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  Marstrand Wilhelm - Niv...  
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Wilhelm Marstrand har i denna målning porträtterat Vilhelmine Heise, syster till grundaren av Nivaagaards Malerisamling, Johannes Hage. Avbildad stående med ena handen vilande på ett bord ser den 15-åriga Vilhelmine med förlägen blick och antydan till ett leende på betraktaren.
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In this painting, Wilhelm Marstrand has portrayed Vilhelmine Heise, sister to Johannes Hage, the founder of The Nivaagaard Collection. Standing with one supporting hand on the table, the 15-year-old Vilhelmine glances shyly at the viewer with the slightest hint of a smile. She has black ringlets in her hair and is wearing a formal black silk dress with a white collar and matching red ribbon. After Marstrand’s stay in Rome, practicing his skills in portraying young and beautiful Italian women, the painting of the equally young and beautiful Vilhelmine became an excellent opportunity to demonstrate what he had learned during his travels abroad. The artist was very dissatisfied with the end result of the portrait, however, and in 1856 he painted yet another portrait of Ville because he regarded his first attempt as imperfect.
  Krà¸yer P. S. - Nivaaga...  
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Emil Poulsen blev i sin karriär erkänd både som framgångsrik regissör och som karaktärsskådespelare på Det Kongelige Teater. Han ingick dessutom i familjen Hages umgängeskrets, vilket sannolikt är anledningen till att målningen befanns i Johannes Hages syster Vilhelmine Heises ägo efter skådespelarens död.
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The close connection shared between husband and wife is the central theme in P.S. Krøyer’s informal double portrait of the Danish actor Emil Poulsen and his wife Anna. Resting her cheek on her left hand, Anna directs a loving and admiring look at her husband, who is concentrating on reciting a passage from a book. The dim lighting of the table lamp and the positioning of the fortified wine at the front of the table subtly underscores the cosy and intimate evening atmosphere that has permeated the living room. Emil Poulsen was acknowledged among his contemporaries as a successful stage director and character actor at the Royal Danish Theatre. He was furthermore also part of the Hage family’s social circle, which may explain how this painting came into the possession of Johannes Hage’s sister, Vilhelmine Heise, after Poulsen’s Death.