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Keybot 3 Results  evilham.com
  roman vlahovic  
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Dizajner više ne manipulira samim "objektom", već dizajnira i usmjerava pravila, sustave i narative koji će taj objekt generirati, producirati i publicirati. Laserski izrezana ploha i digitalno savijena ploča formiraju LACESCAPE STOL koji propituje na koji način nematerijalna kulturna baština ostavlja traga u budućnosti digitalnog dizajna.
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The designer no longer manipulates the “object” itself, but designs and directs the rules, systems and narratives that will generate, produce and promote that object. The laser cut surface and the digitally bent plate create the LACESCAPE TABLE which examines how the intangible cultural heritage leaves its mark on the future of the digital design.
  roman vlahovic  
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Konačno, LACESCAPE TABLE nije zamišljen kao jedan jedinstveni objekt. On je ideja i koncept koji u sebi sadrži čitavu populaciju stolova. Svaki projektirani stol je jedinstven, svaki priča svoju priču kroz segment čipke na koju se poziva.
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The project LACESCAPE TABLE interweaves the threads of technology and tradition. It was devised by Croatian women lace-makers, and produced by robots. It is completely digitally designed and fabricated. And finally, the LACESCAPE TABLE is not conceived to be as a single, unique object. It is an idea and a concept which incorporates an entire population of tables. Every designed table is unique; each table tells its story through a lace segment to which it refers. It is a piece of an infinite, digitally woven landscape – its lace sometimes originating from Hvar, sometimes from Pag or Lepoglava. The steel origami is its formal frame, yet not its fixed form – it is always similar, yet different.
  roman vlahovic  
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U našoj digitalnoj bazi imamo višestoljetno iskustvo nematerijalne baštine, pomalo neočekivan input za digitalnu manipulaciju. Upravo zbog obilja mnogostrukih izraza izrade čipke, ne ograničavamo se na izradu jednog stola koji će prikazati jednu, najljepšu hrvatsku čipku.
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Our digital database contains centuries of experience of intangible cultural heritage – a somewhat unexpected input for digital manipulation. It is exactly because of the abundance of multiple expressions of lacemaking that we do not limit ourselves on creating one table that will display the single most beautiful Croatian lace. Rather, we direct our focus on a series of objects that will celebrate the richness and diversity of Croatian lacemaking: the beautiful and the mesmerizing patterns, the imperfect and the flawless ones. In order to achieve this task, we have designed three small digital machines: one creating infinite lace landscapes, one stylizing them, and the third – machine for digital origami – giving them shape. When the design process is completed, the digital production takes place: the robots – the ones for cutting and bending – convert the digital image into of a real table.