, like the Segre Bridge in Lleida, Forum Bridge in Barcelona or finalist project for remodelation of FC Barcelona Football Club Stadium. The team also has built numerous public buildings in diferents municipalities like: Funeral house, Vila-Seca nursery, two football stadiums in Reus, local culture house in Balaguer or public spaces like Blas Infante square in Lleida. All those projects have been published in numerous architectural magazins and have received many prizes and mentions. The deep dermination to mix professional and academic activity gives special value for architecture in general and for their works in particular. That personal characteristic and enthusiasm in searching for differents fields of architecture is the best way to describe their own trajectory and extensive international academic activity.
Mamen Domingo and Ernest Ferré architectural office was founded in 1992. Since then, they have built numerous projects, mainly in Catalonia, from family houses situated in Baix Camp to huge urban and territorial scale projects, like the Segre Bridge in Lleida, Forum Bridge in Barcelona or finalist project for remodelation of FC Barcelona Football Club Stadium. The team also has built numerous public buildings in diferents municipalities like: Funeral house, Vila-Seca nursery, two football stadiums in Reus, local culture house in Balaguer or public spaces like Blas Infante square in Lleida. All those projects have been published in numerous architectural magazins and have received many prizes and mentions. The deep dermination to mix professional and academic activity gives special value for architecture in general and for their works in particular. That personal characteristic and enthusiasm in searching for differents fields of architecture is the best way to describe their own trajectory and extensive international academic activity.
Ernest Ferré i Mamen Domingo formen equip des dels anys que eren estudiants a l’ETSAB. L’obra que realitzen està impregnada d’una particular sensibilitat en el treball constructiu i l’estructura. La recerca en l’expressió plàstica per definir el seu llenguatge arquitectònic els porta des dels inicis a treballar amb formigó armat, ja que els permet, sobretot en l’habitatge unifamiliar, superar alguns convencionalismes de la construcció més tradicional i construir espais més singulars amb el potencial estructural que aquest material els aporta. El seus primers treballs estan relacionats amb infraestructures urbanes havent construït diversos ponts i passarel•les per a vianants concebudes sempre com un espai públic dins el paisatge urbà on es situen. El resultat formal singular
Mamen Domingo and Ernest Ferré architectural office was founded in 1992. Since then, they have built numerous projects, mainly in Catalonia, from family houses situated in Baix Camp to huge urban and territorial scale projects, like the Segre Bridge in Lleida, Forum Bridge in Barcelona or finalist project for remodelation of FC Barcelona Football Club Stadium. The team also has built numerous public buildings in diferents municipalities like: Funeral house, Vila-Seca nursery, two football stadiums in Reus, local culture house in Balaguer or public spaces like Blas Infante square in Lleida. All those projects have been published in numerous architectural magazins and have received many prizes and mentions. The deep dermination to mix professional and academic activity gives special value for architecture in general and for their works in particular. That personal characteristic and enthusiasm in searching for differents fields of architecture is the best way to describe their own trajectory and extensive international academic activity.
  Space transmitter of th...  
En el mes de Enero de 2007, los trabajos de construcción de una de las tuberías de la red de riego del sistema Segarra-Garrigues, provocaron la aparición inesperada de los restos de una construcción prehistórica de hace 4.800 años en el municipio de Seró ( Artesa de Segre, Lleida ).
During January of 2007, the construction works of a secondary pipe of the water distribution mains in Segarra-Garrigues system, caused an unexpected appearance of archaeological ruins from an ancient construction of 4.800 years in Seró (Artesa de Segre, Lleida). The most important point of this discovery was the megalithic nature of sandstone slabs and specially the accuracy of geometrical decoration sculpted. Stones with soft relief that, at the same time, were parts of ancient statues reused from a previous sculptural monument. Two patches that are not in use and next to the scales square, is the place where is projected and built an small cultural building with different type of uses and spaces. A construction projected with local materials that, at the same time, is the topography to beat the drop of one floor between square and patches. A succession of mild ramps with soft and elastic limits made of corrugated steel that suggests different paths and covers the different conditions of the public space projected... clay and humus platform between the square and the prepirinenc horizon, cliff plane as a viewpoint on the fourth of steels where we can see the archaeological ruins... a corner space looking to west orientation with winter sun and vegetal cover during the summer, some banks recycling the stones of one of orchards and different carpets of floors alternating the use of materials such as clay, iron, topsoil, granite gravel… the shadows of two hackberry recovered... and the memory of the old orchard with the spontaneous regrowth of chard. In the inside, the space of the wine offers the product of the local cooperatives, and at the same time is the village bar. Also a multipurpose room that blends the daily uses as a social centre with the introduction to the museum area where is documented the discovery and are showed the pieces of the megalithic tomb… finally start entering to the room of the steel …a spiral tour with an almost imperceptible slope… surrounded by ceramic pieces that lets in the dim light, the air, the smells of the countryside, the fog… light intensity goes down, the ceramic pavement disintegrates, and to get to the camera the overhead light focuses the eye on the etched surface of each of the steel… silence… slowing time in a space of accurate contemplation, in a horizontal plane of clay powder showing the footprint of each visitor… quietly and in reverse start to go out with no possibility of crossing with other… gradually int
  Space transmitter of th...  
En el mes de Enero de 2007, los trabajos de construcción de una de las tuberías de la red de riego del sistema Segarra-Garrigues, provocaron la aparición inesperada de los restos de una construcción prehistórica de hace 4.800 años en el municipio de Seró ( Artesa de Segre, Lleida ).
During January of 2007, the construction works of a secondary pipe of the water distribution mains in Segarra-Garrigues system, caused an unexpected appearance of archaeological ruins from an ancient construction of 4.800 years in Seró (Artesa de Segre, Lleida). The most important point of this discovery was the megalithic nature of sandstone slabs and specially the accuracy of geometrical decoration sculpted. Stones with soft relief that, at the same time, were parts of ancient statues reused from a previous sculptural monument. Two patches that are not in use and next to the scales square, is the place where is projected and built an small cultural building with different type of uses and spaces. A construction projected with local materials that, at the same time, is the topography to beat the drop of one floor between square and patches. A succession of mild ramps with soft and elastic limits made of corrugated steel that suggests different paths and covers the different conditions of the public space projected... clay and humus platform between the square and the prepirinenc horizon, cliff plane as a viewpoint on the fourth of steels where we can see the archaeological ruins... a corner space looking to west orientation with winter sun and vegetal cover during the summer, some banks recycling the stones of one of orchards and different carpets of floors alternating the use of materials such as clay, iron, topsoil, granite gravel… the shadows of two hackberry recovered... and the memory of the old orchard with the spontaneous regrowth of chard. In the inside, the space of the wine offers the product of the local cooperatives, and at the same time is the village bar. Also a multipurpose room that blends the daily uses as a social centre with the introduction to the museum area where is documented the discovery and are showed the pieces of the megalithic tomb… finally start entering to the room of the steel …a spiral tour with an almost imperceptible slope… surrounded by ceramic pieces that lets in the dim light, the air, the smells of the countryside, the fog… light intensity goes down, the ceramic pavement disintegrates, and to get to the camera the overhead light focuses the eye on the etched surface of each of the steel… silence… slowing time in a space of accurate contemplation, in a horizontal plane of clay powder showing the footprint of each visitor… quietly and in reverse start to go out with no possibility of crossing with other… gradually int
El mes de Gener de 2007, els treballs de construcció d´una de les canonades secundàries de la xarxa de distribució de reg del sistema Segarra-Garrigues, varen provocar l´aparició inesperada de les restes d´una construcció prehistòrica al terme de Seró (Artesa de Segre, Lleida). El tret més excepcional d´aquest descobriment fou el caràcter megalític de les lloses de pedra sorrenca, i especialment la seva profusa decoració geomètrica esculpida, que alhora eren fragments d'antigues estàtues-esteles reaprofitades d´un monument escultòric anterior. Als terrenys de dos horts abandonats a tocar de la plaça de la bàscula del poble, es el lloc on es projecta i construeix un petit equipament cultural amb polivalència d'usos i d'espais. Una construcció realitzada amb materials propis de la zona, que alhora és topografia al salvar el desnivell d’una planta entre la plaça i els horts. Una successió de rampes suaus amb límits lleugers i elàstics d'acer corrugat, suggereixen els trànsits i escalen les diferents condicions de l'espai públic projectat... plataforma d’argila i terra entre la plaça i l'horitzó prepirinenc, pla acantilat com a mirador sobre la cambra de les esteles des d’on observem la zona del descobriment... espai recollit en cantonada orientat a ponent amb sol d’hivern i cobertura vegetal a l'estiu, llocs per seure amb pedres reciclades d’un dels horts, paviments porosos i drenants que ofereixen inèrcia tèrmica a la coberta i a la vegada recullen els paisatges propis de cada estació... les ombres de dos lledoners recuperats... i la memòria de l’antic lloc amb el rebrot espontani de les bledes. A l'interior, l'espai del vi ofereix el producte de les cooperatives locals, i a la vegada funciona com a bar del poble. També una sala polivalent que alterna l'ús quotidià com a centre social, amb la introducció als continguts d’un immediat espai museu on es documenta la troballa i es mostren les peces de l'aixovar de la tomba megalítica ... Finalment iniciem l'accés a la cambra de les mil·lenàries esteles...Un recorregut en espiral quadrangular i amb una quasi inapreciable pendent,...envoltats per peces ceràmiques calades que deixen passar la llum tamisada, l'aire, les olors del camp, la boira... va baixant la intensitat lumínica, el paviment ceràmic es va disgregant, i al arribar a la cambra la llum zenital focalitza la mirada sobre la superfície gravada de cadascuna del les esteles,...silenci...s'enlenteix el temps en un espai de contemplació precisa, en un pla