temelje – -Translation – Keybot Dictionary

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Keybot 7 Results  www.animafest.hr
  Animafest.hr  
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(1975), iznimna i danas rado gledana ostvarenja, postavljaju temelje Norštejnovom remek-djelu
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(1975), exceptional and still today favourite works, served as a basis for Norstein’s masterpiece
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Uz jedan nadolazeći i jedan već nagrađeni film Animafest će publiku u Puli upoznati i sa animiranim filmom Strah(ovi) od tame koji predstavlja zanimljiv spoj šestero autora (Blutch/ Burns/ Caillou/ Di Sciullo/ Mattotti/ McGuire), grafičkih umjetnika i strip crtača isprepličući priče koje se temelje na oživljavanju fobija, mora, strahova...
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Along with the novelty and already awarded films the audience in Pula will be introduced to the animated film: Fear(s) of the dark: six graffiti artists omnibus (Blutch/ Burns/ Caillou/ Di Sciullo/ Mattotti/ McGuire) that interweaves different stories based on fears, phobias and nightmares...
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Budući da se od rane dobi bavi crtanjem i slikanjem, njegova je animacija spoj slika i crteža rukom te 2D-kompjutorskih tehnika animacije. Radovi mu se temelje na umjetničkim stilovima, kao i na znanju stečenom na studiju arhitekture.
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Chanon Treenet is an animator and a painter. He was born and raised in Thailand. He received a Bachelor of Architecture from the Chulalongkorn University, Bangkok, and recently graduated with distinction in MA Character Animation from the Central Saint Martins School of Art and Design, London. Since he has been practicing drawing and painting skills since a young age, his animation is a combination of hand-drawn drawings and paintings and 2D computer animation techniques. The works are based on his artistic styles as well as the knowledge from his previous study in architecture.
  Animafest.hr  
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Svi su ti filmovi zajedno sudjelovali na više od 500 festivala diljem svijeta i među sobom podijelili više od stotinu nagrada, među kojima su posebna priznanja žirija, Fipresci, nagrada publike u Annecyju 2003, te Oscar za najbolji kratki film 2004. za gorku biografiju emigranta Harviea. Adam Elliot strastveni je promatrač ljudi. Njegovi su filmovi vrlo osobni i temelje se na detaljnoj analizi ljudi koji ga okružuju.
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Academy Award winning writer/director, Adam Benjamin Elliot, is a celebrated independent animator. After discerning his artistic abilities at an early age, he spent five years learning about different art forms, ranging from photography to sculpture and ceramics. While completing these studies at the Victorian College of Arts in 1996, he made the first part of his claymation trilogy of shorts, inspired by his family, “Uncle”, which was hugely successful in Australia. “Cousin” and “Brother” completed the trio, followed in 2003 by “Harvie Krumpet”. These films have since collectively participated in over five hundred film festivals world-wide and notched up more than a hundred awards between them, including the Special Jury, Audience and Fipresci Awards at Annecy 2003 and Oscar for Best Animated Short Film in 2004 for the poignant biography of the accident-prone emigrant Harvie. Adam Elliot has a passion for human observation. His films are highly personal and are based on the detailed analysis of the people around him.
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Nakon umjetničkog studija svoju je karijeru posvetio animiranom filmu i osobnom stvaralaštvu. Od početka svi se njegovi filmovi temelje na vlastitim scenarijima i crtežima. Režirao je niz animiranih serija i kratkih filmova.
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Michel Ocelot (1943, France) spent his childhood in Guinea, his teenage years in Anjou and lives in Paris. After studying art, he has dedicated his whole career to animated films and personal creation. Since the very beginning, all his works have been based on his own screenplays and graphic designs. He has directed a number of animated series and short films, works which helped establish his name on the festival circuit and in professional circles (for six years Ocelot has been President of ASIFA). Animafest made a comprehensive retrospective of his work in 2009 presenting his films, all immersed in a distinct atmosphere and aesthetics owing to the technique used – silhouette animation. He directed feature films Kirikou and the Sorceress (1998), Princes and Princesses (2000), Kirikou and the Wild Beasts (2005) and Azur and Asmar: The Prince’s Quest (2006) among others.