stila – Übersetzung – Keybot-Wörterbuch

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Ausgangssprachen Zielsprachen
Keybot 13 Ergebnisse  www.animafest.hr
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Dašak japanskog stila film je
A touch of Japanese style comes with
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„Uznemirujuća i prelijepo izvedena priča o bizarnoj i katastrofalnoj epizodi iz djetinjstva. Oduševio me spoj iznenađujućeg i inovativnog stila animacije – Jelenji cvijet Kangmina Kima.“
All the elements of this film – its unpredictable narrative, its stunning design and unique visual style – combine to convey to the viewer deep emotions of love and solitude. Special award goes to the film Before Love by Igor Kovalyov.
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U Animafestovu centru Pčelica postavljena je interaktivna izložba videoigara izraženog vizualnog stila i umjetničke animacije. Istražujući i otkrivajući virtualne svjetove pet edukativno-zabavnih igara, djeca rješavaju logičke zadatke i testiraju svoja znanja iz jezika, matematike, prirode i znanosti.
Interactive video games exhibition is on display at the Animafest centre Pčelica. Five educational and diverting video games of distinguished style and artists' animation offer explorations in virtual worlds while solving logic problems and testing knowledge in language, maths, nature and science.
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Chris Landreth jedan je od najslavnijih kanadskih redatelja animiranih filmova i tvorac stila koji naziva „psihorealizmom“. Landreth je studirao teorijsku i primijenjenu mehaniku, a zatim se posvetio animaciji.
Chris Landreth is one of Canada’s most celebrated animation directors and the creator of a style he calls “psychorealism.” Landreth studied theoretical and applied mechanics before taking up animation. His first short film,
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(2001.), postao jedan od najvažnijih inovatora i predstavnika egzistencijalističkog (često simboličkog) animiranog filma, katkada u potpunosti brišući granicu animiranog i igranog. Velikom maštovitošću i povremenom grubošću stila i slike svijeta Servais nastavlja baštinu povijesnih avangardi i aniticipira trendove dominantne u kasnijim umjetničkim naraštajima.
(2001), he became one of the most important innovators and representatives of existentialist (often symbolic) animation, occasionally completely blurring the boundary between animation and live action. With great imagination and occasional roughness of style and notion of the world, Servais followed in the footsteps of historical avant-gardes and anticipated trends dominant among later generations of artists.
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Napravio je nekolicinu uspješnih animiranih televizijskih serija: Wildlife, Altair i naravno Ted Sieger’s Molly Monster. Wildlife (104x5) se prikazivao u više od sto zemalja. U međunarodnom krugu Ted Sieger poznat je i cijenjen animator jedinstvenog i prepoznatljivog stila.
Ted Sieger started to draw cartoons at the age of eight. Since 1984 he is realising his own animation films. He is one of the lecturers at the University of Lucerne (Design and Art Department) for animation. He produced station IDs for MTV International and developed several successful animated series for television: Wildlife, Altair and of course Ted Sieger’s Molly Monster. Wildlife (104x5) was on screen in more than hundred countries. On an international level Ted Sieger is a well known and much appreciated creator of animation with a unique and recognisable style.
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U potkrovlju kineskog stila četvorica muškaraca igraju mahjong. Žena stoji sa strane i nijemo drži bocu alkohola. Svatko krije neku svoju čežnju, nesvjestan da će ih neizbježno odvesti u konačnu propast.
In a Chinese style garret, four men are playing Mahjong. A woman stands aside in silence, holding a bottle of liquor. They all had hidden cravings of their own, unaware that they would be invariably led to the ultimate doom.
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Jedan od najranijih filmova nastalih u produkciji Biographic Films Ltd-a, primjer stila kakav ćemo kasnije vidjeti u mnogim filmovima Boba Godfreya. Ovaj satiričan pogled na stvaranje crtanog filma i dalje je relevantan u industriji animacije, gotovo 60 godina nakon nastanka, a omiljen je podjednako i među animatorima i među gledateljima.
This is one of the earliest films made by Biographic Films Ltd, and is an example of the style later seen in many films made by Bob Godfrey. This satirical view of the way a cartoon film is made is still relevant to today’s animation industry, nearly 60 years after it was made, and has become a well-loved film amongst animators and animation fans alike. The film is often incorrectly thought of as a Bob Godfrey film, but it was in fact directed by all Biographic partners: Keith Learner, Nancy Hanna, Vera Linnecar and Bob Godfrey.
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Blu je započeo međunarodnu karijeru zahvaljujući strasti prema crtanju i javnoj umjetnosti, posebice ilegalnoj umjetnosti. Kao izdanak kulture grafita, svoju je umjetnost počeo razvijati na temelju vrlo osobnog figurativnog stila.
Blu began his artistic career following his passion for drawing, public art, particularly unauthorised, illegal art. Coming from the graffiti culture he started developing his art based on a very personal figurative style. His work lives in two stages and two different spaces. It originates from sketches jotted down in a sketchbook, which represent a diary as well as an image database to be used in the second stage: the mural. The actual project starts in front of the building, with size and load bearing elements of the wall, in an effort to identify an impossible combination between painting and surrounding architecture.
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Gints Zilbalodis (1994) latvijski je autor i animator. Studirao je na Umjetničkoj školi Janis Rozentals (JRRMV) u Rigi, a njegovi kratki animirani filmovi zapaženi su zbog jedinstvenog filmskog vizualnog stila.
Gints Zilbalodis (1994) is a Latvian filmmaker and animator. He studied at JRRMV in Riga. His animated short films have been noted for their uniquely cinematic visual style. Gints has worked as a freelance commercial director in Latvia.