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Zakład Kokerei Hansa w Huckarde, przedmieściu Dortmundu, uruchomiono w roku 1928. Węgiel wydobywany z sąsiednich kopalń przerabiano tu na koks, potrzebny w pobliskiej hucie żelaza i stali "Dortmunder Union".
The Hansa coking plant in the Huckarde suburb of Dortmund went into operation in 1928. It was at the heart of the integrated production process in the Dortmund coal, iron and steel industry, taking coal from the neighbouring collieries and delivering coke to the "Dortmunder Union" iron and steel mill. At peak periods up to 1000 people worked here and the plant was able to produce over 5000 tons of coke per day. Heavy industry crisis of the 1980s forced the plant to be gradually shut down and eventually closed down in December 1992. The imminent destruction of this fascinating industrial unit was prevented by the combined efforts of politicians and local grass-roots organizations. Since 1997 the coking plant has been one of the sites belonging to the Foundation for the Preservation of Industrial Monuments and Historical Culture.
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"[...] wnętrze budzi rozczarowanie - hala dla wiernych stłoczonych w jednej przestrzeni, tak by stali pod okiem kaznodziei; nieumiar w ozdobie ścian, gdzie konkurują ze sobą najkosztowniejsze materiały, kolorowe marmury, kamienie półszlachetne. Na bocznym ołtarzu postać Ignacego z Loyoli strzeże jak smok z bajki drogocennych kruszców, symbolu bogactwa materialnego. A jeśli chodzi o freski sufitowe - znacznie ciekawsze znajdują się w kościele poświęconym samemu Sant'Ignazio, na rokokowym placyku tegoż imienia." (Ewa Bieńkowska: Spacery po Rzymie, Warszawa 2010).
This baroque church, located in the Piazza del Gesù, is the mother church of the Jesuit order. It introduced the baroque style into architecture and served as model for innumerable Jesuit churches all over the world. Although Michelangelo, at the request of the Spanish cardinal Bartolomeo de la Cueva, offered, out of devotion, to design the church for free, the endeavor was funded by Cardinal Alessandro Farnese, grandson of Pope Paul III, the pope who had authorized the founding of the Society of Jesus. Ultimately, the main architects involved in the construction were Giacomo Barozzi da Vignola, architect of the Farnese family, and Giacomo della Porta. The most striking feature of the interior decoration is the ceiling fresco is the grandiose Triumph of the Name of Jesus by Giovanni Battista Gaulli. Gaulli also frescoed the cupola, including lantern and pendentives, central vault, window recesses, and transepts' ceilings. (Text based on Wikipedia).